21-08-2011, 06:06 AM
Jack White Wrote:Charles Drago Wrote:Jack White Wrote:There are many interpretations of the "Adams" presence in DP, including a role as doppelganger.Jack
Jack,
Not to beat a dead horse, but I can't help acknowledging yet again that we're on the same page here -- and we don't have a lot of company.
Yet.
Those who have trouble with the doppelganger aspects of intel ops in general and the JFK assassination in particular might be well served to evaluate these events as by-design theatrical productions.
The extended goal of maintaining a sense of powerlessness among the people -- a belief that nothing ever can be known about such events -- is to preserve minority hegemony through the prolongation of such uncertainty among the majority. It's all about confusion, contradiction, and control for power.
CCCP.
Charles
Charles...I agree. I was tipped off by Fletcher Prouty about the
theatrical scripts prepared for EVERY OPERATION. He said NO intel
operation is begun without a written "screenplay", which is then
subject to many meetings, refinements, and rehearsals. Fletch
called them SCENARIOS, and said that Lansdale and Conein were
the two BEST scenario writers in the CIA for covert operations.
He said Conein in particular was adept at creating multiple false
trails to confuse investigators and news accounts. He claimed to
recognize a Conein tactic in the staged "arrest" and "parade"
through Dealey Plaza of the THREE TRAMPS. The guys were not
assassins...just bit players to divert attention.
I agree with you and Prouty. Too bad that others do not "get it."
Jack
Worthy, I think, of a bump.
I might add that, independent of Prouty, George Michael Evica came to understand and write that the JFK op in particular and most complicated intelligence ops in general are dramatic constructs.
I would expand on this insight: The likelihood that a given historical event is conspiratorial in a deep political sense increases in direct proportion to evidence of said event's dramaturgical nature.
And so we are left to ponder the dramatic function of the doppelganger.