22-05-2013, 03:44 PM
After my first scan read....(AMA contests to fly)...:plane:
(from earlier post re: this work)
Sherry Fiester's work I can support in two major extents. One the trajectory she posits I find quite real and better still supported by solid evidence. Two her work as Phil said well, additionally shreds the Magic Bullet to Ray Marcus' "Bastard Bullet" in equally effective manner as her trajectory work.
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Second time around. I feel much the same as before. The wound fits the posited trajectory. WC 399 does NOT fit the evidence.
The evidence fits well with the category "what we know now that we didn't know then".
A most important and most relevant category.
Not being forensically trained but having a little training in hard science and math after arithmetic, the evidence she develops fits.
My reservation was this issue. Given that the Ztoon is not the most accurate depiction of this MURDER relative to sworn witness statements and such, I had to consider this point.
Is there enough accurate data left in the Ztoon to support the geometry based upon the Ztoon?
Given the "I brake for Snipers" halt and SS asset Greer's double head turn to WAIT for the kill shot, I think so. In that the motion was stopped except for the matte behind the depicted events, I think the geometry frozen in the film can be supported by the HALT to be more accurate than if the limo were moving.
Therefore I can support the geometry without supporting the idea that SS Asset Greer did NOT stop the car and turn to witness the effects of him failing to do his duty. He did so.
As for CE 399, this has been the weak point of the Big Lie since it was given to WeThePeople in 1964. Nothing but sorry wreckage left of the MBTheory for the Confuseum to use on the as yet uninformed.
Moreover after Ms. Fiester toasts Mr. Spectre's magic bullet.
Not all of us have been around since Penn Jones Jr. and Mae Brussell.
The enemy can only deceive the uninformed.
(from earlier post re: this work)
Sherry Fiester's work I can support in two major extents. One the trajectory she posits I find quite real and better still supported by solid evidence. Two her work as Phil said well, additionally shreds the Magic Bullet to Ray Marcus' "Bastard Bullet" in equally effective manner as her trajectory work.
---------------------------------------------------------------------------------
Second time around. I feel much the same as before. The wound fits the posited trajectory. WC 399 does NOT fit the evidence.
The evidence fits well with the category "what we know now that we didn't know then".
A most important and most relevant category.
Not being forensically trained but having a little training in hard science and math after arithmetic, the evidence she develops fits.
My reservation was this issue. Given that the Ztoon is not the most accurate depiction of this MURDER relative to sworn witness statements and such, I had to consider this point.
Is there enough accurate data left in the Ztoon to support the geometry based upon the Ztoon?
Given the "I brake for Snipers" halt and SS asset Greer's double head turn to WAIT for the kill shot, I think so. In that the motion was stopped except for the matte behind the depicted events, I think the geometry frozen in the film can be supported by the HALT to be more accurate than if the limo were moving.
Therefore I can support the geometry without supporting the idea that SS Asset Greer did NOT stop the car and turn to witness the effects of him failing to do his duty. He did so.
As for CE 399, this has been the weak point of the Big Lie since it was given to WeThePeople in 1964. Nothing but sorry wreckage left of the MBTheory for the Confuseum to use on the as yet uninformed.
Moreover after Ms. Fiester toasts Mr. Spectre's magic bullet.
Not all of us have been around since Penn Jones Jr. and Mae Brussell.
The enemy can only deceive the uninformed.
Read not to contradict and confute;
nor to believe and take for granted;
nor to find talk and discourse;
but to weigh and consider.
FRANCIS BACON
nor to believe and take for granted;
nor to find talk and discourse;
but to weigh and consider.
FRANCIS BACON