22-10-2010, 09:44 PM
I am currently in Jim Fetzer's Murder in Dealey Plaza chapter on David Mantik's dramatic proof the Harper Fragment was occipital, simultaneously confirming forty eyewitness accounts and providing the lead trace at its border showing the lower entry was correct. A puzzle piece proving crossfire, conspiracy, coverup: coup d'etat.
Regarding Bobby, I was first deeply moved by the Turner-Christian, then the Klaber-Melanson, finally the Shane O'Sullivan—and now we have the acoustic proof to the number of shots exceeding the eight in Sirhan's Iver-Johnson.
We know the two LAPD detectives controlling the investigation—Hernandez and Pena—have ties to the CIA, and that Cesar was the likely second shooter—and we're grateful for the courageous work of Thomas Noguchi in proving the trajectory of the fatal four shots: back-to-front, right-to-left, down-to-up, point-blank—clearing Sirhan of the murder.
Always suspicious from the first time in an Albuquerque bookstore picking up—and putting down—Moldea's “clearing” Cesar through “polygraph”--it is to laugh: Aldrich Ames the most destructive CIA mole (we know of) passed his “flutter” with a simple assurance from his KGB handler.
Someone was in that position, at Bobby's elbow, either Cesar, or another Sirhan lookalike behind the partition, making the hit up close and personal while the patsy drew the attention of seventy-five people in the crowded pantry.
And it was coordinated, we may be sure, even as the radio command post (in the two large trucks on Elm above Houston?) and Umbrella Man and Walkie-Talkie Man insured the synchronization of the teams.
Michael Calder (CIA v JFK) would like someone to come forward and identify the man in the circle below, as the author believes it was he who insured Bobby would be led, not off the stage, but back through the pantry:
![[Image: 4scuag.jpg]](http://oi56.tinypic.com/4scuag.jpg)
Oh, and as for all that “Bulova” disclaimer to refute O'Sullivan's identification of CIA players, let us not forget the convenient production of nitwit Witt as the Umbrella Man—not convincing of anything but CIA limited hangout.
Regarding Bobby, I was first deeply moved by the Turner-Christian, then the Klaber-Melanson, finally the Shane O'Sullivan—and now we have the acoustic proof to the number of shots exceeding the eight in Sirhan's Iver-Johnson.
We know the two LAPD detectives controlling the investigation—Hernandez and Pena—have ties to the CIA, and that Cesar was the likely second shooter—and we're grateful for the courageous work of Thomas Noguchi in proving the trajectory of the fatal four shots: back-to-front, right-to-left, down-to-up, point-blank—clearing Sirhan of the murder.
Always suspicious from the first time in an Albuquerque bookstore picking up—and putting down—Moldea's “clearing” Cesar through “polygraph”--it is to laugh: Aldrich Ames the most destructive CIA mole (we know of) passed his “flutter” with a simple assurance from his KGB handler.
Someone was in that position, at Bobby's elbow, either Cesar, or another Sirhan lookalike behind the partition, making the hit up close and personal while the patsy drew the attention of seventy-five people in the crowded pantry.
And it was coordinated, we may be sure, even as the radio command post (in the two large trucks on Elm above Houston?) and Umbrella Man and Walkie-Talkie Man insured the synchronization of the teams.
Michael Calder (CIA v JFK) would like someone to come forward and identify the man in the circle below, as the author believes it was he who insured Bobby would be led, not off the stage, but back through the pantry:
Oh, and as for all that “Bulova” disclaimer to refute O'Sullivan's identification of CIA players, let us not forget the convenient production of nitwit Witt as the Umbrella Man—not convincing of anything but CIA limited hangout.