05-09-2010, 09:10 AM
I first saw the Zapruder film on Geraldo's show. I was sitting on a Chimayo blanket on a Taos bed in an 1840 adobe and was catapulted to my feet across the room to the screen.
Assassination Science (1998) edited by Jim Fetzer contained an excellent section on Zapruder alteration, of which I found the Blink Theory most fascinating. Anyone who had been under the dash to actually hear the metronome like clicking of the relay in the emergency flasher of a vehicle knows it is a mindless machine, an impartial clock—and it was interrupted noticeably in the relevant frames of Zapruder's film.
Doug Horne's section, “The Great Zapruder Film Mystery,” pages 1185-1377 of Volume IV, contains much detail which contributes to the conclusion of alteration. Jim Fetzer above recaps these damning anomalies.
Further, the establishing of Events I & II at NPIC involving Brugioni and McMahon and two entirely different films, two entirely different briefing boards, is further proof of alteration.
The jet-black trapezoid with remarkably vivid edges obscures the occipital wound so widely noted at Parkland, and the comical cartoonish bubblegum wound matches nothing observed at Parkland—only approximates the obscene butchery of Humes' skull saw following the 18:35 shipping casket arrival at Bethesda.
Jim Fetzer alludes to Noel Twyman, Bloody Treason (1997), and the excellent section on Zapruder therein, as well as the material in Murder in Dealey Plaza (2000).
The latter work is on my wish list after I finish Horne, having been recommended for its medical section as well.
The deletion of the limo turn onto Elm is highly suspicious. There has been some discussion (see also Robert Harris, JFK History Forum) of shots fired from the Dal-Tex Building at the point of the limo turn, shots which were suppressed and errant, hitting the pavement.
One aspect of the recent revisit of the evidence by such meticulous methods and practitioners is an epiphany upon sighting in Horne's illustrations both the right lateral indicating Mantik's White Patch and the subsequent photo of the Harper Fragment—I spy a match in the peculiar trapezoidal shape of the pair, a puzzle piece drawn powerfully into place, despite a half century of the greatest, darkest effort to prevent it.
A time of disclosure resulting from the painstaking sand mandala construction by committed researchers in the face of gale force disinformagents.
Assassination Science (1998) edited by Jim Fetzer contained an excellent section on Zapruder alteration, of which I found the Blink Theory most fascinating. Anyone who had been under the dash to actually hear the metronome like clicking of the relay in the emergency flasher of a vehicle knows it is a mindless machine, an impartial clock—and it was interrupted noticeably in the relevant frames of Zapruder's film.
Doug Horne's section, “The Great Zapruder Film Mystery,” pages 1185-1377 of Volume IV, contains much detail which contributes to the conclusion of alteration. Jim Fetzer above recaps these damning anomalies.
Further, the establishing of Events I & II at NPIC involving Brugioni and McMahon and two entirely different films, two entirely different briefing boards, is further proof of alteration.
The jet-black trapezoid with remarkably vivid edges obscures the occipital wound so widely noted at Parkland, and the comical cartoonish bubblegum wound matches nothing observed at Parkland—only approximates the obscene butchery of Humes' skull saw following the 18:35 shipping casket arrival at Bethesda.
Jim Fetzer alludes to Noel Twyman, Bloody Treason (1997), and the excellent section on Zapruder therein, as well as the material in Murder in Dealey Plaza (2000).
The latter work is on my wish list after I finish Horne, having been recommended for its medical section as well.
The deletion of the limo turn onto Elm is highly suspicious. There has been some discussion (see also Robert Harris, JFK History Forum) of shots fired from the Dal-Tex Building at the point of the limo turn, shots which were suppressed and errant, hitting the pavement.
One aspect of the recent revisit of the evidence by such meticulous methods and practitioners is an epiphany upon sighting in Horne's illustrations both the right lateral indicating Mantik's White Patch and the subsequent photo of the Harper Fragment—I spy a match in the peculiar trapezoidal shape of the pair, a puzzle piece drawn powerfully into place, despite a half century of the greatest, darkest effort to prevent it.
A time of disclosure resulting from the painstaking sand mandala construction by committed researchers in the face of gale force disinformagents.