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Covert ops and photographic oeuvres
#1
http://stevenwarran.blogspot.com/2007/05...uevre.html

Quote:Tuesday, May 29, 2007

The Ever Expanding Oeuvre of Steve Riskus

If you go to the American Society of Civil Engineers' Pentagon Building Performance Report, on page 14 is an image credited to Steve Riskus. Riskus mentions in a message board posting that "the American Society of Civil Engineers (ASCE) paid me $1250 to use my photo in one of there books and magazine." A problem arises here though, in that the photograph is not one of the 13 images that Riskus self published.

What does this imply? First, since figure 3.9 depicts later firefighting, it significantly departs from the timeline of his series taken in the immediate post-crash moments, and second, since outside of this sale, nowhere in the voluminous public record is there mention of any official contact with Steve Riskus--such as by the FBI--it calls into question the method and rationale the ASCE used in contacting him. Did he tell them he had other images after-the-fact? Whatever became of their original interest?
That the amateur photographer who was on his way to build a skateboarding pool on the morning of September 11, while stuck in traffic on Route 27 next to the Pentagon, witnessed the descent and crash of an American Airlines 757-jetliner into the 1rst and 2nd floors of the Pentagon building, jumped out to take a series of photographs, then raced home to begin posting 13 of them online within an hour and a half of the crash, to a web site registered only the day before, had addional images that he didn't make public, was already implied by the internal numbering of his images, found at http://criticalthrash.com/terror/crashthumbnails.html.

His self-published series of 13 begins at number 11 and runs to number 26, with numbers 12, 14 and 21 missing. The Wayback Machine still caches a copy of images he took down from the internet, number 12, a picture of his dashboard, and number 14, a photo of his arm, with number 21 missing, which may indicate that a photograph was somehow suppressed.

Riskus first told us, "I took these pictures seconds after the plane hit the pentagon. I was traveling on route 27 towards 395 when the plane crossed my path from the right about 100ft in front of me and crashed into the pentagon." He later changes that to "within 1 minutes," and drops the distance entirely, adding he left the immediate vicinity out of fear of further attacks--good justification for the fact that only five images are of the scene, with the remainder depicting his unnoteworthy drive home.

The image in question couldn't be of more relevance though. It is of the entrance hole the plane made in the facade, an image that most resembles the output of Cpl. Jason Ingersall, which begs the question why a high-resolution, government-sourced image of this critical data wasn't utilized for this most sober of reports. Given the resolutions the ASCE image is found in, it is difficult to question what motive might have led to the need for an image attributed to an outside source.

The volunteer citizen engineers of the ASCE, who were meant to draw the definitive analysis as to building safety, were in the absence of any NTSB report, also interpreting the mechanics of the airplane crash, but to do so they were provided with grossly deficient resources by the FBI, which is evidence of a coverup. By the time they were allowed controlled access two weeks later, all building and crash debris had been completely removed, nullifying any but the most obvious conclusions.

Other than an insufficient analysis of the origins of the "punchout hole" they make no mention of the additional blast evidence in the A&E Drive seen in these photographs

In the face of the damage depicted in the preceding and following photographs, it would be impossible or unethical to conclude, "With the possible exception of the immediate vicinity of the fuselage’s entry point at column line 14, essentially all interior impact damage was inflicted in the first story." But that is what the ASCE does.

If the concussive overpressure that blasted these window frames outward wasn't caused by an airliner impact, it would have to be attributed to an explosive charge, because fire alone could not have caused it, just as fire alone couldn't have brought down the World Trade Towers.

We may never know who the guilty culprits are who staged the massive crime of 9-11, but in a nation of laws, we can hold those officials from various governmental agencies and departments responsible for the crime of covering up. Like semen stains on navy-blue Gap dresses, physics makes bricks and mortar evidence incontrovertible. And like Watergate--it wasn't the crime that tripped them up, it was the coverup.

Posted by stevenwarran at 5/29/2007 01:33:00 PM


Now where, I thought, have I come across this sort of thing before? Ah, yes, here:

In John Costella’s “A Scientist’s Verdict: The Film is a Fabrication,” the second chapter of part II of The Great Zapruder Film Hoax: Deceit and deception in the death of JFK (Chicago: Catfeet Press, 2003), he devotes a chapterlet to the question of how many photographs AP’s James Altgens took of the motorcade, the assassination and its aftermath. The passage which caught my eye recently begins as follows:

Quote:“But the second additional photograph (allegedly the seventh and last in the sequence overall) is even more problematical. This purports to show Abraham Zapruder and Marilyn Sitzman walking away from the ‘Zapruder pedestal,” with the Hesters crouched on the ground nearby. If genuine, it would be the clearest photographic evidence actually showing Abraham Zapruder in Dealey Plaza at the time of the assassination – albeit from behind.

The problem with this additional photograph is that Altgens explicitly states what he did after taking this photo of Clint Hill on the back of the limousine: he crossed to the north side of Elm Street! Yet a detailed analysis reveals that this extra photograph was taken from the south side of Elm. Altgens also described in detail for Liebeler everything he observed after the assassination…Does he describe Zapruder and Sitzman, or the Hester couple crouched on the ground – a sight he apparently thought worthy enough to take a photograph of? Absolutely not…So where were Zapruder, Sitzman and the Hesters? Why don’t they rate a mention at all in the Altgens testimony?,” pp.204-205

The answers couldn’t be more straightforward: the Hesters weren’t there at the time Altgens crossed the road; and Altgens did not take the seventh photo attributed to him by Trask, Thompson et al. The Hesters were instead, at best, on route; and someone else took the photo:

Quote:Charles Hester statement to the FBI, 24 November 1963, as recorded by J. Doyle Williams and Henry J. Oliver, 24H523:

Mrs CHARLES HESTER, 2619 Keyhold Street, Irving, Texas, advised that sometime around 12:30 p.m., on November 22, 1963, she and her husband were standing along the street at a place immediately preceding the underpass on Elm Street, where President Kennedy was shot. Mrs HESTER advised she heard two loud noises which sounded like gunshots, and she saw President KENNEDY slump in the seat of the car he was riding in. Her husband grabbed then grabbed her and shoved her to the ground. Shortly thereafter they went across to the north side of the street on an embankment in an attempt to gain shelter. She stated that she believes she and her husband actually had been in the direct line of fire. She did not see anyone with a gun when the shots were fired and stated she could not furnish any information as to exactly where the shots came from. After the President’s car had pulled away from the scene, she and her husband proceeded to their car and left the area as she was very upset.”
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#2
Yes, stevenwarran's blog is spot on, most of the time, even if it took me some longer time to realize that.
The fact that stevewarran is recommended by "socialservice" (www.septemberclues.info) gives me some added confidence in the sanity of the information posted there. Including the VicSim Report. (see thread in 911)

Carsten
The most relevant literature regarding what happened since September 11, 2001 is George Orwell's "1984".
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