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http://www.newswise.com/articles/view/528075/?sc=rsla

Clint Eastwood and Dave Brubeck: New Documentary Film and Legacy Initiative Announced
Released: 3/13/2007 4:10 PM EDT
Source: Academy Communications

Newswise — Clint Eastwood announced today that he will be executive producer of a Bruce Ricker documentary about jazz legend Dave Brubeck. Eastwood also said that he will chair the new honorary board formed to preserve and continue the legacy of Brubeck through the work of the Brubeck Institute at University of the Pacific in Stockton, Calif.

"Dave Brubeck is an American legend," Eastwood said. "He is an American original who continues to make significant contributions to music, introduced a whole new generation to the world of jazz, and continues to explore the international language of music."

The documentary film is tentatively titled "Dave Brubeck " In His Own Sweet Way." The film will trace the journey of the development of Brubeck's latest work, the Cannery Row Suite, from the moment it was first commissioned by the Monterey Jazz Festival to its premiere at the festival in 2006. Eastwood's film crews captured early rehearsals, dress rehearsals, sound checks and the final performance.

While tracing the creation of Brubeck's newest work, the documentary also will track Brubeck's career, from his first musical experiences on a Central California cattle ranch, to his years at Pacific, the success of the Dave Brubeck Quartet, the musical revolution he created by utilizing new time signatures in jazz, the release of "Time Out" and the public stance he took against racial inequality.

The new documentary is being directed and produced by Bruce Ricker. Ricker's other film credits include the classics "Thelonious Monk, Straight No Chaser" and "The Last of the Blue Devils." He and Eastwood are currently making a documentary about Tony Bennett titled "The Music Never Ends."

Besides the film, Eastwood also is chairing the new honorary board that includes members such as trumpeter and composer Wynton Marsalis, film director George Lucas, recording artist Al Jarreau, record producer Quincy Jones, cellist Yo-Yo Ma, television and recording producer Larry Rosen, hotel businessman Gordon Zuckerman, documentary filmmaker Ken Burns, trumpeter and record producer Herb Alpert and many others (please see complete board list attached). The members of the new honorary board will work to raise awareness of the Brubeck Institute and about Brubeck's legacy and his music. The board's first official meeting will be on April 17, prior to the Brubeck Institute Spring Fundraiser at Eastwood's Mission Ranch in Carmel, Calif.

Eastwood, himself a jazz pianist and composer, has served as the honorary chairman of the Brubeck Institute since its inception and is a member of the Board of Directors for the Monterey Jazz Festival. He received an honorary doctorate from University of the Pacific during the same ceremony at which Brubeck was awarded the President's Medal of Achievement.

Brubeck said the formation of the Brubeck Institute in 2000 was the "realization of a dream," one that reflects his own personal and professional commitment "to advancing the acceptance and recognition of jazz as a serious art form that reflected American ideals of freedom and individual expression balanced with group responsibility and interdependence." Brubeck, 86, graduated from Pacific in 1942. His wife and creative partner, Iola Brubeck, also is a Pacific graduate.

The Brubeck Institute was established following the donation of an extensive collection of Brubeck's materials to University of the Pacific's library for research and archival purposes. In addition to the archive " one of the world's largest and most comprehensive collections from a contemporary musician " the Institute also coordinates several national educational programs. Those programs range from the Brubeck Institute Fellowship, a full-scholarship educational opportunity for five exceptional young jazz musicians; the Brubeck Summer Jazz Colony, an intensive jazz performance experience for high school students; the Outreach Program, an initiative to promote better understanding of jazz and the work and influence of Dave Brubeck; and the annual Brubeck Festival, a celebration of the music and ideals of Dave Brubeck and his influence on the world of music.

This year's Brubeck Festival "Words with Music" will take place at Pacific April 11-15. A schedule and a line-up of the 2007 event's performers (which will include the Dave Brubeck Quartet) can be found at http://www.pacific.edu/conservatory

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A link to the Institute: http://www.pacific.edu/brubeck/

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Dave Brubeck Turns 90. Clint Eastwood produces documentary to premier Dec. 6

• By Healthy Aging Admin
  
• Published 10/28/2010
  
• Travel & Entertainment
  
• Rating: Unrated
  

Dave Brubeck 90th Birthday Celebration

With every passing decade, the national treasure known as Dave Brubeck continues to amaze his millions of fans across the globe. His energy seems to transcend all bounds, as his quartet performed more than 50 concerts in 2010, and new composi*tions continue to pour from his fertile imagination. On Monday, December 6, 2010, the world will celebrate his 90th birthday, an event to be commemorated by Turner Classic Movies (TCM) with the premiere of Dave Brubeck: In His Own Sweet Way, a new documentary executive-produced by Clint Eastwood.

In advance of the film’s premiere, Legacy Recordings will release DAVE BRUBECK: LEGACY OF A LEGEND, a new 21-track double-CD compilation with every track handpicked by Brubeck himself. The commemorative collection, featuring extensive annotation and anecdotal liner notes written by his son Darius, will be available at all physical and digital retail outlets starting November 16th through Columbia/Legacy, a division of SONY MUSIC ENTERTAINMENT.

This significant package finds Brubeck reflecting on his 17 core years at Columbia Records. He opens in 1954 with “Jeepers Creepers” from his second Columbia LP (and first studio album for the label) Brubeck Time; and closes with a pair of tracks from 1970 with Gerry Mulligan, “Out Of Nowhere” and “St. Louis Blues” from the Live At The Berlin Philharmonie LP.

On CD Two, Brubeck dips into his deep personal archive of recordings for a previously unreleased live version of “Three To Get Ready” from the final concert of the classic quartet: Brubeck on piano, alto saxophonist Paul Desmond, bassist Eugene Wright, and Joe Morello on drums. “Three To Get Ready” was a centerpiece of the breakthrough album of 1959, Time Out, one of the quartet’s first LPs together, so it is an appropriate choice for LEGACY OF A LEGEND to include this version from their final concert together.

Over the course of CD One, LEGACY OF A LEGEND shows the evolution of the quartet. Brubeck, Desmond, and drummer Joe Dodge were together since 1953, with a succession of bassists through the mid-‘50s. In late 1953, on a weekend ‘field trip’ to Helen Noga’s Blackhawk nightclub in San Francisco, Columbia Records staff producer George Avakian heard the quartet and signed them (along with a young singer named Johnny Mathis, managed by Noga). The quartet already had made several successful live college concert recordings on Fantasy (in 1953), so Avakian extended the concept to their Columbia debut of 1954.

Brubeck was skeptical when Avakian decided to record the quartet in a proper studio later that year, Columbia’s imposing 30th Street facility. The results, however, as heard on Brubeck Time (with Brubeck, Desmond, Dodge, and bassist Bob Bates), became a program comprised almost entirely of standards (including Johnny Mercer’s “Jeepers Creepers”), proving that the quartet had little to fear from the absence of a concert audience. Within weeks of the sessions, Brubeck was featured on the November 8, 1954, cover of TIME magazine, a phenomenal coup, only the second jazz artist to appear on the magazine’s cover.

Avakian returned the quartet to a live setting in 1955, New York’s Basin Street East night club, for Red, Hot & Cool (“Taking A Chance On Love” from the Broadway musical, Cabin In The Sky). At that point, after several LPs mainly consisting of standards with the quartet, the time was right in 1956 for Brubeck’s first solo piano album of original compositions, Brubeck Plays Brubeck (“The Duke”).

Morello was introduced to the lineup on Jazz Impressions Of The U.S.A. (“Ode To A Cowboy”), a program of Brubeck originals inspired by his travels across the country with the quartet. (Bates’ brother Norman had taken over on bass.) Brubeck was similarly inspired by a trip to Disneyland with his family in 1957. The result was a concept album, his final LP with Avakian, comprised entirely of tunes from four of Walt’s animated features, Dave Digs Disney (“Someday My Prince Will Come,” from Snow White & The Seven Dwarfs).

The quartet headed overseas in 1958, for a grueling tour of 80 concerts in 14 countries, and a State Department-sponsored trip that took them to Poland, India, Turkey, Sri Lanka, Afghanistan, Pakistan, Iran, and Iraq. Brubeck captured the spirit on his original compositions for Jazz Impressions Of Eurasia (“Thank You”). The 20th anniversary of Gone With The Wind in 1959 inspired an LP of southern-rooted songs, including Stephen Foster’s “Camptown Races” and the timeless MGM movie theme.

With new bassist Eugene Wright now fixed in the quartet lineup, and new producer Teo Macero, the stage was set for the 1959 recording of Time Out. An incalculable watershed moment in jazz history, with every cut in a different time signature, it brought modern progressive jazz into the mainstream. Time Out hit #2 in Billboard and became the first jazz album to sell a million copies, while the single “Take Five” b/w “Blue Rondo A La Turk” changed all the rules, played on jukeboxes around the world.

As if in counterpoint to Time Out, Brubeck accepted an offer from Jimmy Rushing to do an album with the 57 year-old singer, ‘Mr. Five By Five,’ the former front man for the Count Basie Orchestra in the 1930s and ‘40s, who was still at the top of his game (“Evenin’”). Working with a singer proved so delightful that Brubeck organized a musical revue in 1961 called The Real Ambassadors, which rallied against racism (on songs written by Dave and his wife Iola) sung by Carmen McRae (“My One Bad Habit”), Louis Armstrong (“Summer Song”) and others.

The ongoing success of 1959’s Time Out – 164 weeks on the Billboard chart – called for a ‘sequel’ in 1961. Time Further Out hit the Top 10 on its way to a 46-week chart run, and earned jukebox singles play with “Unsquare Dance.” Another sequel to the Jazz Impressions series was inspired by the Big Apple, Jazz Impressions Of New York (“Something To Sing About”).

Brubeck disbanded the quartet in 1967, to concentrate on composing. In 1998, Legacy compiled Buried Treasures, a CD of previously unreleased material from 1967, recorded live in Mexico City. “Mr. Broadway” and “Three To Get Ready” are swan songs to one of the most important aggregations in jazz history. Within a year, of course, Brubeck was back with the first of many new groups, this one featuring old friend, baritone saxophonist Gerry Mulligan, plus bassist Jack Six and drummer Alan Dawson, a lineup that stayed together until 1973. One of their finest sessions was recorded in 1970, Live At The Berlin Philharmonie(“Out Of Nowhere,” “St. Louis Blues”), which brings this collection to its conclusion.

Throughout his long career, Brubeck has received numerous national and international honors, including the Living Legacy Jazz Award from the Kennedy Center (2007), the National Medal of the Arts from President Clinton, a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences, the Smithsonian Medal, and a star on the Hollywood Walk of Fame. He holds numerous honorary doctorates from American, Canadian, English, Swiss, and German universities. He is a Duke Ellington Fellow at Yale University, and in the year 2000, the National Endowment for the Arts declared him a Jazz Master. On December 6, 2009, Brubeck was awarded Kennedy Center honors.
Turner Classic Movies will dedicate an afternoon to the legendary artist with the December 6 premiere of Dave Brubeck: In His Own Sweet Way. The film, which will premiere at 5 p.m. (EST), takes its name from “In Your Own Sweet Way,” one of Brubeck’s most famous tunes. The song has been recorded by countless musicians, including Miles Davis. The documentary is produced and directed by award-winning jazz filmmaker and longtime Eastwood collaborator Bruce Ricker, whose credits include Tony Bennett: The Music Never Ends, Thelonious Monk: Straight No Chaser, The Last of the Blue Devils, and many other titles.

TCM’s premiere of Dave Brubeck: In His Own Sweet Way will be accompanied by two classic films featuring Brubeck himself. At 1 p.m. (EST), Brubeck is among a number of legends performing in All Night Long (1962), a jazz update of Shakespeare’s Othello starring Patrick MacGoohan, Marti Stevens and Betsy Blair. Then at 3:15 p.m. TCM will present Southern Crossing (1981), a fascinating chronicle of the five-day jazz festival held in Sydney, Australia.

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