Douglas Valentine's Scathing Review of Jeremy Scahills 'Dirty Wars'

[Magda Hassan]

I ended up watching this at long last a few nights ago. Doug Valentine is pretty spot on actually.

All of which brings me to my review.
Dirty Wars
Dirty Wars is a post-modern film by Jeremy Scahill, about himself, starring himself in many poses.
The film owes more to Sergio Leone and Kathryn Bigelow than Constantinos Gavras. Scahill certainly is no Leslie Cockburn: there is no Tony Poe telling how the CIA facilitates heroin shipments; no Richard Secord suing him for unraveling the financial intrigues of the CIA's secret operators. The CIA is rarely mentioned.
There is no reference to the Guerra Sucia in Argentina.
Scahill is no Franz Fanon documenting the devastating psychological effects of racism on society. There are no cameos by Jean Paul Sartre advocating violent retribution on Hollywood, no mingling with the Taliban in their caves as they conspire against their Yankee oppressors at the Sundance Film Festival.
We get the first taste of his self-indulgent idiocy when he says it is "hard to tell" when the Dirty War began. He does tell us, however, that he is on the "front lines" of the war on terror.
Scahill (hereafter JS) brags that he wasn't going to find the front lines in Kabul, although he could have, if he knew where to look. Instead he just looks around furtively on his way to the scene of a war crime. We see a close-up of his face.

Yep. Very postmodern and with all that limitation and decontextualisation and irrelevance.

The film ends and I wonder what he could have produced if he hadn't melodramatized and spent so much time and film on close-ups. I wonder what he could have done if he'd read a few history books.
Ultimately, the film is so devoid of historical context, and so contrived, as to render it a work of art, rather than political commentary.

Indeed. It would have been a far better movie with an historical context in which to place the current Dirty War/s. People who don't know that history wont notice though. Nevertheless a powerful work of art and some good storytelling told. Definitely a must watch.