27-02-2011, 02:46 PM
Leave it to Phil (apologies to Jerry Mathers) to focus on the key element of a post.
The play-within-a-play device is handled with aplomb by only the most accomplished of playwrights.
And if one cannot understand the assassination as an intelligence operation intentionally crafted as a drama, one cannot hope to identify and bring to justice its backers, authors, actors, and stage hands.
Not to mention its road companies.
Dallas, Texas.
Talk about "off Broadway" ...
Overture, curtains, lights,
This is it, the night of nights,
No more rehearsing and nursing a part,
We know every part by heart,
Overture, curtains, lights,
This is it, you'll hit the heights,
And oh what heights we'll hit,
On with the show this is it
That's all, folks.
The play-within-a-play device is handled with aplomb by only the most accomplished of playwrights.
And if one cannot understand the assassination as an intelligence operation intentionally crafted as a drama, one cannot hope to identify and bring to justice its backers, authors, actors, and stage hands.
Not to mention its road companies.
Dallas, Texas.
Talk about "off Broadway" ...
Overture, curtains, lights,
This is it, the night of nights,
No more rehearsing and nursing a part,
We know every part by heart,
Overture, curtains, lights,
This is it, you'll hit the heights,
And oh what heights we'll hit,
On with the show this is it
That's all, folks.