12-02-2018, 02:40 AM
I am not interested in whether Duncan MacRae lost his buttons data. The information derived form a Sean Murphy picture in his PrayerMan thread at the Ed Forum. So that issue is not neutered whatsoever, despite Jim's claim. Reasonably enhancing the contrast is a valid technique for obtaining extra morsels of data and does no violence to the evidentiary value of the film.
So once again the Murphyites are telling lies to advance their PrayerMan argument. Another lie is that my photogrammetry is "junk science." I post the result in the town square and take on all comers. And I hope David Josephs has begun his own photogrammetric determination.
Once that result is obtained, and seen to agree with the requisite scientific parameters- the Wiegman & Darnell film forensics- we'll have a new ballgame.
I hope that David remembers the grief I took for him when I stood up for him as an ROKC administrator and suddenly they all shifted their hatred for him onto me.
The handwriting is on the wall. The Murphyites are going to come tumbling down. Have a good cry, I could care less about awards or speaking invitations. I am presently waiting for a response from a Boston Irish Catholic "mafia don" regarding help overcoming NBC's impasse of requiring a professional film production project to obtain access to 1st-generation Darnell & Wiegman. I simply hope to drive down there and use NBC's own digital film scanner. If that source doesn't wish to involve himself, I am next turning to my Trump insider sources to enlist their potential clout in accessing the NBC films. And if they can't come to my rescue, it's back to the old 6th Floor Museum song & dance routine.
We'll see this digital scan sooner rather than later and please brace yourself for a nervous breakdown when you see how gorgeous Sarah Stanton looked in 1963.
So once again the Murphyites are telling lies to advance their PrayerMan argument. Another lie is that my photogrammetry is "junk science." I post the result in the town square and take on all comers. And I hope David Josephs has begun his own photogrammetric determination.
Once that result is obtained, and seen to agree with the requisite scientific parameters- the Wiegman & Darnell film forensics- we'll have a new ballgame.
I hope that David remembers the grief I took for him when I stood up for him as an ROKC administrator and suddenly they all shifted their hatred for him onto me.
The handwriting is on the wall. The Murphyites are going to come tumbling down. Have a good cry, I could care less about awards or speaking invitations. I am presently waiting for a response from a Boston Irish Catholic "mafia don" regarding help overcoming NBC's impasse of requiring a professional film production project to obtain access to 1st-generation Darnell & Wiegman. I simply hope to drive down there and use NBC's own digital film scanner. If that source doesn't wish to involve himself, I am next turning to my Trump insider sources to enlist their potential clout in accessing the NBC films. And if they can't come to my rescue, it's back to the old 6th Floor Museum song & dance routine.
We'll see this digital scan sooner rather than later and please brace yourself for a nervous breakdown when you see how gorgeous Sarah Stanton looked in 1963.