15-09-2014, 07:30 PM
So you can lead it wherever you 'd like, no?
And yes, I would LOVE to hear how the film in the Archives - all 6'3" of it - could have been originally filmed at 18.3 and exhibit the movement anomolies we see...
You do remember making a film for me at 48fps and cutting it down to 16fps (remove 2/3) and shown at 15fps...
It illustrates what we see in the extant Zfilm... and hides 2/3's of the activity... by cutting out 4 frames in a row one can remove quite a lot and still keep the 1st and last frames for continuity...
The film would appear to jump very slightly...
Do we see any slight jumps in the Z-film? of course we do. Especially during the headshot sequence...
DJ
![[Image: attachment.php?attachmentid=6295&stc=1]](https://deeppoliticsforum.com/forums/attachment.php?attachmentid=6295&stc=1)
![[Image: attachment.php?attachmentid=6296&stc=1]](https://deeppoliticsforum.com/forums/attachment.php?attachmentid=6296&stc=1)
And yes, I would LOVE to hear how the film in the Archives - all 6'3" of it - could have been originally filmed at 18.3 and exhibit the movement anomolies we see...
You do remember making a film for me at 48fps and cutting it down to 16fps (remove 2/3) and shown at 15fps...
It illustrates what we see in the extant Zfilm... and hides 2/3's of the activity... by cutting out 4 frames in a row one can remove quite a lot and still keep the 1st and last frames for continuity...
The film would appear to jump very slightly...
Do we see any slight jumps in the Z-film? of course we do. Especially during the headshot sequence...
DJ
Once in a while you get shown the light
in the strangest of places if you look at it right..... R. Hunter
in the strangest of places if you look at it right..... R. Hunter