Lara Logan, You Suck

[Keith Millea]

http://www.commondreams.org/view/2010/06/29-6
Published on Tuesday, June 29, 2010 by Rolling Stone
Lara Logan, You Suck

by Matt Taibbi


Lara Logan, come on down! You're the next guest on Hysterical Backstabbing Jealous Hackfest 2010!
I thought I'd seen everything when I read David Brooks saying out loud in a New York Times column that reporters should sit on damaging comments to save their sources from their own idiocy. But now we get CBS News Chief Foreign Correspondent Lara Logan slamming our own Michael Hastings on CNN's "Reliable Sources" program, agreeing that the Rolling Stone reporter violated an "unspoken agreement" that journalists are not supposed to "embarrass [the troops] by reporting insults and banter."

Anyone who wants to know why network television news hasn't mattered since the seventies just needs to check out this appearance by Logan.

Here's CBS's chief foreign correspondent saying out loud on TV that when the man running a war that's killing thousands of young men and women every year steps on his own dick in front of a journalist, that journalist is supposed to eat the story so as not to embarrass the flag. And the part that really gets me is Logan bitching about how Hastings was dishonest to use human warmth and charm to build up enough of a rapport with his sources that they felt comfortable running their mouths off in front of him. According to Logan, that's sneaky — and journalists aren't supposed to be sneaky:

"What I find is the most telling thing about what Michael Hastings said in your interview is that he talked about his manner as pretending to build an illusion of trust and, you know, he's laid out there what his game is… That is exactly the kind of damaging type of attitude that makes it difficult for reporters who are genuine about what they do, who don't — I don't go around in my personal life pretending to be one thing and then being something else. I mean, I find it egregious that anyone would do that in their professional life."

When I first heard her say that, I thought to myself, "That has to be a joke. It's sarcasm, right?" But then I went back and replayed the clip – no sarcasm! She meant it! If I'm hearing Logan correctly, what Hastings is supposed to have done in that situation is interrupt these drunken assholes and say, "Excuse me, fellas, I know we're all having fun and all, but you're saying things that may not be in your best interest! As a reporter, it is my duty to inform you that you may end up looking like insubordinate douche bags in front of two million Rolling Stone readers if you don't shut your mouths this very instant!" I mean, where did Logan go to journalism school – the Burson-Marsteller agency?

But Logan goes even further that that. See, according to Logan, not only are reporters not supposed to disclose their agendas to sources at all times, but in the case of covering the military, one isn't even supposed to have an agenda that might upset the brass! Why? Because there is an "element of trust" that you're supposed to have when you hang around the likes of a McChrystal. You cover a war commander, he's got to be able to trust that you're not going to embarrass him. Otherwise, how can he possibly feel confident that the right message will get out?

True, the Pentagon does have perhaps the single largest public relations apparatus on earth – spending $4.7 billion on P.R. in 2009 alone and employing 27,000 people, a staff nearly as large as the 30,000-person State Department – but is that really enough to ensure positive coverage in a society with armed with a constitutionally-guaranteed free press?
And true, most of the major TV outlets are completely in the bag for the Pentagon, with two of them (NBC/GE and Logan's own CBS, until recently owned by Westinghouse, one of the world's largest nuclear weapons manufacturers) having operated for years as leaders in both the broadcast media and weapons-making businesses.

But is that enough to guarantee a level playing field? Can a general really feel safe that Americans will get the right message when the only tools he has at his disposal are a $5 billion P.R. budget and the near-total acquiescence of all the major media companies, some of whom happen to be the Pentagon's biggest contractors?

Does the fact that the country is basically barred from seeing dead bodies on TV, or the fact that an embedded reporter in a war zone literally cannot take a shit without a military attaché at his side (I'm not joking: while embedded at Camp Liberty in Iraq, I had to be escorted from my bunk to the latrine) really provide the working general with the security and peace of mind he needs to do his job effectively?

Apparently not, according to Lara Logan. Apparently in addition to all of this, reporters must also help out these poor public relations underdogs in the Pentagon by adhering to an "unspoken agreement" not to embarrass the brass, should they tilt back a few and jam their feet into their own mouths in front of a reporter holding a microphone in front of their faces.
Then there's the part that made me really furious: Logan hinting that Hastings lied about the damaging material being on the record:
"Michael Hastings, if you believe him, says that there were no ground rules laid out. And, I mean, that just doesn't really make a lot of sense to me… I mean, I know these people. They never let their guard down like that. To me, something doesn't add up here. I just — I don't believe it."

I think the real meaning of that above quote is made clear in conjunction with this one: "There are very good beat reporters who have been covering these wars for years, year after year. Michael Hastings appeared in Baghdad fairly late on the scene, and he was there for a significant period of time. He has his credentials, but he's not the only one. There are a lot of very good reporters out there. And to be fair to the military, if they believe that a piece is balanced, they will let you back."

Let me just say one thing quickly: I don't know Michael Hastings. I've never met him and he's not a friend of mine. If he cut me off in a line in an airport, I'd probably claw his eyes out like I would with anyone else. And if you think I'm being loyal to him because he works for Rolling Stone, well – let's just say my co-workers at the Stone would laugh pretty hard at that idea.

But when I read this diatribe from Logan, I felt like I'd known Hastings my whole life. Because brother, I have been there, when some would-be "reputable" journalist who's just been severely ass-whipped by a relative no-name freelancer on an enormous story fights back by going on television and, without any evidence at all, accusing the guy who beat him of cheating. That's happened to me so often, I've come to expect it. If there's a lower form of life on the planet earth than a "reputable" journalist protecting his territory, I haven't seen it.

As to this whole "unspoken agreement" business: the reason Lara Logan thinks this is because she's like pretty much every other "reputable" journalist in this country, in that she suffers from a profound confusion about who she's supposed to be working for. I know this from my years covering presidential campaigns, where the same dynamic applies. Hey, assholes: you do not work for the people you're covering! Jesus, is this concept that fucking hard? On the campaign trail, I watch reporters nod solemnly as they hear about the hundreds of millions of dollars candidates X and Y and Z collect from the likes of Citigroup and Raytheon and Archer Daniels Midland, and it blows my mind that they never seem to connect the dots and grasp where all that money is going. The answer, you idiots, is that it's buying advertising! People like George Bush, John McCain, Barack Obama, and General McChrystal for that matter, they can afford to buy their own P.R. — and they do, in ways both honest and dishonest, visible and invisible.

They don't need your help, and you're giving it to them anyway, because you just want to be part of the club so so badly. Disgustingly, that's really what it comes down to. Most of these reporters just want to be inside the ropeline so badly, they want to be able to say they had that beer with Hillary Clinton in a bowling alley in Scranton or whatever, that it colors their whole worldview. God forbid some important person think you're not playing for the right team!

Meanwhile, the people who don't have the resources to find out the truth and get it out in front of the public's eyes, your readers/viewers, you're supposed to be working for them — and they're not getting your help. What the hell are we doing in Afghanistan? Is it worth all the bloodshed and the hatred? Who are the people running this thing, what is their agenda, and is that agenda the same thing we voted for? By the severely unlikely virtue of a drunken accident we get a tiny glimpse of an answer to some of these vital questions, but instead of cheering this as a great break for our profession, a waytago moment, one so-called reputable journalist after another lines up to protest the leak and attack the reporter for doing his job. God, do you all suck!

Copyright 2010 Rolling Stone

As Rolling Stone’s chief political reporter, Matt Taibbi's predecessors include the likes of journalistic giants Hunter S. Thompson and P.J. O'Rourke. Taibbi's 2004 campaign journal Spanking the Donkey cemented his status as an incisive, irreverent, zero-bullshit reporter. His latest collection is Smells Like Dead Elephants: Dispatches from a Rotting Empire

[Jan Klimkowski]

Hey, assholes: you do not work for the people you're covering!

Precisely.

In 2001, Jack Welch, CEO of General Electric and Wall Street darling, was retiring.

That year, I was commissioned by the BBC Business Dept, in a deal part brokered - I now believe - by literary agents, to produce and direct a BBC and American co-production documentary profile of "Jack".

I made it clear to my BBC bosses that I would only accept the commission if I was allowed to research the subject thoroughly, and paint a true picture of whatever that process uncovered about Welch's career.

During the course of my research, including field trips to places like Schenectady, the company town of GE, and original interviews with people such as a former senior R&D manager at GE, who had followed proudly in the footsteps of a father who had overseen research leading to dozens of breakthrough patents for GE, it became clear to me that the MSM/Wall Street legend of Welch, and the reality of that career, were irreconcileable.

Polar opposites.

Welch had chased short-term profit which maximized bonuses for senior managers; wage arbitrage through outsourcing; ghetto and liar home loans by exploiting GE's AAA credit rating (earned through its once powerful and innovative manufacturing base); and maintained control of dissent through his highly disciplinarian "GE manager" schools.

This was a parable of C20th Wall Street capitalism, whose legacy is now playing out in our towns and villages.

I'd clearly forgotten CBS and MSM's rule that I was expected to work for the people I was covering.

I was taken off the project.

Ultimately, the film was never made.

There is only one justification for the Fourth Estate. And that is to speak Truth to Power.

[Keith Millea]

Jan,
I don't know if you still work in the field of journalism,but I want to say that your ethics are very much in line with such rare folks as a John Pilger for instance.You are to be commended heartily.Here is John on "Democracy Now",talking about the state of journalism in the western press.

AMY GOODMAN: It’s been a week since Rolling Stone published its article on General Stanley McChrystal that eventually led to him being fired by President Obama. In a piece called "The Runaway General," McChrystal and his top aides openly criticized the President and mocked several top officials. Joe Biden is nicknamed "Bite me." National Security Adviser General James Jones is described as a "clown." Ambassador Richard Holbrooke is called a "wounded animal."


Since the article came out, Rolling Stone and the reporter who broke the story, Michael Hastings, have come under attack in the mainstream media for violating the so-called "ground rules" of journalism. New York Times columnist David Brooks penned a column attacking Hastings for being a, quote, "product of the culture of exposure." Brooks wrote, quote, "The reporter essentially took run-of-the-mill complaining and turned it into a direct challenge to presidential authority." He goes on to write, "The exposure ethos, with its relentless emphasis on destroying privacy and exposing impurities, has chased good people from public life, undermined public faith in institutions and elevated the trivial over the important," he said.



On Fox News, Geraldo Rivera attacked Rolling Stone reporter Michael Hastings for publishing quotes McChrystal and his aides made at a bar.

• GERALDO RIVERA: This is a situation where you have to put it in the context of war and warriors and honor and the penumbra of privacy that is presumed when it’s not on the record specifically. When you’re hanging out at a bar waiting for a plane or a train or an automobile and you’re stuck together hours and hours, and you’re drinking in a bar, or you’re at an airport lounge, this is not an interview context. These guys, particularly the staffers who gave the most damning statements about the civilians in office, including the Vice President of the United States, these guys had no idea that they were being interviewed by this guy.
  
  
  
  BILL O’REILLY: I’m not sure about that, Geraldo.
  
  GERALDO RIVERA: This reporter—wait, hold on, Bill.
  
  BILL O’REILLY: I’m not sure about that.
  GERALDO RIVERA: This reporter from Rolling Stone, he was a rat in an eagle’s nest.
  

AMY GOODMAN: So, that’s Fox News. But other mainstream media outlets have also attacked Michael Hastings for writing the story. This is Lara Logan, the chief foreign affairs correspondent for CBS News, being interviewed by Howard Kurtz on CNN.

• HOWARD KURTZ: If you had been traveling with General McChrystal and heard these comments about Barack Obama, Joe Biden, Jim Jones, Richard Holbrooke, would you have reported them?
  
  LARA LOGAN: Well, it really depends on the circumstances. It’s hard to know here. Michael Hastings, if you believe him, says that there were no ground rules laid out. And, I mean, that just doesn’t really make a lot of sense to me, because if you look at the people around General McChrystal, if you look at his history, he was the Joint Special Operations commander. He has a history of not interacting with the media at all. And his chief of intelligence, Mike Flynn, is the same. I mean, I know these people. They never let their guard down like that. To me, something doesn’t add up here. I just—I don’t believe it.
  
  HOWARD KURTZ: Washington Post quoted an unnamed senior military official as saying that Michael Hastings broke the off-the-record ground rules. But the person who said this was on background and wouldn’t allow his name to be used. Is that fair?
  LARA LOGAN: Well, it’s Kryptonite right now. I mean, do you blame him? The commanding general in Afghanistan just lost his job. Who else is going to lose his job? Believe me, all the senior leadership in Afghanistan are waiting for the ax to fall. I’ve been speaking to some of them. They don’t know who’s going to stay and who’s going to go. I mean, just the question is, really, is what General McChrystal and his aides are doing so egregious that they deserved to—I mean, to end a career like McChrystal’s? I mean, Michael Hastings has never served his country the way McChrystal has.
  

AMY GOODMAN: That’s Lara Logan, the chief foreign affairs correspondent for CBS News, being interviewed on CNN. Meanwhile, both the Washington Post and ABC have published articles quoting anonymous military sources attacking Hastings’s Rolling Stone article.



For more on the story, we’re joined by the award-winning investigative journalist, documentary filmmaker John Pilger, began his career in journalism, oh, nearly half a century ago and has written close to a dozen books and made over fifty documentaries. He lives in London but is in the United States working on a forthcoming documentary about what he calls "the war on the media." It’s called The War You Don’t See.
We welcome John Pilger to Democracy Now! John, welcome. Talk about the war you don’t see.


JOHN PILGER: Well, the war you don’t see is expressed eloquently by the New York Times, that range of extraordinary media apologists that we’ve just seen. The reason we don’t see the war on civilians, the war that has caused the most extraordinary devastation, human and cultural and structural devastation in both Iraq and Afghanistan, is because of what is almost laughingly called the mainstream media. The one apology, not these apologies that we’ve seen this morning from Fox to CBS, right across the spectrum, to the New York Times this morning, the real apology that counted was the New York Times when it apologized to its readers for not showing us the war in—or the reasons that led up, rather, to the invasion of Iraq that produced this horrific war. I mean, these people now have become so embedded with the establishment, so embedded with authority, they’re what Brecht called the spokesmen of the spokesmen. They’re not journalists.


Brooks writes about a "culture of exposure." Excuse me, isn’t that journalism? Are we so distant from what journalism ought to be, not simply an echo chamber for authority, that somebody in the New York Times can attack a journalist who’s done his job? Hastings did a wonderful job. He caught out McChrystal, as he should have done. That’s his job. In a country where the media is constitutionally freer, nominally, than any other country on earth, the disgrace of the recent carnage in the Middle East and in Afghanistan is largely down to the fact that the media didn’t alert us. It didn’t report it. It didn’t question. It simply amplified and echoed authority. Hastings has proved—God bless him—that journalists still exist.


AMY GOODMAN: You know, it’s interesting to read the first paragraph of Hastings’s piece. He talks about, yes, this group in a French bar—and, by the way, Rolling Stone said, you should see what we didn’t print, because in fact there were things they said that were off the record. But to say that Hastings violated the off-the-record rule, they said, was not the case. There was many things we didn’t print. But right after they talked about the French—he talked about the French bar and McChrystal and his high officials in the bar, his aides, you know, dancing and singing the words "Afghanistan, Afghanistan," Hastings writes, "opposition to the war has already toppled the Dutch government, forced the resignation of Germany’s president [and] sparked both Canada and the Netherlands to announce the withdrawal of their 4,500 troops. McChrystal is in Paris to keep the French, who have lost more than 40 soldiers in Afghanistan, from going all wobbly on him." But this is something most people in this country don’t know, that the US, despite the US-led coalition, the NATO troops, is very much almost going this alone.


JOHN PILGER: Yes, it’s going it alone in terms of the American people. And what journalism, like Hastings, does is represent the American people. A majority of the American people are now opposed to this colonial debacle in Afghanistan. I mean, I was very interested to read what President Obama said about Afghanistan, if I can find it. Yes, here it is. On February the 10th, 2007, quote, "It’s time to admit that no amount of American lives can resolve the political disagreement [that lies] at the heart of someone else’s civil war," unquote. That’s what President Obama said before he became president. And unless the people of the United States, like the people of Europe, like most peoples in the world, understand that, that this is a long-running civil war, that it needs the kind of sympathy, if you like, for the people of Afghanistan—it certainly doesn’t need this brutal imposition of a colonial force there.


Now, that happens to be a truth that the likes of Michael Hastings and others are expressing. But it’s also a forbidden truth. And the moment you even glimpse that truth in the United States, the kind of barrage that—the grotesque sort of cartoon barrage of Fox, right up to the rather sneering barrage that comes from the New York Times, through to CBS and so on, the barrage against truth tellers becomes—Amy, we’re dependent now on the few Hastings, but also on whistleblowers. The most important exposé was the Wikileaks exposé of the Apache attack on those journalists and children in Iraq. And here they are prosecuting the whistleblower, when in fact those responsible should be prosecuted. But that’s verboten now.


AMY GOODMAN: I just want to encourage people to go to our website at democracynow.org. We interviewed Julian Assange, who’s on the run now, afraid that he will be picked, that he will be arrested. He’s the founder of Wikileaks, and we played that 2007 video that someone within the military gave to Wikileaks, to Assange, to show the killing of civilians on the ground in Iraq. Astounding.


I wanted to go back to this comment of the CBS correspondent, of Lara Logan, who says, "Michael Hastings has never served his country the way McChrystal has." This is the reporter. You say that the media is not covering the war; it’s promoting the war.


JOHN PILGER: Michael Hastings is serving his country. This country tells the rest of the world about its magnificent beginning, about its magnificent Constitution, about its magnificent freedoms. At the heart of those freedoms is the freedom of speech and the freedom of journalism. That is serving your country. That is serving humanity. The idea that you only serve your country by being part of a rapacious colonial force—and, you know, I’m not speaking rhetorically here. That’s what is happening in Afghanistan. This is a civil war in which European and American forces have intervened. And we get a glimpse of that through the likes of the Hastings article. I really call on journalists, young journalists, to be inspired, if you like, by this Rolling Stone article, not to be put off by the apologists, not to be put off by those who serve their country embedded in the Green Zone in Baghdad, but to see journalism as something that is about truth telling and represents people and does serve one’s country.


AMY GOODMAN: It’s interesting you say this, as up in Toronto—we just came from Toronto yesterday—well, hundreds of people and a number of journalists have been beaten and arrested—


JOHN PILGER: Yeah.


AMY GOODMAN: —as they try to cover what’s happening on the streets, the protests around the G8/G20 meetings, as they talk about protecting banks and promoting war—


JOHN PILGER: Yeah.


AMY GOODMAN: —in the summits.


JOHN PILGER: Yeah. Well, there is a war on journalism. There’s long been a war on journalism. Journalism has always been—I mean, if you read, let’s say, General Petraeus’s counterinsurgency manual, which he put his name to in 2006, he makes it very clear. He said we’re fighting wars of perception—and I paraphrase him—in which the news media is a major component. So, unless the news media is part of those wars of perception—that is, that not so much the enemy that is our objective; it’s the people at home—then, you know, they’re out. They’re part of—they can easily become part of the enemy. And as we’ve seen in the numbers of journalists who have been killed in Iraq—more journalists have been killed in Iraq, mostly Iraqi journalists, than in any other war in the modern era—there is a war on this kind of truth telling. And we’re seeing this—another form of this attack on truth telling by the likes of Fox and CBS and New York Times this morning. It embarrasses them. What Hastings has done deeply embarrasses these apologists.


AMY GOODMAN: Well, interestingly, it was Hastings himself that exposed the mainstream media. Just quoting from Glenn Greenwald at Salon.com, as Barrett Brown notes in Vanity Fair, "Hastings in 2008 did to the establishment media what he did to Gen. McChrystal—[he] exposed what they do and how they think by writing the truth—after he quit Newsweek (where he was the Baghdad correspondent) and wrote a damning exposé about how the media distorts war coverage. As Brown put it: 'Hastings ensured that he would never be trusted by the establishment media ever again.'"


JOHN PILGER: What a wonderful accolade! My goodness! That’s a tremendous honor for him to bear.



AMY GOODMAN: Before we wrap up, I want to ask you about the coverage of the Gaza aid flotilla that was attacked by the Israeli commandos. You’ve come in from Britain to the United States—
JOHN PILGER: Yes.


AMY GOODMAN: —to do this piece on the media.


JOHN PILGER: Yes.


AMY GOODMAN: Your assessment of the media’s coverage?



JOHN PILGER: Well, it’s very different. I mean, there was—I think things—I think the perception of Israel and Palestine has changed quite significantly in Europe, and there was horror at the murder of these people on the Turkish ship. And there was quick understanding, I felt, that how the Israelis manipulated the footage in order to suggest that the victims were actually assaulting those who attacked the flotilla.
The coverage here has been bathed in the usual euphemisms about Israel. It’s always put into the passive voice. Israel really—the Israeli commandos never really killed anybody; it was a tragic event in which people died, and so on and so forth.


Having said that, I must say, Amy, since I’ve been in the United States, I see a—there’s a shift that is in—both politically, but certainly in the media. Since Lebanon, since Israel’s attack on Lebanon in 2006, since the attack on Gaza, Christmas 2008 and early 2009, and now this assault on the flotilla, Israel can’t be covered up. It can’t be apologized for as effectively anymore. And even in the New York Times, which has always been a stalwart in supporting the Israeli regime, the language is changing. And I think this again reflects a popular understanding and a popular disenchantment with the Middle East and the United States role in the Middle East, the apologies for one atrocity after the other, the lack of justice for the people in Palestine. So, I don’t know whether I’m being optimistic or not, but there is a change. And where that change is going to, I don’t know.


AMY GOODMAN: Are there any other key stories that you feel the media is missing or distorting?


JOHN PILGER: Well, I mean, one of the key stories is the devastation, the economic devastation, in people’s lives, that it seems to me extraordinary. And this is true in Britain, as it is in the United States, that ordinary people have suffered since the collapse in September 2008 of significant parts of Wall Street, since the bubble burst. The idea that a president was elected as a man of the people—at least that’s the way he presented himself—is still, I think, promoted by the media, whereas Obama has made clear that he has very much reinforced Wall Street, he has helped to rebuild Wall Street, his whole team is from Wall Street. He’s reached into Goldman Sachs for his senior people. I think that that anger that I’ve felt in the United States over the last few years, that anger at a popular level, is still not expressed in the so-called mainstream media. I remember in the last year of George W. Bush, someone said that in one day 26,000 emails bombarded the White House, and almost all of them were hostile.

That suggests to me a popular anger in this country that is often deflected into—down into cul-de-sacs, like the Tea Party movement. But the root of that anger—and that is a social injustice in people’s lives, in the repossession of houses, the loss of jobs, a rather weak reform, if it is a reform, of the scandalous healthcare arrangements, none of these—this popular disenchantment, disaffection, is not expressed in the media.


AMY GOODMAN: John Pilger, I want to thank you very much for being with us. John Pilger here in the United States doing a film, The War You Don’t See, as he covers the media’s coverage of war. He’s an award-winning investigative journalist and filmmaker. Thank you so much.

[Myra Bronstein]

http://www.commondreams.org/view/2010/06/29-6
Published on Tuesday, June 29, 2010 by Rolling Stone
Lara Logan, You Suck

by Matt Taibbi
...

Hell yeah!

There's an expression in the US that should never be used in journalistic circles but is: "off the record." No "journalist" should ever agree to that condition.

[Myra Bronstein]

Hey, assholes: you do not work for the people you're covering!

Precisely.

In 2001, Jack Welch, CEO of General Electric and Wall Street darling, was retiring....

Yeah I worked for GE. They literally, literally, count rubber bands. They're that stingy. People hated working there and for good reason; they're treated like dirt.

[Charles Drago]

LARA LOGAN: Well, it really depends on the circumstances. It’s hard to know here. Michael Hastings, if you believe him, says that there were no ground rules laid out. And, I mean, that just doesn’t really make a lot of sense to me, because if you look at the people around General McChrystal, if you look at his history, he was the Joint Special Operations commander. He has a history of not interacting with the media at all. And his chief of intelligence, Mike Flynn, is the same. I mean, I know these people. They never let their guard down like that. To me, something doesn’t add up here. I just—I don’t believe it. [emphasis added]

_________________


So far, so good, baby. But those who do not understand deep political structures, strategies, and tactics are doomed to support them.

Of course it doesn't add up! How could such deep currents be fathomable by "mainstream" waders?

"These people" were in complete control of what they told Hastings, and they got precisely what they were expecting.

Everything was just hunkey-dorey in Afghanistan. But hey, da general fucked up and had to go. So let's resurrect Betrayus and ... ya know, while we're at it, why not make a few flea-fart changes to how we're winning the snots and minds of the Afghans.

And how about that Oreo-in-Chief, swingin' his thing and smackin' the general off-side the helmet with it! He da man!

Welcome to the Gulf of Pigs.

[Jan Klimkowski]

Jan,
I don't know if you still work in the field of journalism,but I want to say that your ethics are very much in line with such rare folks as a John Pilger for instance.You are to be commended heartily.Here is John on "Democracy Now",talking about the state of journalism in the western press.

Keith - Pilger is 100% correct about journalists as contrasted with propagandists in that article.

If Geraldo Rivera and Lara Logan have journalist union cards, the union should revoke them immediately. They are not journalists.

Fwiw I have ethics and a moral conscience. On more than one occasion, when changes which blatantly misled and distorted the truth were made to a film I'd produced and directed, by my bosses, I've demanded that the unethical changes be removed. When this has been refused by my bosses, I've then asked that my name be taken off the film. On one occasion, when I was staff, I was "re-assigned" and my name was taken off. On another occasion, when I was freelance, I was fired.

There are plenty of journalists who function entirely without a moral conscience. They are usually driven by a combination of ambition, arrogance, ego, greed, desire to be "loved", and impressively profound stupidity. There are also a few who are either corrupt or who are assets of the Volkland Security Complex.

There's a famous quote from former DCIA Willliam Colby:

"The Central Intelligence Agency owns everyone of any significance in the major media."

I've always regarded this as a carefully calculated boast designed to intimidate and mislead.

My own experience of two decades working for significant MSM organs such as the BBC is that most journalists are not owned by the secret services. However, certain individuals in key editorial positions may well be intel assets, and they are in a position to ensure that what is published or broadcast meets the secret service/national security agenda.

In Britain, there used to a formal system of media censorship on national security grounds, known as the D-Notice. See wiki at link below for an introductory overview:
http://en.wikipedia.org/wiki/DA-Notice

These intel assets in certain key editorial positions act as a sort of unofficial D-Notice system. They control what gets commissioned in the first place, and they also control the final editorial line.

Additionally, certain key correspondents most definitely display all the signs of being intel assets and of broadcasting directly from intelligence agency central.

As for me, I don't get hired much as a journalist now. A fully functioning moral conscience is regarded as a major disqualifier by most media organs.