30-10-2009, 10:35 PM
David Guyatt Wrote:The following essay is reproduced in full with kind permission of the author: http://www.jayweidner.com/AlchemicalKubrickIIa.html
[align=center]How Stanley Kubrick
Faked the Apollo Moon Landings:
Or How I learned to Stop Worrying and Love the Lies.
Alchemical Kubrick II
By
Jay Weidner
Copyright July 20 th 2009
Sacred Mysteries Productions
What really attracted me to Weidner's very fine analysis of Kubrick and the curious qualities of the moon landing photos was what seem to me to be reasonances in one particular section of the Z fake, specifically, the sequence following the famous crude splice at 207-211.
Was it Jack White or John Costella who commented on the transparency of one of Clint Hill's legs as he boarded the presidential limousine? Can't remember for the moment, but I offer as a hypothesis that this section of the film incorporates the use of Front Screen Projection (background) and studio-recreated (re-enacted) foreground.
Just to see where it takes us.
Additionally, I wonder, not being familiar with or fond of Kubrick's films, if there are any references to Dallas in his work?