08-03-2013, 07:31 PM
As I continue to look I find that every reference to that weekend has to do with SLIT v UNSLIT.... Not what was seen.... in it's entirety.
Is there any evidence from these extremely key witnesses to what should be the viewing of the ORIGINAL FILM?
Horne talks about Chamberlain... yet most reports have from a few to 18 employees seeing this film....
I need to continue digging and will develop this further... The question I have is if we actually wanted to know what was seen.... how did the HSCA and ARRB, and all the non-government research done... how do we not have an account of what was seen that afternoon at Kodak, or the next day at Zaps.... maybe also explains why Zap only got to see FRAMES and hot his film...
DJ
http://lewrockwell.com/orig13/horne-d1.1.1.html#_edn5
Before departing for the Jamieson lab to have three contact prints exposed, the 16 mm wide, out-of-camera original was viewed once by the Production Supervisor (Mr. Chamberlain) and Mr. Zapruder, on a Kodak 16 mm processing inspection projector, at twice the normal projection speed to simply ensure that Zapruder had indeed captured the assassination on film. [5]
[5] Roland J. Zavada, Analysis of Selected Motion Picture Photographic Evidence (September 25, 1998), Attachment A1-8 (Meeting Minutes of Discussion between Roland Zavada, Phil Chamberlain, and Dick Blair), and Attachment A1-11 (Phil Chamberlain's original manuscript regarding events related to the handling and processing of the Zapruder film at the Kodak Plant in Dallas).
http://karws.gso.uri.edu/Marsh/Zavada/zat1-8.pdf A1-8 "When A. Zapruder arrived at the Labratory, he was alone."
http://karws.gso.uri.edu/Marsh/Zavada/zat1-11.pdf A1-11 "Zapruder was alone, and gave every indication that he had come to thelab on his own volition, not because of urging by someone else"
"Even at the high speed, we could see the results, including the infamous frame where the top of Kennedy's head was blown off. And then nothing but blank film, where Zapruder(3) had run off the rest of the roll to take out of the camera."
(3)Actually, Dick Blair wound off the rest of the film and removed it from the camera.
"Early on Saturday, two FBI agents showed up, with one of the copies of the Zapruder film. I don't know how they were aware of theexistence of the film, or how they obtained a copy."
"I have no way of knowing whether or not a frame from the original actually was lost. I do know that therer were two(8) Type-A copies that contained all the frames from the original film.
You know, I wonder what ever became of those two Type-A copies?? (9)
2:45 pm - Osborn & Jones drive Zapruder party to Kodak,arriving before 3 pm. -Trask, 106;Wrone, 21; Zavada Report, Study 1
http://www.jfk-info.com/thomp2.htm
2:15 pm
A police car takes Sorr[B]els, Schwartz, Zapruder and McCormick to the Kodak plant. Z[/B]apruder makes arrangements for the processing of the film. Phil Willis meets Sorrels at the Kodak plant and also agrees to furnish the Secret Service with copies of his 35 mm. slides. Sorrels gets a phone call and leaves for Dallas Police Headquarters.
3:15 pm (est.)
The processed film is shown to fifteen to eighteen people. To have copies made, Zapruder must take camera original to Jamieson Company.
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Is there any evidence from these extremely key witnesses to what should be the viewing of the ORIGINAL FILM?
Horne talks about Chamberlain... yet most reports have from a few to 18 employees seeing this film....
I need to continue digging and will develop this further... The question I have is if we actually wanted to know what was seen.... how did the HSCA and ARRB, and all the non-government research done... how do we not have an account of what was seen that afternoon at Kodak, or the next day at Zaps.... maybe also explains why Zap only got to see FRAMES and hot his film...
DJ
http://lewrockwell.com/orig13/horne-d1.1.1.html#_edn5
Before departing for the Jamieson lab to have three contact prints exposed, the 16 mm wide, out-of-camera original was viewed once by the Production Supervisor (Mr. Chamberlain) and Mr. Zapruder, on a Kodak 16 mm processing inspection projector, at twice the normal projection speed to simply ensure that Zapruder had indeed captured the assassination on film. [5]
[5] Roland J. Zavada, Analysis of Selected Motion Picture Photographic Evidence (September 25, 1998), Attachment A1-8 (Meeting Minutes of Discussion between Roland Zavada, Phil Chamberlain, and Dick Blair), and Attachment A1-11 (Phil Chamberlain's original manuscript regarding events related to the handling and processing of the Zapruder film at the Kodak Plant in Dallas).
http://karws.gso.uri.edu/Marsh/Zavada/zat1-8.pdf A1-8 "When A. Zapruder arrived at the Labratory, he was alone."
http://karws.gso.uri.edu/Marsh/Zavada/zat1-11.pdf A1-11 "Zapruder was alone, and gave every indication that he had come to thelab on his own volition, not because of urging by someone else"
"Even at the high speed, we could see the results, including the infamous frame where the top of Kennedy's head was blown off. And then nothing but blank film, where Zapruder(3) had run off the rest of the roll to take out of the camera."
(3)Actually, Dick Blair wound off the rest of the film and removed it from the camera.
"Early on Saturday, two FBI agents showed up, with one of the copies of the Zapruder film. I don't know how they were aware of theexistence of the film, or how they obtained a copy."
"I have no way of knowing whether or not a frame from the original actually was lost. I do know that therer were two(8) Type-A copies that contained all the frames from the original film.
You know, I wonder what ever became of those two Type-A copies?? (9)
2:45 pm - Osborn & Jones drive Zapruder party to Kodak,arriving before 3 pm. -Trask, 106;Wrone, 21; Zavada Report, Study 1
http://www.jfk-info.com/thomp2.htm
2:15 pm
A police car takes Sorr[B]els, Schwartz, Zapruder and McCormick to the Kodak plant. Z[/B]apruder makes arrangements for the processing of the film. Phil Willis meets Sorrels at the Kodak plant and also agrees to furnish the Secret Service with copies of his 35 mm. slides. Sorrels gets a phone call and leaves for Dallas Police Headquarters.
3:15 pm (est.)
The processed film is shown to fifteen to eighteen people. To have copies made, Zapruder must take camera original to Jamieson Company.
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[TD]
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[TD] [/TD]
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[TD] [/TD]
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