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going to pieces after the assassination
#1
http://www.amazon.com/Broken-Places-Jose...ken+places

My friends at this site and in the assassination community may be interested in my most recent book, just published, THE BROKEN PLACES: A MEMOIR, my first since INTO THE NIGHTMARE: MY SEARCH FOR THE KILLERS OF PRESIDENT JOHN F. KENNEDY AND OFFICER J. D. TIPPIT. This (other) longtime labor of love is not primarily about the assassination or my research but partly about the period in which those events occurred and the shattering (but enlightening) impact they and other factors had on me as a teenager. The book is now available from Amazon.com. See an excerpt below dealing with my response to the assassination.



THE BROKEN PLACES: A MEMOIR


by Joseph McBride


In The Broken Places, Joseph McBride, an internationally acclaimed American cultural historian, recalls his troubled youth in the Midwest during the 1960s. Searingly immediate and yet reflective, this is the author's memoir of his breakdown as a teenager and triumphant recovery. It gives an unsparing look at physical and psychological abuse, family dysfunction and addiction, sexual repression, and Catholic guilt. And at its heart, this is a haunting, often joyous love story.

The Broken Places offers an unforgettable portrait of Kathy Wolf, a brilliant, vibrant, shattered young Native American woman who taught Joe how to live even though she could not save herself. Kathy's life exemplifies what Ernest Hemingway wrote, "The world breaks every one and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially." This extraordinary love story will move you and disturb you.

Joseph McBride was born in Milwaukee and educated at Marquette University High School and the University of Wisconsin, Madison. He lives in Berkeley, California, and is a professor in the Cinema Department at San Francisco State University. McBride is the author of seventeen previous books, including biographies of Frank Capra, John Ford, and Steven Spielberg; three books on Orson Welles; and Into the Nightmare: My Search for the Killers of President John F. Kennedy and Officer J. D. Tippit.

Available from Amazon.com

An excerpt from THE BROKEN PLACES:

[My parents] were both newspaper reporters, my father a veteran feature writer, columnist, and rewrite man for the [Milwaukee] Journal and my mother a local and national political reporter for the Sentinel, worldly people who were fully engaged with the hectic workaday world of politics, business, and crime. Raymond and Marian Dunne McBride (called "Toni" by everyone) were masterful reporters with graceful writing styles, influential, well-regarded, the opposite of recluses. My mother had also been active in the Democratic Party and served as the state vice chairman during John F. Kennedy's presidential campaign in 1960. She had brought me into his primary campaign as a volunteer. While covering the White House for the Sentinel, she later helped the dean of Washington journalists, Helen Thomas, break down the barriers against women at the National Press Club. Thomas wrote me about my mother in 2005 that she "always admired her; great journalist." My parents talked shop at our dinner table each night, helping educate us seven children with a fairly sophisticated and precocious understanding of politics and journalism. . . .

I found bitter amusement in the fact that to the readers of the Milwaukee Journal, the McBrides were the source of (mostly) jolly entertainment in a column my father wrote called "All in the Family." Years before Archie Bunker was created (a character with whom my Dad, who spent most of his home life muttering nasty remarks in front of the television his easy chair as he drank himself blotto each night, unfortunately would find much to identify with), the McBride version of "All in the Family" provided a highly sanitized "comical" account of our family doings in the Green Sheet.

Twice a week, amidst the comic strips and the "Dear Mrs. Griggs" advice column, my Dad deftly amused the readers with the antics of the seven McBride children, ages six through seventeen, pictured in ascending order in a cartoon at the head of the column, waiting to use the bathroom in the morning. My father is pounding on the door with my mother, my sister, and two little brothers in back of him; evidently I'm the one inside, working on my zits or maybe studying a skin magazine. In later years I would come to appreciate the column's frequent charm and graceful prose. It was the verbal equivalent of a Norman Rockwell painting, folksy and warm and idealized, a form of wish fulfillment that papered over an ugly reality. But it was only a minor embarrassment to us children until, little by little, bits of reality began to intrude into the column. . . .

My own blowup over the column was late in coming because my father seldom wrote about me. There were no funny stories to tell about my life in those days. I did not engage in any of the normal teenage shenanigans. I didn't smoke, drink, or drive a car. I didn't go out on dates (my flower hadn't bloomed). As a high school senior [at Marquette University High School], I had no friends outside my schoolmates, mostly the handful of boys who worked with me on our monthly newsmagazine, The Flambeau Monthly, a slick publication slavishly modeled on Time magazine. That was the extent of my social life, my only genuine recreation. All I did otherwise was study, go to church, and jerk off. But a clash over the column was inevitable, and it came in my senior year, that October 27, 1964, when my Dad wrote a piece called "Chess Moves."

The column's complaint was that "It's hard to outsmart a teenager." My father thought I was testing parental authority by staying up too late doing my homework (four hours a night by that point). After noting that I was an honor student and stayed up long into the night studying, my Dad wrote, "This may seem admirable, but too much study possibly is as dangerous as too little." His oldest son would come to the breakfast table "bleary-eyed from hours of study." The column detailed my Dad's battles with me over my schedule -- an attempt to impose an 11:30 curfew on studying, his struggles to wake me at 7 each morning, and my coming to breakfast in my pajamas to read the paper and eat before I dressed -- all of which struck him as acts of defiance.

Although the column manifested a vague concern with my possibly "dangerous" health situation, it missed the actual seriousness of the situation, showing no sense of any deeper underlying causes. Still, it was an inchoate cry for help. A very public outcry it was too, delivered to the entire city of Milwaukee, one of the most unpleasant side effects of having parents who wrote for newspapers. They tended not to take our problems to psychologists or psychiatrists who might actually be able to help us but perhaps might have been seen as threatening their authority; only in occasional desperation did they send me to irresponsible quacks who didn't do a bit of good. In any case, my parents were Catholics, and generally in those days you were supposed to take your problems to the priests.

My father reported in his column about me that after he succeeded in getting me to show up fully dressed at breakfast, it did not last long. Then the column reached the conclusion that would get me in trouble. He told the readers that after more of this struggle ensued with his son, "a little later he asked if he could get some pills to keep him awake in the morning.

"'Boys your age can't be on drugs,' I said curtly, but I'm preparing rebuttals for his next arguments."

Since I rarely bothered to read "All in the Family," I didn't know what my father had written about me until the following day, when Father McGinnity stopped me in the hall at Marquette and asked if it was true that I was "on drugs." Afraid of punishment, I said my father didn't know what he was talking about. I have to give Father McGinnity credit for seeming to be the only person in Milwaukee (population then: 741,324) who responded at all to my father's cry for help, but it is a shame in retrospect that I couldn't be honest with the priest about the spiritual and physical struggle that was affecting my health. And it's unfortunate that he let the matter drop. If we had been able to deal with the problem frankly, I might have received the help I needed at a time then. Around that same time, a classmate who worked with me on the Flambeau Monthly asked, "Are you OK?," and I became uncomfortable with his probing question and stare, mumbling a false affirmative.

Today, a student so visibly afflicted with health problems might get more attention at school. But in those days not only parents but also teachers and school administrators seemed almost entirely oblivious to such problems. Since I was barely eating as well as getting too little sleep, and my weight was plunging so rapidly, it is clear in retrospect that my problem not only should have been visible, but that it was as much physical as psychological, the blending of afflictions that are now seen as interrelated symptoms of anorexia nervosa. Back then, that term was little known to the general public, and it would not enter common discourse for than a decade. Severe eating disorders and their psychological causes were not much understood; today we recognize that anorexia can stem at least in part from fear of the onset of puberty. Subconsciously I was reacting against the onset of uncontrollable sexual drives, natural impulses that were stigmatized by my church, teachers, and family as sinful, and my reaction was to severely punish my body. Early studies of anorexia connected the illness with religious fasting and self-starvation, a condition so frequent among religious women in the Middle Ages (including some who were later canonized) that it was sometimes referred to as anorexia mirabilis. But my problems, our family's problems, were shrouded in a heavy fog of taboo and denial.

Even though my father may have meant well, in his own clumsy way, I did not take it kindly that he went public with his sketchy apprehensions about my health, particularly after Father McGinnity had accosted me in the hall with his worry about my drug-taking. That night at the dinner table, I screamed and cried when my father tried to make light of the situation. My mother took my side, contending as she sipped a beer that the column showed a "pretty goddam warped sense of humor." My father retreated to the living room with a bottle of wine to drink himself into oblivion in front of the television.

I broke my curfew with impunity after that, studying past two every night. In early November, about a month before my second run at the SATs (Scholastic Aptitude Tests), I bought a box of NoDoz tablets to keep from falling asleep at my desk. I took the SATs with an unhealthy degree of seriousness because they would be critical in determining whether I would be accepted at Harvard, the school of my choice. I cared so intensely about that potential achievement that I kept taking the SATs over and over to keep improving my score, an obsessive process that made me increasingly agitated and collapsed my few remaining reserves of energy.

My father's column seemed to fumble around the key but unspoken question, Why was I so driven to overwork? I felt I knew part of the reason why that was the case, but I would have been hard put to articulate it to anyone, since it rested on such troubling foundations, and at the time I did not fully understand what was happening to me. Nor could I have explained then the overriding reason: Although I had tried to rebel in grade school by doing poorly in my studies, a cry for help that failed, now I was trying to win approval from my parents and society by doing the opposite. It was a year earlier, in December 1963, that I had first consciously recognized I was developing a monomania about my studies.

What was the urgency of that need? I remember clearly recognizing then another, more specific trigger for that development, one that had contributed to my sense of mounting desperation. I was aware then that it must have something to do with the murder of President Kennedy just a couple of weeks earlier, and that my overcompensating reaction was some form of the grieving process. I felt a crushing weight of depression and disillusionmen, a sense of being abruptly cut off from the person I thought I was in a way I could not entirely comprehend and did not have the tools to examine. There was a numbness, a void caused by the loss of another of my major illusions, the props of my shaky existence, that needed to be filled somehow. Why I sought a refuge in accelerating my studies so frantically rather than in some other form of achievement was unclear to me then. It was only much later, when I could view this period in hindsight -- with what Wordsworth called "emotion recollected in tranquillity" -- that I realized I threw myself headlong into the thickets of schoolwork, a maze that had no limit or exit, partly as a way of blotting out the terrifying questions raised by the president's death and because it was the only way I knew how to do so. And though the escalating battle between my religious faith and my sexuality seemed, at the moment, even more urgent than this bewildering political calamity, for which there already seemed no clear explanation, I knew in some inchoate fashion that my heretical feelings about these two major crises in my view of life, personal and political, were coming together to contribute to my emotional, spiritual, and physical isolation.

After I had worked as a volunteer for JFK in the Wisconsin presidential primary and met him three times (once in 1962 when he was president), his inspiration was what had led me to my planned career: I had it all mapped out, to attend Harvard, study law, and enter politics, probably running for Congress. When I had answered a question from Kennedy about his book Profiles in Courage at a small "Kids for Kennedy" rally my mother organized at the Wauwatosa Civic Center in March 1960, he quipped, "I hope I don't have to run against you in 1964." He then launched into a humorous anecdote about a boy who, upon meeting French President Charles de Gaulle, advised him on his foreign policy. But now that I had to face the realization that my candidate had been murdered and the government seemed strangely uninterested in solving the crime, I was losing another of my bedrocks, my faith in the American democratic system as well as in my religious beliefs. Where there had been faith now I was starting to see mostly lies and insane delusions.

When I watched Dr. Strangelove shortly after the assassination, with my friend Dick Benka in February 1964 at the Tosa Theater in Wauwatosa, that black comedy about nuclear war brought about another paradigm shift in my view of the world. The film made recognize that world events I had found simply frightening could also be thoroughly absurd. Rekindling the subversiveness engendered in our Baby Boomer generation by Mad magazine in the 1950s and '60s, Dr. Strangelove helped me see that I should question authority and not to follow it so blindly. I could not fail to notice that the psychoses that cause these men of power to blow up the world in Dr. Strangelove have twisted sexual roots. I did not have to be convinced that sexual impulses could be so explosive, but to discover that sexual pathologies could also be hilarious was somehow a promise of liberation.

Nevertheless, these developments in my life, drawing together inflammatory political and sexual revelations, involved incremental realizations; painfully so. I ploughed ahead blindly with my Harvard ambitions, mostly out of inertia, as I can see now. My suppressed anxieties about my future plans ironically made me all the more determined at the time to follow through on that goal. My quest for a National Merit Scholarship, which I thought would be the catalyst that would make everything happen for me, became the conscious center of my universe, almost a form of magical thinking. But in fact, all my philosophical underpinnings were coming unmoored at once; the pillars of my existence were beginning to topple systematically, inexorably. That is a dangerous, if potentially creative, situation, and so I was in the disorienting throes of a life-threatening struggle over my illusions as I approached my crisis point both physically and psychologically by November of 1964. . . .
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#2
Wow. Very moving and I daresay you have given voice to many teens who felt equally demoralized after the horror of 11/22/63.

Interesting too how you reacted so positively -with firm ambition- against your dad's alcohol- induced behavior. I too had this experience growing up.

Both the depression over the assassination, and the alcoholic dad. We both could have just as easily gone down that road, but rebellion would instead present

as a desire to succeed.

Well done. I hope your father eventually became pleased.

Dawn
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#3
Hear! hear, Mr. McBride, two thumbs up! What a journey! It's remarkable stories of courage like yours and a great many others in this lifetime that inspire and encourage others. Best wishes!
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#4
Dawn Meredith Wrote:Wow. Very moving and I daresay you have given voice to many teens who felt equally demoralized after the horror of 11/22/63.

Interesting too how you reacted so positively -with firm ambition- against your dad's alcohol- induced behavior. I too had this experience growing up.

Both the depression over the assassination, and the alcoholic dad. We both could have just as easily gone down that road, but rebellion would instead present

as a desire to succeed.

Well done. I hope your father eventually became pleased.

Dawn


Many thanks for your kind words, Dawn. I appreciate your support and response about
how I have given voice to others who had similar reactions to that trauma. Yes, we were able to take our trauma and grief
over the assassination and use it to fight back in various ways as writers and
researchers and teachers, and as people more wised up to the system. Both my parents
were alcoholics, both excellent newspaper writers. My mother, Marian Dunne McBride, covered the White House for the Milwaukee Sentinel. When she
was vice chairman of the Wisconsin Democratic Party at the time JFK
ran for president, she and state chairman Patrick Lucey gave Kennedy
a crucial boost in his primary campaign by supporting him rather than
Hubert Humphrey, who had long been regarded as "Wisconsin's third senator,"
the senator liberals went to for help during the years when Joe McCarthy and Alexander
Wiley represented us in the Senate. My mother got me involved in the Kennedy campaign and was more supportive of my writing ambitions than
my father, Raymond McBride, was. He saw me as something of a rival and never was able
to be as positive as he should have been. He was encouraging about
my first book (HIGH AND INSIDE: AN A-TO-Z GUIDE TO THE LANGUAGE
OF BASEBALL), which I wrote in high school, but not so much about my books on film or my screenwriting. I write in THE BROKEN PLACES how after my father
died, I felt more liberated as a writer. Sad but true. But out of those kinds of fuel
we make ambition.
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#5
Alan Ford Wrote:Hear! hear, Mr. McBride, two thumbs up! What a journey! It's remarkable stories of courage like yours and a great many others in this lifetime that inspire and encourage others. Best wishes!

Alan, I appreciate your good words and am grateful to you for writing them. As I write more
in the memoir form (as I also did with INTO THE NIGHTMARE), I find a heartening paradox
to be true, that the more personal the writing, the more people you touch with it because they
can see their experiences reflected in yours. Sharing trauma and other personal subjects candidly and in detail
helps people relate to their own. I have had many reactions to INTO THE NIGHTMARE
like this, since we've all gone through the grieving process over the assassination (I still
am doing so, as probably most of us here are), and I'm already getting similar reactions
to THE BROKEN PLACES, since we all went through some kind of hell in our teenage
years. What Nietszche wrote applies to both kinds of experience: "That which does not kill us makes us stronger."
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#6
An interview I just did about the linkage between
my new book, THE BROKEN PLACES: A MEMOIR, and my
film ROCK 'N' ROLL HIGH SCHOOL:

http://liveforlivemusic.com/features/roc...ew-memoir/
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#7
Wow, somehow this movie missed me. And I love the Ramones. Now I have an additional reason to see if Netflix has it.

I feel so lucky to have grown up in the generation that invented rock and roll. Two weeks ago my long time favorite Bruce Springsteen and the E St. Band were on SNL. I have seen every Springsteen tour since 1975, and listening to them on tv evoked that same joy I felt the first time I ever heard Born to Run. (That lp was my into). Long live rock!!

Great interview, Joe. Moving, and so personal.

Dawn
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#8
I didn't know you were involved in writing that film, Joseph. RIP Ramones; all four original members are gone now.
Reply
#9
Joseph McBride Wrote:An interview I just did about the linkage between
my new book, THE BROKEN PLACES: A MEMOIR, and my
film ROCK 'N' ROLL HIGH SCHOOL:

http://liveforlivemusic.com/features/roc...ew-memoir/
As a

young competitive skateboarder I watched your movie on loop. The Ramones were my favorite music to play while skating pools and ramps.

Thanks for writing the movie, and reminding me of what fun I had watching it.
Reply
#10
Thanks, folks, for the good comments about the Ramones and ROCK 'N' ROLL HIGH SCHOOL. Gabba Gabba Hey!
It's a truly anarchic movie. Some of my students have told me it's their favorite movie
ever, and I hope I can believe them. When I was writing the script in 1978, I originally called the high school Ronald Reagan
High School, but Roger Corman was a neighbor of Reagan in Pacific Palisades, and didn't
want us to blow up a school with Reagan's name (I also wrote that the students blow
up a statue of Reagan). So I changed it to Vince Lombardi High School, with its motto
"Winning Isn't Everything; It's the Only Thing" (which Vince took from a John Wayne
movie, TROUBLE ALONG THE WAY). I used to sell hot dogs at Green Bay Packers
football games in Milwaukee when Vince was coach to help put myself through high school. My mother made me go to work at County Stadium on November 24, 1963, when I wanted to stay home and watch the assassination news on TV. So I missed seeing Oswald shot on live TV, but I literally saw the news ripple through the crowd of people waiting for the game to start and listening to their portable radios. It was a dismal experience to be at that game; one of the players later told me they didn't want to be there either. The NFL shamed itself by playing games that Sunday, partly at the urging of conservative team owners who didn't like JFK. In ROCK 'N' ROLL HIGH SCHOOL, there are portraits of JFK and Ike in the principal's office, and portraits of Vince everywhere you look in the school. When Corman's company did the execrable sequel ROCK 'N' ROLL HIGH SCHOOL FOREVER (1991), Reagan was no longer president, and thus was safe to satirize, so they called the school Ronald Reagan High School.
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