John Armstrong's Harvey and Lee

[Karl Kinaski]

All the relatives of Armstrongs Harvey vanished after 24.11.63. Where are his parents, grandparents, sisters, brothers etc? AND: there is a huge amount of paperwork of Lee Oswald - John Newmann made a book out of it(OSWALD AND THE CIA - and he meant only THE one and only Oswald) and said, he wrote a book about "Oswald the file"...where is the Harvey paperwork, where is "Harvey the file?" -

Answer: There never was a Harvey-file, because Armstrongs Harvey never existed - and the Harvey family never existed. Armstrongs Harvey is a Frankenstein made out of the remains of several Oswald doppelgangers. It was Lee Harvey Oswald, known by his mother, Voebel, John Pic, Priscilla Johnson McMillian, consul Snyder, Anna and David Lewis, Ferrie, Baker, Shaw, Marcello, Mohrenschild, Ward, Ruby, Bringuier, Ochsner, Sherman, Martin, Banister, the secretary of Banister, Marina, the Murrets( including Marilyn IC), Susie Hanover, the Pains, Alexander Rorke jr. etc. etc. who was shot in front of TV cameras on 22 11 63. No mystery here. No long term MK ultra two Ossi project.

HARVEY AND LEE is the most sophisticated Kennedy-Conspiracy whopper, I ever read. This is a very dangerous text which spreads chaos in the research community. (Despite a full load of well researched details, one can use in one way or another...to proof a conspiracy, but without this Frankenstein, or Yeti, or bigfoot, called Harvey...

Elwood P. Dowd (James Stewart) is a middle-aged, amiable (and somewhat eccentric) individual whose best friend is an invisible 6' 3.5" tall rabbit named Harvey. As described by Dowd, Harvey is a pooka, a benign but mischievous creature from Celtic mythology who is especially fond of social outcasts (like Elwood). Elwood has driven his sister and niece (who live with him and crave normality and a place in "society") to distraction by introducing everyone he meets to his friend, Harvey. His family seems to be unsure whether Dowd's obsession with Harvey is a product of his (admitted) propensity to drink or perhaps mental illness. Elwood spends most of his time in the local bar, and throughout the film invites new acquaintances to join him for a drink (or to his house for dinner). Interestingly, the barman and all regulars accept the existence of Harvey, and the barman asks how they both are and unflinchingly accepts an order from Elwood for two Martinis.

KK