21-01-2014, 11:51 PM
I have also watched the lengthy Douglas Horne and Dino Brugioni interviews, and I concur with Joe and Peter about the importance of this video. This is the exact kind of programming that was missing from the mainstream media telecasts at the time of the 50th anniversary.
An extremely lucid summary of the chain of custody of the Zapruder film is provided by Douglas Horne. His detailed knowledge derives from his interviews of witnesses during the proceedings of the ARRB. While the American public was told that the original film was flown to the Time-Life headquarters in Chicago, we now know that it was in the hands of the CIA in Washington, D.C., by Saturday, November 23, 1963.
The interview with photo analyst Dino Brugioni reveals that he was kept out of the loop with activities of his colleagues at NPIC (National Photographic Interpretation Center) at the CIA. After Dino prepared prints of the original Zapruder film, his co-workers Homer McMahon and Ben Hunter performed the identical task on a different version of the film the following day. Dino's story reveals how the concealment of this top secret CIA operation occurred with workers performing tasks on a "need to know" basis, then sworn to secrecy not to reveal their jobs. The process was no different than the use and intimidation of medical technicians involved in the falsification of the JFK autopsy at Bethesda.
Working with high definition scans of the Zapruder film, 35-40 film experts in Hollywood, whose specialty is in film restoration, have identified evidence of Zapruder film alteration in painting over the wounds to the back of the president's head. As indicated by Douglas Horne, the provenance of the Zapruder film offers us insights into the lengths to which the government would go to alter a record of the presidential assassination and hide the truth from the American public.
James
P.S.
The Shane O'Sullivan film is available for a reasonable one-week rental fee of $5.95:
[FONT=&]https://vimeo.com/ondemand/zapruderfilm/83921771[/FONT]
For those interested in the technical background of how the Zapruder film could have easily been altered using the optical printer available in 1963, David Healy has provided a superb visual tutorial at this site:
http://www.assassinationresearch.com/v1n1/healy1.html
An extremely lucid summary of the chain of custody of the Zapruder film is provided by Douglas Horne. His detailed knowledge derives from his interviews of witnesses during the proceedings of the ARRB. While the American public was told that the original film was flown to the Time-Life headquarters in Chicago, we now know that it was in the hands of the CIA in Washington, D.C., by Saturday, November 23, 1963.
The interview with photo analyst Dino Brugioni reveals that he was kept out of the loop with activities of his colleagues at NPIC (National Photographic Interpretation Center) at the CIA. After Dino prepared prints of the original Zapruder film, his co-workers Homer McMahon and Ben Hunter performed the identical task on a different version of the film the following day. Dino's story reveals how the concealment of this top secret CIA operation occurred with workers performing tasks on a "need to know" basis, then sworn to secrecy not to reveal their jobs. The process was no different than the use and intimidation of medical technicians involved in the falsification of the JFK autopsy at Bethesda.
Working with high definition scans of the Zapruder film, 35-40 film experts in Hollywood, whose specialty is in film restoration, have identified evidence of Zapruder film alteration in painting over the wounds to the back of the president's head. As indicated by Douglas Horne, the provenance of the Zapruder film offers us insights into the lengths to which the government would go to alter a record of the presidential assassination and hide the truth from the American public.
James
P.S.
The Shane O'Sullivan film is available for a reasonable one-week rental fee of $5.95:
[FONT=&]https://vimeo.com/ondemand/zapruderfilm/83921771[/FONT]
For those interested in the technical background of how the Zapruder film could have easily been altered using the optical printer available in 1963, David Healy has provided a superb visual tutorial at this site:
http://www.assassinationresearch.com/v1n1/healy1.html