30-11-2010, 06:37 AM
(This post was last modified: 30-11-2010, 06:47 AM by Bernice Moore.)
[size=12]The sign changes; harold weisberg from '' WHITEWASH''[/SIZE]
[size=12]The re-enactment was conducted between 6 a.m. and 1 p.m. on Sunday May 24, 1963. Obviously the light conditions were different between the photographs (sunny or cloudy). However the conditions in CE894 - CE897, in which the dark end of the sign pole is missing, are the same as in CE888-CE890, and CE893, in which the dark top of one or both poles is visible.[/SIZE]
"Whitewash ....The report on the Warren Commission"..page 44..
Harold Weisberg.
""Six months and a day following the assassination.( May.23/64 ) the Warren Commission had the FBI photographic agent, Lyndal L.Shaneyfelt ( 5 H 138 ) do a photographic re-enactment. The report indicates no reason for such a prolonged delay.
The Secret Service had completed it's re-enactment by Dec. 5. 1963. It is difficult to imagine that the Commission could have loaded Mr.Shaneyfelt with more invalidating conditions..His re-enactment could only serve one purpose...to try and make credible a reconstruction under which the Commission's thesis, that all the shots came from the sixth floor window, might be possible..In fact, he attempted nothing else.In order to accomplish this, he had to show that no shot was fired before the frame numbered 210 on the Zapruder film..
To begin with, Shaneyfelt had to work with a black-and-white copy of the original zapruder colour film. Necessarily, the copies were less clear. Then the re-enactments began at 6 a.m as a concession to traffic. Between the time of the year and the time of the day differences between the mock-up and the real thing, al the values of shadows in photographic intelligence were forfeited, For the precise placing of the camera, mounted on the rfile, and other measuring devices Shaneyfelt had the information supplied by the Commission. He was working in fractions of degrees, yet he had to bade everything on "information furnished us by the Commission, photographs taken by the Dallas Police Department immediately after the assassination....." 5H145.......
( Don't you believe it..NOT)...see Tom Aylea..information.)
Snip:
None of the photos or such are or were in agreement with each other nor the facts, as the testimony also shows...."with none of them at the moment of the assassination shown, this was an immediate and total disqualification of anything he might try...
No matter how fine and expert Shaneyfelt , no matter how excellent his equipment or how careful his associates, his testimony and reconstruction could have no validity"..
" For example, Example Exhibit 887 ( R99) is a camera mounted atop the rifle pointing westward from the sixth-floor window. The window is raised several inches higher than it was shown in the Dillard photograph. Of necessity the rifle is mounted on a photographic tripod. But there can be only one necessity for fudging on the window--- to make the whole reconstruction possible where otherwise it would not have been. The tripod is adjustable. The rifle is inside the window. With such an obvious flaw, the exhibit is invalid as is any testimony based on it..Another photograph of the re-enactment printed on page 41 of Life Magazine for Oct. 2,1964, shows that part of the reconstruction was made with the window entirely open...This picture shows the ballistic expert resting his arm on a box incorrectly positioned . It is much too far to the west.... Worse, the rifle is without it's telescopic sight. Can any testimony based upon this reconstruction have any value ?"
snip...page 45...
"" In addition, the experts " duplicated certain frames of the Zapruder film" and of two others available to the Commission. These appear in the Report on pages 100-8 and are readily available for inspection. Not a single one can be called a duplication, as the most superficial inspection, even without instruments, will show. The angles are grossly different. The elevations are radically wrong.
Even the backgrounds are not the same. One of the best examples is the critically important frame 210 ( R102) . These are printed side by side and it will be no problem for any doubting reader to satisfy himself.
This particular illustration is also proof of another inexcusable fault :
The landscaping in the background has been altered.....
Valuable intelligence was thus lost........ In other cases trees which served the same purpose were removed and even the vital signs that figure in all of this identification and testimony were both moved and removed..It is no longer possible to make the most precise photographic reconstruction of the assassination because of this destruction and mutilation of evidence.........."'
Continued..
Whitewash 11...Harold Weisberg 1966..
Page 4......
"The Commission staff was not unaware of this, for although there is no indication it ever heeded it's own unavoidable proof or wondered why anyone would dream of destroying evidence in the assassination of an American President, the whole story was blurted out by Emmett J.Hudson, ( witness to the killing )groundskeeper of Dealey Plaza, in his belated testimony of July 22,1964, almost two months after the Commission had originally scheduled the end of it's work..( first mentioned page 45..Whitewash.) .
Not only were the hedges and shrubbery trimmed, thus destroying all the projection points essential to photographic analysis, but all the road signs absolutely vital in any reconstruction had been moved-------All Three Of Them--------Zapruder had filmed over the top of the center sign ( Stemmons) ..Two of the signs were entirely removed. The one over which Zapruder filmed was replaced, and there is no reason to believe it's replacement is in exactly the same location in the ground.or at exactly the same height above it.
Unless both of these conditions, plus the angle of the sign toward Zapruder’s lens , were exactly identical with conditions when he took his pictures, no precise reconstruction is possible..
All this funny business with the signs got on the record by accident, not through the diligence of the Commission nor it's counsel. Wesley J.Liebeler was questioning Hudson. Not until eight months to the day after the assassination, but finally Hudson was being questioned. He volunteered this testimony: "Now, they have moved some of those signs. They have moved that R.L. Thornton Freeway sign and put up a Stemmons sign ".....It was this "Stemmons" sign over which Zapruder photographed.
"They have? They have moved it?" Liebeler asked, his cool nonchalance preserved in cood type.
"Yes, sir." replied Hudson.
"That might explain it", Liebeler then said. at the same time, without even seeming so to intend, preserving for both the Commission and history the certain knowledge that the two photographs about which he was interrogating Hudson, one taken at the time of the assassination and the other after it, were not in agreement. ....And here the accidental interest of the Commission in the destruction and mutilation of the most essential evidence ended"..................
If the Commission did not know it sooner :goodnight:hot:
[size=12]The re-enactment was conducted between 6 a.m. and 1 p.m. on Sunday May 24, 1963. Obviously the light conditions were different between the photographs (sunny or cloudy). However the conditions in CE894 - CE897, in which the dark end of the sign pole is missing, are the same as in CE888-CE890, and CE893, in which the dark top of one or both poles is visible.[/SIZE]
"Whitewash ....The report on the Warren Commission"..page 44..
Harold Weisberg.
""Six months and a day following the assassination.( May.23/64 ) the Warren Commission had the FBI photographic agent, Lyndal L.Shaneyfelt ( 5 H 138 ) do a photographic re-enactment. The report indicates no reason for such a prolonged delay.
The Secret Service had completed it's re-enactment by Dec. 5. 1963. It is difficult to imagine that the Commission could have loaded Mr.Shaneyfelt with more invalidating conditions..His re-enactment could only serve one purpose...to try and make credible a reconstruction under which the Commission's thesis, that all the shots came from the sixth floor window, might be possible..In fact, he attempted nothing else.In order to accomplish this, he had to show that no shot was fired before the frame numbered 210 on the Zapruder film..
To begin with, Shaneyfelt had to work with a black-and-white copy of the original zapruder colour film. Necessarily, the copies were less clear. Then the re-enactments began at 6 a.m as a concession to traffic. Between the time of the year and the time of the day differences between the mock-up and the real thing, al the values of shadows in photographic intelligence were forfeited, For the precise placing of the camera, mounted on the rfile, and other measuring devices Shaneyfelt had the information supplied by the Commission. He was working in fractions of degrees, yet he had to bade everything on "information furnished us by the Commission, photographs taken by the Dallas Police Department immediately after the assassination....." 5H145.......
( Don't you believe it..NOT)...see Tom Aylea..information.)
Snip:
None of the photos or such are or were in agreement with each other nor the facts, as the testimony also shows...."with none of them at the moment of the assassination shown, this was an immediate and total disqualification of anything he might try...
No matter how fine and expert Shaneyfelt , no matter how excellent his equipment or how careful his associates, his testimony and reconstruction could have no validity"..
" For example, Example Exhibit 887 ( R99) is a camera mounted atop the rifle pointing westward from the sixth-floor window. The window is raised several inches higher than it was shown in the Dillard photograph. Of necessity the rifle is mounted on a photographic tripod. But there can be only one necessity for fudging on the window--- to make the whole reconstruction possible where otherwise it would not have been. The tripod is adjustable. The rifle is inside the window. With such an obvious flaw, the exhibit is invalid as is any testimony based on it..Another photograph of the re-enactment printed on page 41 of Life Magazine for Oct. 2,1964, shows that part of the reconstruction was made with the window entirely open...This picture shows the ballistic expert resting his arm on a box incorrectly positioned . It is much too far to the west.... Worse, the rifle is without it's telescopic sight. Can any testimony based upon this reconstruction have any value ?"
snip...page 45...
"" In addition, the experts " duplicated certain frames of the Zapruder film" and of two others available to the Commission. These appear in the Report on pages 100-8 and are readily available for inspection. Not a single one can be called a duplication, as the most superficial inspection, even without instruments, will show. The angles are grossly different. The elevations are radically wrong.
Even the backgrounds are not the same. One of the best examples is the critically important frame 210 ( R102) . These are printed side by side and it will be no problem for any doubting reader to satisfy himself.
This particular illustration is also proof of another inexcusable fault :
The landscaping in the background has been altered.....
Valuable intelligence was thus lost........ In other cases trees which served the same purpose were removed and even the vital signs that figure in all of this identification and testimony were both moved and removed..It is no longer possible to make the most precise photographic reconstruction of the assassination because of this destruction and mutilation of evidence.........."'
Continued..
Whitewash 11...Harold Weisberg 1966..
Page 4......
"The Commission staff was not unaware of this, for although there is no indication it ever heeded it's own unavoidable proof or wondered why anyone would dream of destroying evidence in the assassination of an American President, the whole story was blurted out by Emmett J.Hudson, ( witness to the killing )groundskeeper of Dealey Plaza, in his belated testimony of July 22,1964, almost two months after the Commission had originally scheduled the end of it's work..( first mentioned page 45..Whitewash.) .
Not only were the hedges and shrubbery trimmed, thus destroying all the projection points essential to photographic analysis, but all the road signs absolutely vital in any reconstruction had been moved-------All Three Of Them--------Zapruder had filmed over the top of the center sign ( Stemmons) ..Two of the signs were entirely removed. The one over which Zapruder filmed was replaced, and there is no reason to believe it's replacement is in exactly the same location in the ground.or at exactly the same height above it.
Unless both of these conditions, plus the angle of the sign toward Zapruder’s lens , were exactly identical with conditions when he took his pictures, no precise reconstruction is possible..
All this funny business with the signs got on the record by accident, not through the diligence of the Commission nor it's counsel. Wesley J.Liebeler was questioning Hudson. Not until eight months to the day after the assassination, but finally Hudson was being questioned. He volunteered this testimony: "Now, they have moved some of those signs. They have moved that R.L. Thornton Freeway sign and put up a Stemmons sign ".....It was this "Stemmons" sign over which Zapruder photographed.
"They have? They have moved it?" Liebeler asked, his cool nonchalance preserved in cood type.
"Yes, sir." replied Hudson.
"That might explain it", Liebeler then said. at the same time, without even seeming so to intend, preserving for both the Commission and history the certain knowledge that the two photographs about which he was interrogating Hudson, one taken at the time of the assassination and the other after it, were not in agreement. ....And here the accidental interest of the Commission in the destruction and mutilation of the most essential evidence ended"..................
If the Commission did not know it sooner :goodnight:hot: