Reflections in the trunk of the limousine

[Ivan De Mey]

I'm beginning to think it's a dead end. After all, the limo does move to the right, and the perspective of it changes from frame to frame (check out the two little side windows, how they move opposite to one another). So even if the reflection on the trunk seems to stay the same for a few frames (I can't tell from the Costella frames) that doesn't prove a standstill of the limousine. But it's possible that frames were removed of course.