22-10-2012, 11:06 PM
Thanks Greg... I still keep your chilling description of what you saw in a word doc nearby.....
Not sure if you've followed any of the MATH threads Chris Davidson and I have had... I believe we found the 30-40 feet that makes up the descrepency in the "data" and it has to do with that turn onto Elm where the FBI decides that Towner is running at a speed much higher than the 16fps her camera SHOULD have taken images at... and with the "STOP".
Turns out if one simply moves the measuring point from Myer's FRONT of the LIMO to JFK IN THE LIMO we can gain or lose about 15-16 feet from a fixed measuring point (station C)
Then, by changing 16fps (1/3 of slo-mo) to 18.3 you pick up about 30 frames over the sequence... or another 1-2 seconds = 30 feet of movement, again based on where the fixed measuring point is.
2-3 mph is virtually a stop. That's regular walking speed... for a car it's crawling along.
The only way Hill reaches the limo in basically 4 steps is if the limo/QM are traveling at less than 5 mph.
Without the "0183" on the extant film at the archives - it cannot be proven to be the one developed as the Camera Original...
There is simply too much blank film
DJ
It could havehappened this way---consider this: the extant film (that is, the assassination
movie, not theZapruder family scenes present on the two Secret Service copies) in the
NationalArchives (not counting leader) consists of a strip of film 8 feet, 10 incheslong
(of which only 6 feet, 3 inches contains the imagery ofthe assassination film, and 2 feet,
7 inches is black, unexposed film with no image showing); then there isa physical splice;
then there is asegment of black film containing no imagery that is 19 feet, 3 inches long;
then there isanother physical splice; then there is another segment of black film
containing noimagery which is 5 feet, 8 inches long.
Summarizing,after the first splice
at the end ofthe assassination segment, there are a total of just over 24 feet of black film
with no imageshowing. If the camera-original film had actually been shot at
48 frames persecond---three times normal speed---
thenconceivably it would have required approximately three times the length of filmin the present assassination segment (i.e., 3 x 6 feet = 18 feet).
Currently,there is more than 18 feet of black film that is not contiguous
with theassassination movie---that is, there is actually 24 feet of black film that hasnot
been shot, butthe problem is, it is not physically connected to the assassination film.
The rhetoricalquestion becomes, how do we know the actual, camera-original Zapruder
film wasn'tshot at 48 frames per second, and then edited down to normal speed during
the alterationprocess by removing two thirds of the frames when the new film was
created in anoptical printer? The answer is, we don't know that---there is room for
subterfugehere---because the black, unexposed film on the reel of the extant Zapruder
film has beenattached with a splice.
Not sure if you've followed any of the MATH threads Chris Davidson and I have had... I believe we found the 30-40 feet that makes up the descrepency in the "data" and it has to do with that turn onto Elm where the FBI decides that Towner is running at a speed much higher than the 16fps her camera SHOULD have taken images at... and with the "STOP".
Turns out if one simply moves the measuring point from Myer's FRONT of the LIMO to JFK IN THE LIMO we can gain or lose about 15-16 feet from a fixed measuring point (station C)
Then, by changing 16fps (1/3 of slo-mo) to 18.3 you pick up about 30 frames over the sequence... or another 1-2 seconds = 30 feet of movement, again based on where the fixed measuring point is.
2-3 mph is virtually a stop. That's regular walking speed... for a car it's crawling along.
The only way Hill reaches the limo in basically 4 steps is if the limo/QM are traveling at less than 5 mph.
Without the "0183" on the extant film at the archives - it cannot be proven to be the one developed as the Camera Original...
There is simply too much blank film
DJ
It could havehappened this way---consider this: the extant film (that is, the assassination
movie, not theZapruder family scenes present on the two Secret Service copies) in the
NationalArchives (not counting leader) consists of a strip of film 8 feet, 10 incheslong
(of which only 6 feet, 3 inches contains the imagery ofthe assassination film, and 2 feet,
7 inches is black, unexposed film with no image showing); then there isa physical splice;
then there is asegment of black film containing no imagery that is 19 feet, 3 inches long;
then there isanother physical splice; then there is another segment of black film
containing noimagery which is 5 feet, 8 inches long.
Summarizing,after the first splice
at the end ofthe assassination segment, there are a total of just over 24 feet of black film
with no imageshowing. If the camera-original film had actually been shot at
48 frames persecond---three times normal speed---
thenconceivably it would have required approximately three times the length of filmin the present assassination segment (i.e., 3 x 6 feet = 18 feet).
Currently,there is more than 18 feet of black film that is not contiguous
with theassassination movie---that is, there is actually 24 feet of black film that hasnot
been shot, butthe problem is, it is not physically connected to the assassination film.
The rhetoricalquestion becomes, how do we know the actual, camera-original Zapruder
film wasn'tshot at 48 frames per second, and then edited down to normal speed during
the alterationprocess by removing two thirds of the frames when the new film was
created in anoptical printer? The answer is, we don't know that---there is room for
subterfugehere---because the black, unexposed film on the reel of the extant Zapruder
film has beenattached with a splice.