30-09-2009, 08:19 PM
(This post was last modified: 30-09-2009, 10:45 PM by Jan Klimkowski.)
Many courageous and gifted researchers have delved into this deep dark world. Mae Brussell, John Judge, Maury Terry, Adam Gorightly, Peter Levenda, Dave McGowan.
Dave McGowan's beatnik rap piles coincidence upon coincidence in a way that perhaps only Jung could unpick.
Here's a speculative trip into this world.
Disclaimer: I can vouch for the absolute truth of none of the following. I can confirm its archetypal ugliness.
As a child, Polanski was traumatized by his experiences. This may have helped him become an artist of great talent. However, his films have a coldness, a meticulous devotion to form and appearance. His films also frequently contain scenes of violence, sometimes extreme violence - see early work such as A Murderer (1955), A Knife in the Water (1962) and Repulsion (1965), and his first film after the slaughter, The Tragedy of Macbeth (1972), which is explicit both in its violence and in its portrayal of the potency of sexuality.
In 1967, Sharon Tate was cast in The Fearless Vampire Killers against Polanski's wishes. He was tyrannical in his directing of her, insisting on Tate completing seventy takes for one particular scene.
According to Dave McGowan, Tate was inducted into witchcraft by a very prominent Wiccan and Crowleyite during the filming of The Fearless Vampire Killers.
In the foreword to Vol 3 of Peter Levenda's Sinister Forces, Paul Krassner writes about the "porn flicks" that the LAPD allegedly discovered in the loft of the Cielo Drive slaughter scene:
Polanski is obsessed with image and form, and his themes are death, violence and the occult. His interest in sex is essentially gynaecological and voyeuristic.
He is precisely the type to have filmed beautiful women fucking, including or perhaps especially, his wife. He probably even ordered retakes....
Murdered with Tate were Jay Sebring, a longtime sexual partner of Tate, and a major cocaine and mescaline dealer. Frykowski and the heiress Folger were also, at the very least, participant in the sex, drugs and violence in which these characters were immersed.
Dennis Hopper was allegedly involved in a party in Cielo Drive, a few days before the Manson Family paid their visit, whose highlight was the flogging of a drug dealer (over a bum deal). Hopper's flagellation was - surprize surprize - allegedly filmed.
Dave McGowan on Dennis Hopper:
http://www.illuminati-news.com/articles2/00225.html
It seems the part of the sexual psychopath, Frank Booth, in Blue Velvet, came very easily to Hopper.
Polanski's frequent executive producer and collaborator was Robert Evans. For those with eyes wide open, consider Maury Terry's The Ultimate Evil.
In 1977, eight years after Sharon Tate, with an unborn child in her womb, was carved up by the Manson Family, the 44-year-old Roman Polanski drugged and raped a 13-year-old girl, probably sodomizing her.
Back in 1968, also reportedly at the dinner on the eve of Bobby Kennedy's assassination involving RFK, Frankenheimer, Polanski and Tate, was "Mama" Cass Elliott of The Mamas and The Papas.
There is no record of Manchurian Candidate technical consultant and MK-ULTRA narco-trauma-hypnosis programmer, William Jennings Bryan, attending the dinner.
I'm going to be self-indulgent and quote myself:
http://www.deeppoliticsforum.com/forums/....php?t=698
Candy Tate
Sharon Jones
The Bluebird of Happiness.
The Blue Bird of Synchronicity.
When is a coincidence a synchronicity?
Maurice Maeterlinck and L'oiseau bleu
Tap tap tap tap tap......
Dave McGowan's beatnik rap piles coincidence upon coincidence in a way that perhaps only Jung could unpick.
Here's a speculative trip into this world.
Disclaimer: I can vouch for the absolute truth of none of the following. I can confirm its archetypal ugliness.
As a child, Polanski was traumatized by his experiences. This may have helped him become an artist of great talent. However, his films have a coldness, a meticulous devotion to form and appearance. His films also frequently contain scenes of violence, sometimes extreme violence - see early work such as A Murderer (1955), A Knife in the Water (1962) and Repulsion (1965), and his first film after the slaughter, The Tragedy of Macbeth (1972), which is explicit both in its violence and in its portrayal of the potency of sexuality.
In 1967, Sharon Tate was cast in The Fearless Vampire Killers against Polanski's wishes. He was tyrannical in his directing of her, insisting on Tate completing seventy takes for one particular scene.
According to Dave McGowan, Tate was inducted into witchcraft by a very prominent Wiccan and Crowleyite during the filming of The Fearless Vampire Killers.
In the foreword to Vol 3 of Peter Levenda's Sinister Forces, Paul Krassner writes about the "porn flicks" that the LAPD allegedly discovered in the loft of the Cielo Drive slaughter scene:
Quote:"I consulted San Francisco private investigator Hal Lipset, whose career had been the basis for The Conversation, starring Gene Hackman. Lipset informed me that not only did Los Angeles police seize porn movies and videotapes, but also that individual officers were selling them. He had talked with one police source who told him exactly which porn flicks were available - a total of seven hours' worth for a quarter-million dollars. Lipset began reciting a litany of these porn movies. The most notorious was Greg Bautzer, an attorney for financier Howard Hughes, together with Jane Wyman, the former wife of then-Governor Ronald Reagan. There was Sharon Tate with Dean Martin. There was Sharon with Steve McQueen. There was Sharon with two black bisexual men.
"'The cops weren't too happy about that one,' Lipsett recalled.
"There was reportedly a video of Cass Elliott from The Mamas and The Papas in an orgy with Yul Brynner, Peter Sellers and Warren Beatty. Coincidentally, Brynner and Sellers, together with John Phillips of The Mamas and The Papas, had offered a reward of $25,000 for the capture of the killers. I always felt these executioners had a prior connection with their victims. I finally tracked down a reporter who had hung around with police and seen a porn video of Susan Atkins with one of her victims, Wojciech Frykowski. When I asked Manson about that, he responded: 'You are ill advised and misled. [Victim Jay] Sebring done Susan's hair and I think he sucked one or two of her dicks. I'm not sure who she was walking out from her stars and cages, that girl loves dick, you know what I mean, hon. Yul Brynner, Peter Sellers...'"
Polanski is obsessed with image and form, and his themes are death, violence and the occult. His interest in sex is essentially gynaecological and voyeuristic.
He is precisely the type to have filmed beautiful women fucking, including or perhaps especially, his wife. He probably even ordered retakes....
Murdered with Tate were Jay Sebring, a longtime sexual partner of Tate, and a major cocaine and mescaline dealer. Frykowski and the heiress Folger were also, at the very least, participant in the sex, drugs and violence in which these characters were immersed.
Dennis Hopper was allegedly involved in a party in Cielo Drive, a few days before the Manson Family paid their visit, whose highlight was the flogging of a drug dealer (over a bum deal). Hopper's flagellation was - surprize surprize - allegedly filmed.
Dave McGowan on Dennis Hopper:
Quote:For those who may be unfamiliar with Hopper’s body of work, he is the guy who was once found wandering naked and bewildered in a Mexican forest. And the guy who, after divorcing Hayward in 1969, married Michelle Phillips on Halloween day, 1970, only to have her file for divorce just eight days later claiming that Hopper had kept her handcuffed and imprisoned for a week while making “unnatural sexual demands.”
Without passing judgment here, I think it’s fair to say that Michelle Phillips has been around the block a time or two, if you catch my drift, so if even she thought Hopper’s demands were a bit over the top, then one can only wonder just how “unnatural” they might have been. For what it’s worth, Hopper just recently told a journalist that he “didn’t handcuff her, [he] just punched her out!” In his mind, apparently, that makes him somewhat less of an asshole.
Most official biographies of Hopper would lead one to believe that he was the son of a simple farmer. Dennis recently acknowledged, however, that that was clearly not the case: “My mother’s father was a wheat farmer and I was raised on their farm. But my father was not a farmer.” To the contrary, Hopper’s dad was “a working person in intelligence” who during WWII “was in the OSS. He was in China, Burma, India.” Hopper has proudly proclaimed that his father “was one of the 100 guys that liberated General Wainright out of prison in Korea,” which might be a little more impressive were it not for the fact that it was actually the Red Army that freed Wainright and other prisoners; the US intel team just came to pick them up, debrief them and transport them home … but that, I suppose, isn’t really relevant.
After the war, according to Hopper, his dad carried a gun, which I suppose is what most lay ministers in the Methodist Church do. The family also left the farm in Kansas and relocated to San Diego, California, home of the Imperial Beach Naval Air Station, the United States Naval Radio Station, the United States Naval Amphibious Base, the North Island Naval Air Station, Fort Rosecrans Military Reservation, the United States Naval Training Center, the United States Marine Corps Recruit Depot, and the Miramar Marine Corps Air Station. And just north of the city sits the massive Camp Pendleton Marine Corps Base. Other than that though, San Diego is just a sleepy little beach town where Hopper’s dad ostensibly worked for the Post Office.
The modern version of Dennis Hopper, by the way, is wildly at odds with the hippie image that he at one time tried very hard to cultivate. Today’s Dennis Hopper is an unapologetic cheerleader for Team Bush who proudly boasts of having voted a straight Republican ticket for nearly thirty years. He could very well turn up on the campaign trail in the coming months with his lips firmly planted on the ass of war criminal John McCain.
http://www.illuminati-news.com/articles2/00225.html
It seems the part of the sexual psychopath, Frank Booth, in Blue Velvet, came very easily to Hopper.
Polanski's frequent executive producer and collaborator was Robert Evans. For those with eyes wide open, consider Maury Terry's The Ultimate Evil.
In 1977, eight years after Sharon Tate, with an unborn child in her womb, was carved up by the Manson Family, the 44-year-old Roman Polanski drugged and raped a 13-year-old girl, probably sodomizing her.
Back in 1968, also reportedly at the dinner on the eve of Bobby Kennedy's assassination involving RFK, Frankenheimer, Polanski and Tate, was "Mama" Cass Elliott of The Mamas and The Papas.
There is no record of Manchurian Candidate technical consultant and MK-ULTRA narco-trauma-hypnosis programmer, William Jennings Bryan, attending the dinner.
I'm going to be self-indulgent and quote myself:
Jan Klimkowski Wrote:Synopsis of the 1940 film of Maeterlinck's Blue Bird, starring Shirley Temple:
Quote:Mytyl (Shirley Temple), the bratty daughter of a woodcutter, finds a unique bird in the Royal Forest and selfishly refuses to give it to her sick friend. That night she is visited in a dream by a fairy named Berylune who sends her and her brother Tytyl to search for the Blue Bird of Happiness. To accompany them, the fairy magically transforms their dog Tylo, cat Tylette (played by Gale Sondergaard), and lantern ("Light") (played by Helen Ericson) into human form. The children have a number of adventures including a visit with their (deceased) grandparents in the Land of the Past, a stay in The Land of Luxury, an attack by angry trees and lightning which results in a forest fire, a meeting with Father Time, and, in the Land of Tomorrow, populated by unborn children, a meeting with Abraham Lincoln as a young boy (he prophesies "they will destroy me"), and a meeting with their future sister. The dream journey makes the previously unhappy and selfish Mytyl awake as a kinder and gentler girl who has learned to appreciate all the comforts and joys of her home and family. Much like MGM's The Wizard of Oz, the story starts in sepia and changes to Technicolor for the magical dream sequence.
Sharon Tate's own words:
Quote: “I’d like to be a fairy princess––a little golden doll with gossamer wings, in a voile dress, adorned with bright, shiny things. I see that as something totally pure and beautiful. Everything that’s realistic has some sort of ugliness in it."
Project Blue Bird was the first known codename for the narco-hypnosis-behaviourist-trauma mind control experimentation undertaken by US intelligence agencies in the immediate aftermath of WW2.
A key part of Lee Harvey Oswald's intelligence legend was created at the Bluebird cafe in Yamato, whilst he was stationed at the U-2 and MK-ULTRA base otherwise known at Atsugi.
http://www.deeppoliticsforum.com/forums/....php?t=698
Candy Tate
Sharon Jones
The Bluebird of Happiness.
The Blue Bird of Synchronicity.
When is a coincidence a synchronicity?
Maurice Maeterlinck and L'oiseau bleu
Tap tap tap tap tap......
"It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...."
"Proverbs for Paranoids 4: You hide, They seek."
"They are in Love. Fuck the War."
Gravity's Rainbow, Thomas Pynchon
"Ccollanan Pachacamac ricuy auccacunac yahuarniy hichascancuta."
The last words of the last Inka, Tupac Amaru, led to the gallows by men of god & dogs of war
"Proverbs for Paranoids 4: You hide, They seek."
"They are in Love. Fuck the War."
Gravity's Rainbow, Thomas Pynchon
"Ccollanan Pachacamac ricuy auccacunac yahuarniy hichascancuta."
The last words of the last Inka, Tupac Amaru, led to the gallows by men of god & dogs of war