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Posted By: Susoni <Send E-Mail>
Date: Saturday, 21-Jun-2008 03:49:57

A very informed reader sent me this. I'm not at liberty to reveal who it was but I do thank him. This the State of New Jersey's Public statement of their, 'Federal Assistance Award Data Systems or FAADS.
I'm sure you all remember the five Israel men who worked for 'Urban Moving Systems.' They were the ones in the white van who were cheering and jumping up and down, in Liberty State Park, as the towers fell. They have also been suspected of being Mossad agents. The men were arrested, questioned, released and later deported back to Israel.
I'm going to provide the link and also a screen grab, just in case it disappears.
New Jersey paid $498,750 to Urban Moving Company in Federal Assistance. Why? That seems to be an awfully cheap amount for what they are being accused of.
My apologies if this has been posted before. I did do an archive search. While I found many outstanding articles on 9/11 and these men, I couldn't find any listing the New Jersey monetary kickback.
Susoni
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Link below - hyperlinked:

More:
http://www.rense.com/general67/intel.htm
Bogus Israeli Moving Co - Israeli Intel - Back In US?
Is Urban Moving Systems chief back in US? There are indications that Israeli national Dominik Suter, the former head of Urban Moving Systems in Weehawken, NJ is back in the United States, this time in south Florida and may be using his actual name. Suter ran the Weehawken, NJ-based moving company on 9-11 when a number of Urban Moving Systems vans were spotted around north Jersey before and after the hijacked planes struck the World Trade Center. One Urban Moving van was seen at Liberty State Park in Jersey City as the first plane hit the towers. The five occupants, all Israeli nationals, were seen videotaping and celebrating the attack and were dressed in Arab clothing. The five were later arrested near Giant Stadium in East Rutherford, NJ. One of the Israelis told police they were at Liberty State Park to "document the event."
Which means they had foreknowledge.

Based on that phone call, police then issued a "Be-on-the-Lookout" alert for a white mini-van heading for the city's bridges and tunnels from New Jersey.

White, 2000 Chevrolet van with 'Urban Moving Systems' sign on back seen at Liberty State Park, Jersey City, NJ, at the time of first impact of jetliner into World Trade Center Three individuals with van were seen celebrating after initial impact and subsequent explosion. FBI Newark Field Office requests that, if the van is located, hold for prints and detain individuals. (9)

When a van fitting that exact description was stopped just before crossing into New York, the suspicious "middle-easterners" were apprehended. Imagine the surprise of the police officers when these terror suspects turned out to be Israelis!According to ABC’s 20/20, when the van belonging to the cheering Israelis was stopped by the police, the driver of the van, Sivan Kurzberg, told the officers:

"We are Israelis. We are not your problem. Your problems are our problems. The Palestinians are your problem." (10)

Why did he feel Palestinians were a problem for the NYPD?
The police and FBI field agents became very suspicious when they found maps of the city with certain places highlighted, box cutters (the same items that the hijackers supposedly used), $4700 cash stuffed in a sock, and foreign passports. Police also told the Bergen Record that bomb sniffing dogs were brought to the van and that they reacted as if they had smelled explosives. (11)

The FBI seized and developed their photos, one of which shows Sivan Kurzberg flicking a cigarette lighter in front of the smouldering ruins in an apparently celebratory gesture. (12)

[URL="http://whatreallyhappened.com/WRHARTICLES/IMAGES/record_9-11.jpg"]
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The Jerusalem Post later reported that a white van with a bomb was stopped as it approached the George Washington Bridge, but the ethnicity of the suspects was not revealed. Here's what the Jerusalem Post reported on September 12, 2001:

American security services overnight stopped a car bomb on the George Washington Bridge. The van, packed with explosives, was stopped on an approach ramp to the bridge. Authorities suspect the terrorists intended to blow up the main crossing between New Jersey and New York, Army Radio reported. (13)

"...two suspects are in FBI custody after a truckload of explosives was discovered around the George Washington Bridge ... The FBI ... says enough explosives were in the truck to do great damage to the George Washington Bridge." WMV video download (545kB)

It was reported the van contained tonnes of explosives (14).
What's really intriguing is that ABC's 20/20 (15), the New York Post (16), and the New Jersey Bergen Record (17) all clearly and unambiguously reported that a white van with Israelis was intercepted on a ramp near Route 3, which leads directly to the Lincoln Tunnel.
But the Jerusalem Post, Israeli National News (Arutz Sheva) (18), and Yediot America, (19) all reported, just as clearly and unambiguously, that a white van with Israelis was stopped on a ramp leading to the George Washington Bridge, which is several miles north of the Lincoln Tunnel.
It appears as if there may actually have been two white vans involved, one stopped on each crossing. This would not only explain the conflicting reports as to the actual location of the arrests, but would also explain how so many credible eye-witnesses all saw celebrating "middle-easterners" in a white van in so many different locations. It also explains why the New York Post and Steve Gordon (lawyer for the 5 Israelis) originally described how three Israelis were arrested but later increased the total to five.
Perhaps one van was meant to drop off a bomb while the other was meant to pick up the first set of drivers while re-crossing back into New Jersey? If a van was to be used as a parked time-bomb on the GW Bridge, then certainly the drivers would need to have a "get-away van" to pick them up and escape. And notice how the van (or vans) stayed away from the third major crossing -the Holland Tunnel- which was where the police had originally been directed to by that anti-Palestinian 9-1-1 "mystery caller". A classic misdirection play.
From there, the story gets becomes even more suspicious. The Israelis worked for a Weehawken moving company known as Urban Moving Systems.An American employee of Urban Moving Systems told the The Record of New Jersey that a majority of his co-workers were Israelis and they were joking about the attacks.

The employee, who declined to give his name said: "I was in tears. These guys were joking and that bothered me." These guys were like, "Now America knows what we go through." (20)

A few days after the attacks, Urban Moving System's Israeli owner, Dominick Suter, dropped his business and fled the country for Israel. He was in such a hurry to flee America that some of Urban Moving System's customers were left with their furniture stranded in storage facilities (21).

Suter's departure was abrupt, leaving behind coffee cups, sandwiches, cell phones and computers strewn on office tables and thousands of dollars of goods in storage. Suter was later placed on the same FBI suspect list as 9/11 lead hijacker Mohammed Atta and other hijackers and suspected al-Qaeda sympathizers, suggesting that U.S. authorities felt Suter may have known something about the attacks. (22)

The Jewish weekly The Forward reported that the FBI finally concluded that at least two of the detained Israelis were agents working for the Mossad, the Israeli intelligence agency, and that Urban Moving Systems, the ostensible employer of the five Israelis, was a front operation. This was confirmed by two former CIA officers, and they noted that movers' vans are a common intelligence cover. (23). The Israelis were held in custody for 71 days before being quietly released. (24)

"There was no question but that [the order to close down the investigation] came from the White House. It was immediately assumed at CIA headquarters that this basically was going to be a cover-up so that the Israelis would not be implicated in any way in 9/11." (25)

Several of the detainees discussed their experience in America on an Israeli talk show after their return home. Said one of the men, denying that they were laughing or happy on the morning of Sept. 11, "The fact of the matter is we are coming from a country that experiences terror daily. Our purpose was to document the event." (26)

[URL="http://whatreallyhappened.com/IMAGES/9-11_israelis.wmv"]
wmv video download[/URL]

"Evidence linking these Israelis to 9/11 is classified. I cannot tell you about evidence that has been gathered. It's classified information."US official quoted in Carl Cameron's Fox News report on the Israeli spy ring.

"By way of deception, thou shalt do war"
Motto of the Mossad

Magda Hassan Wrote:There is no evidence, be it hard or circumstantial, to link the Al Qaeda "terrorist network" to these acts of terror, but there is a mountain of evidence, both hard and circumstantial, which suggests that Zionists have been very busy framing Arabs for terror plots against America.

Mark Stapleton Wrote:Looks like Mossad foreknowledge of 9/11 is proven beyond reasonable doubt, Magda.

It's taking forever for the penny to drop in mainstream America, but of course it's not a free country. It's hosting a virulent parasite.

Paul Rigby Wrote:CoreOfCorruption.com - Video: 4 Art Students, it has now been confirmed, were in the World Trade Center Towers with Construction Passes, Connection to Mossad Spy Ring

http://www.youtube.com/watch?v=dA9MvV-SrCo

Quote:NYTIMES
Balcony Scene (Or Unseen) Atop the World; Episode at Trade Center Assumes Mythic Qualities
By SHAILA K. DEWAN
Published: Saturday, August 18, 2001

Balcony Scene (Or Unseen) Atop the World; Episode at Trade Center Assumes Mythic Qualities
By SHAILA K. DEWAN
Published: Saturday, August 18, 2001
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The affair of the balcony ended, if indeed it ever began, with the appearance in July of a slender book of curious title, obtainable in very few places, one of them being an art gallery in a frosted storefront on Broadway near Franklin Street.

Called ''The B-Thing'' and produced by four Vienna-based artists known collectively as Gelatin, the book is demure to the point of being oblique. What little explanation it contains appears to have been scribbled in ballpoint. Among the photos and schematic drawings, there are doodles of tarantulas with human heads.

In short, the book belies the extravagance of the feat it seems to document: the covert installation, and brief use, of a balcony on the 91st floor of the World Trade Center, 1,100 feet above the earth. Eight photographs -- some grainy, all taken from a great distance -- depict one tower's vast eastern facade, marred by a tiny molelike growth: a lone figure dressed in a white jacket, standing in a lectern-size box.

The contemporary art world, of course, is rife with acts of subversion followed by boasting, which is known as ''documentation.'' In that context, the beauty of the balcony was that it so literally pushed the envelope. Yet since that Sunday morning in March 2000, when the balcony was allegedly installed and, 19 minutes later, dismantled, the affair has taken on the outlines of an urban myth, mutated by rumors and denials among the downtown cognoscenti.

Although the book appears to seek notoriety, the artists have gone coy. Their dealer, who witnesses say watched the event from a hotel suite, now claims it never happened. Either the balcony was an elaborate hoax meant to look real, or the inverse is true: it really happened, and the closer it comes to being found out, the more those involved would prefer for everyone to think it was a hoax.

In the spring of 2000, Gelatin and 14 other artists shared free studio space on the 91st floor, where the group's artmaking appeared to consist of building a clubhouse out of cardboard boxes.

But Ali Janka, a member of Gelatin reached by phone in Vienna, said that the blindered view afforded by the narrow windows had inspired them to find a way to step outside. ''After you have a certain idea, you can't go back,'' he said, ''because everything else seems very weak compared to it.''

Mr. Janka was happy to talk about the project, at least at first. After weeks of planning, he said, one night Gelatin -- he, Florian Reither, Tobias Urban and Wolfgang Gantner -- waited in the studio until dawn. At the appointed moment, the four, wearing harnesses, unscrewed the aluminum moldings that hold the window in place and used two large suction cups to remove the glass (air pressure adds about 300 pounds to the effort). As warm air streamed past, they outfitted the window with a cantilevered box, big enough for only one person at a time.

''The amazing thing that happens when you take out a window,'' Mr. Janka said, ''is that the whole city comes into the building.''

Other artists in the studio have heard rumors of the balcony, but most are dubious. ''I can tell you that it never happened,'' said Geoffrey Detrani, whose space was next to Gelatin's. ''To remove a window would be a pretty serious structural breach.''

But Gelatin, fearing expulsion from the country, had gone to great lengths to conceal their plot. The clubhouse afforded privacy and storage. By prior agreement, the group confiscated all film and video of the project taken by invited witnesses.

Still, how did a balcony escape the notice of one of the most security-conscious office towers in the world? An examination of the security system revealed that it was focused on the ground floor and basement, Mr. Janka said, adding, ''There's no surveillance on the facade itself.''

That is true, said Cherrie Nanninga, the director of real estate for the Port Authority of New York and New Jersey, which until recently ran the World Trade Center. Port Authority officials, shown a copy of ''The B-Thing'' by a reporter, reacted with disbelief, then outrage. Although their own investigation turned up no evidence, Ms. Nanninga said, ''we have no reason to believe it didn't happen.''

Window removal is considered so dangerous that when it is done the streets below are cordoned off, she said. ''It was really a stupid and irrational act that in my view borders on the criminal,'' she said, adding that the stunt had jeopardized the studio program, whose space is donated by the Trade Center.

Removing the window may have been dangerous, but according to Walter Friedman, the owner of Dependable Glass, which performs that service for the World Trade Center, it is not that difficult. All it takes is four guys, some readily available equipment -- and nerve, Mr. Friedman said.

Nerve is not something Gelatin lacks. They specialize in projects that require participants to sign a waiver.

In a piece called ''The Human Elevator,'' strong men on scaffolding hoisted people to the roof of a three-story building in Los Angeles. And patrons in Munich were greased with baby oil and invited to slide naked down an esophaguslike chute formed by the bellies of a crew of overweight Germans.

Although Gelatin, which is representing Vienna in the Venice Biennale, has not shrunk from physical risk, they seem to think that merely discussing the balcony with a reporter was dangerous, perhaps because they are currently seeking permission to live on a vacant lot on Canal Street, as part of a forthcoming exhibition.

''If you write about the balcony, maybe you can just not write about it too much,'' Mr. Janka called back to say after the initial interview, the first of several calls protesting the appearance of an article, despite the fact that the artists had published the book.

To others involved in the project, it seemed reasonable that the appearance of ''The B-Thing'' meant secrecy was no longer necessary. Josh Harris, the Internet entrepreneur once known for holding extravagant art parties, explained that Leo Koenig, the 24-year-old art dealer who represents Gelatin, got him involved.

The night before the B-Thing, Mr. Harris said, he rented a top-floor suite at the Millennium Hilton, across the street from the Gelatin studio, and invited people to what guests described as a night of decadence. Near dawn, he and several others took cameras and boarded a helicopter, communicating with Gelatin via cell phone.

''We had to fly twice around the building before we could see them,'' said Mr. Harris, who is thanked in the book.

Afterward, Gelatin appeared at the hotel, where their success was toasted at a euphoric breakfast, according to five other witnesses, including Tanya Corrin, a video producer and writer, and David Leslie, a performance artist. ''We just applauded the gutsy originality of it,'' Ms. Corrin said. ''I think we all left feeling, wow, we just did something amazing, and nobody knows.''

Mr. Koenig now says the balcony never happened and, at any rate, he didn't see it. The book, which costs $35 and was printed in a run of 1,200 copies, is meant to provoke questions about its veracity, he said.

At the suggestion that the project might have been faked, Mr. Harris seemed almost offended. He produced March 2000 credit card bills bearing charges of $2,167.44 from the Millennium Hilton and $1,625 from Helicopter Flight Service.

At about the same time that Mr. Harris was digging up proof, Gelatin was removing almost every trace of it from their Web site.

Moukhtar Kocache, the director of the studio program, insisted that the photos of the balcony were obviously faked. But digital manipulation experts disagreed. George Dash, the co-owner of Nucleus Imaging on East 30th Street, and a colleague, John Grasso, used magnifying loupes to examine a copy of ''The B-Thing.'' Neither could detect inconsistencies. ''The angles are all too perfect,'' Mr. Grasso said. ''It looks real to me. Absolutely. I've been doing this for 22 years.''

The balcony may be an art prank in the lineage of Yves Klein, who in 1960 disseminated a picture of himself leaping blithely out a window, an image revealed years later to be the product of deftly spliced negatives. But in its audacity, it seems more akin to tricksters who tested the limits of the World Trade Center in the 1970's, including Philippe Petit, who walked a high wire strung between the towers.

''This building needs things like that to happen, because otherwise it would die inside,'' said Mr. Janka, who was under the impression that Mr. Petit had been deported for his action.

Although the Port Authority has not yet decided what, if any, action it will take against Gelatin, Mr. Janka might be relieved to learn that Mr. Petit, who still lives in New York, was simply required to give the city a free performance. He obliged by walking a tightrope to the top of the Belvedere Castle.

Photos: Members of Gelatin in 1998, when their exhibition at the P.S. 1 Contemporary Art Center included a 25-foot walk-up tower of discarded furniture parts. (P.S. 1); Photographs from ''The B-Thing,'' a book produced by Gelatin, show someone on a temporary balcony on the World Trade Center, top; a drawing of the cantilevered balcony, above; and a view from inside the 91st-floor studio from which the balcony was hung, left. Unless the whole episode is a hoax, which some of those involved would prefer that people believe. So they say.