28-07-2013, 09:59 AM
David
The repetition of November 22 from the 1307 order of King Philip of France to the public execution of the American president suggests someone wished an echo from the Knights Templar.
Saint John recurs in the son of one no doubt close to the libretto.
The Hunt of Red November on his deathbed deflected blame from his Company to LBJand to a French gunman on the Grassy Knoll:
Is this a hydra-headed lie?
LBJ didn't order this murder. And perhaps a French gunman figured, but I would now recommend Seamus Coogan's entertaining and enlightening review of JFK: The French Connection by Peter Kross.
http://www.ctka.net/reviews/coogan_Kross...ction.html
Seamus faults Kross for a gumbo of Rivele at the expense of a serious research effort regarding Souetre-Mertz-Roux. In sum, Kross is as unhelpful a fog as Waldron-Hartmann.
And this would suit E. Howard Hunt down to the ground, would it not.
A smoky musket on the Grassy Knoll with a deathbed allusion to a mysterious French criminal killed by Mexican police.
Dulles was at work early on planting the lone-assassin myth with the Robert J. Donovan book, bolstered by the December 14 Saturday Evening Post article by former president Eisenhower claiming
the facts are that four of thirty-six Presidents have been assassinated, and a President in office and a President-elect have been targets of assassination attempts. These acts all had one thing in common: they were the work of crackpots, of people with delusions arising from imagined wrongs or festering hatreds
A dense negative template: using Vidal's jaundiced view of Hunt, and our own weariness of cliché, it wasn't LBJ and it wasn't a Communist, wasn't a French gunman, and wasn't Blakey's mob, or some mixed-media mess of the Hartmann-Waldron cauldron.
Is the frame splintering? Did not the murdered president threaten to splinter CIA into a thousand pieces and scatter it to the winds.
But, as we learn, CIA is a statutory creation from a 1947/1949 hoodwinking of Harry Truman. Moreover, it is largely a creation of Allen Dulles as a representative of the guild serving as sword and shield of the cabal.
A cabal above Cold Waror War on Terror, Drugs, Climate Phrenology, et alwhich has fostered Gladio and the strategy of tension, the odd theater or school or workplace mass shooting, a train wreck here, a plane crash there, a ship grounding, a tower falling.
These are the fires they burn to drive the tiger.
Bay of Pigs was a provocation: JFK fired Dulles, who collaborated with Hunt on a play in one act which premiered in Dallas.
As Seamus notes, Craig Roberts evinces the focus necessary to accomplish the temple shot. (We might find a temple shot symbolic and why not.) Hathcock in his paragraph to his friend alludes to this, while his one interview is an urging to focus.
All the elements of the assassination and its "investigations" are marshaled to prevent our focus.
The lesson of Unspeakable, Last Investigation, Breach of Trust, Destiny Betrayed, A Certain Arrogance is to focus.
Dulles faults JFK for thinking "he was a god"again, this is Dulles, always lying, as Angleton always lied, chronic and habitual liars, pathological liars, not even very good at times.
Shall they determine our "frame"no, and, no.
French connection? Well and sure; it's the Dulles/Gladio doctrine, L'etat c'est moi.
The repetition of November 22 from the 1307 order of King Philip of France to the public execution of the American president suggests someone wished an echo from the Knights Templar.
Saint John recurs in the son of one no doubt close to the libretto.
The Hunt of Red November on his deathbed deflected blame from his Company to LBJand to a French gunman on the Grassy Knoll:
Is this a hydra-headed lie?
LBJ didn't order this murder. And perhaps a French gunman figured, but I would now recommend Seamus Coogan's entertaining and enlightening review of JFK: The French Connection by Peter Kross.
http://www.ctka.net/reviews/coogan_Kross...ction.html
Seamus faults Kross for a gumbo of Rivele at the expense of a serious research effort regarding Souetre-Mertz-Roux. In sum, Kross is as unhelpful a fog as Waldron-Hartmann.
And this would suit E. Howard Hunt down to the ground, would it not.
A smoky musket on the Grassy Knoll with a deathbed allusion to a mysterious French criminal killed by Mexican police.
Dulles was at work early on planting the lone-assassin myth with the Robert J. Donovan book, bolstered by the December 14 Saturday Evening Post article by former president Eisenhower claiming
the facts are that four of thirty-six Presidents have been assassinated, and a President in office and a President-elect have been targets of assassination attempts. These acts all had one thing in common: they were the work of crackpots, of people with delusions arising from imagined wrongs or festering hatreds
A dense negative template: using Vidal's jaundiced view of Hunt, and our own weariness of cliché, it wasn't LBJ and it wasn't a Communist, wasn't a French gunman, and wasn't Blakey's mob, or some mixed-media mess of the Hartmann-Waldron cauldron.
Is the frame splintering? Did not the murdered president threaten to splinter CIA into a thousand pieces and scatter it to the winds.
But, as we learn, CIA is a statutory creation from a 1947/1949 hoodwinking of Harry Truman. Moreover, it is largely a creation of Allen Dulles as a representative of the guild serving as sword and shield of the cabal.
A cabal above Cold Waror War on Terror, Drugs, Climate Phrenology, et alwhich has fostered Gladio and the strategy of tension, the odd theater or school or workplace mass shooting, a train wreck here, a plane crash there, a ship grounding, a tower falling.
These are the fires they burn to drive the tiger.
Bay of Pigs was a provocation: JFK fired Dulles, who collaborated with Hunt on a play in one act which premiered in Dallas.
As Seamus notes, Craig Roberts evinces the focus necessary to accomplish the temple shot. (We might find a temple shot symbolic and why not.) Hathcock in his paragraph to his friend alludes to this, while his one interview is an urging to focus.
All the elements of the assassination and its "investigations" are marshaled to prevent our focus.
The lesson of Unspeakable, Last Investigation, Breach of Trust, Destiny Betrayed, A Certain Arrogance is to focus.
Dulles faults JFK for thinking "he was a god"again, this is Dulles, always lying, as Angleton always lied, chronic and habitual liars, pathological liars, not even very good at times.
Shall they determine our "frame"no, and, no.
French connection? Well and sure; it's the Dulles/Gladio doctrine, L'etat c'est moi.