10-10-2011, 05:01 PM
(This post was last modified: 12-10-2011, 04:08 PM by Albert Doyle.)
For those of you who don't know, Caesar Glebbeek, a major European Hendrix archivist and source, and owner of Hendrix-based UniVibes Magazine, has put out a publication claiming to have "debunked the murder nonsense once and for all". The magazine-like publication entitled 'Until We Meet Again' was released this September and claims to be a thorough inside investigation of the murder claims, with the intention of disproving the claim that Jimi was murdered. Never in my life have I ever seen such a pitiful and wickedly-dishonest attempt at spinning facts and distorting evidence. For this to have come from someone who claims to be a major Hendrix source and relator of accurate Hendrix history to the public is an outrage and qualifies at the Judas level for wicked betrayal. What Caesar has done here is unbelievably indescribable. He's gone and twisted facts and distorted context, as well as deliberately omitting key qualifying information. His overlying premise is trying to justify Monika Dannemann and her original story given to the British Inquest. This story is well-known amongst all credible sources to be a complete fabrication and cover-up of the true facts, yet Caesar Glebbeek has the unbelievable nerve to dare defend this account and promote it as true thus proving the falseness of the murder claims. I can't conceive of a more evil betrayal, short of the biblical level, for someone who pretends to be a Hendrix source. This is notorious and deserves to be exposed. May Caesar Glebbeek be shown as the scoundrel he is and betrayer of the subject of his ambitions.
Caesar has been a valid documentor of Hendrix history throughout his Hendrix career. Because of this he is in possession of diary-like facts and information surrounding Jimi Hendrix. He begins 'Until We Meet Again' with a chronology starting at September 1st 1970. The reason he does that is because he's trying to qualify his murder theory arguments with his knowledge of day to day Hendrix history. By doing this he thinks his murder theory arguments will gain credibility. However there's something much more sinister going on in Caesar's opening pages. What he's really trying to do is document the breakdown of Jimi and his professional performance during those last few weeks. What Caesar is trying to do is paint a picture, like a prosecutor, of Jimi's breakdown and reckless drug use during his final days. And he's doing it in defense of Monika Dannemann and her notorious lies. Caesar accesses his archives of media interviews and personal accounts to fill in this depreciating chronology of sinister intent.
On page 6 Caesar finally gets around to some significant evidence. He tells of Billy Cox, Hendrix's bass player, being unknowingly dosed with LSD after the Gothenburg concert. Now it was known that Jimi was dosed with bad acid at the Madison Square Garden anti-Viet Nam War concert, and that Jimi's notorious manager Michael Jeffery was known to use dirty tactics to break-up Hendrix's attempts to form new bands, however, knowing this, and seeing how it directly relates to what happened to Cox, Caesar ignores all these incriminating factors and simply remarks that this wasn't the first time Cox had experienced hallucinogens as was commonly believed. And this is supposed to be a person having the last word on the murder theories. Knowing what we know about Jeffery, no person suggesting an end-all investigation would ever ignore this circumstance - yet there you have Caesar doing it and pretending he still has one speck's worth of credibility. For all we know that bad acid was intended for Jimi. Or maybe it was just Jeffery doing his usual dirty tactics again to get Noel Redding back in the band where he could return to his money-making arrangement in the Jimi Hendrix Experience. Caesar pretends not to notice that this dirty business of bad acid mickey's perfectly conforms to the pattern of foul play that led directly to Jimi's murder. He pretends it doesn't exist.
On page 7 Caesar offers an interview Jimi gave in Denmark as an example of his increasingly spacey condition that signifies a loss of personal control. Jimi's talking about not living to 28, and not being able to offer anything musically, and therefore not needing to be on the planet, as well as needing a wife, are all posed in a way to make it look like Jimi was losing control and understandably ended-up dead at the Samarkand Hotel weeks later. Nowhere does Caesar bother to give honest context that Jimi was showing extreme stress and talking in ultimate terms because he was worried about his dangerous manager and what he might do to him. Caesar never bothers to even mention it, even though there's serious evidence behind it. And this is from an author who dares pose himself as offering the final comprehensive "investigation". Never does Caesar give any intelligent thought to the possibility that Jimi's blown concert the next night at Arhus may have been due to his also receiving the same bad dose as Billy Cox. Or maybe cracking under the stress of the knowledge of its intention.
On page 13 Caesar has the incredible ignorance to highlight a special comment box quoting Kirsten Nefer as saying Jimi stalled for over a half-hour before coming on stage in Copenhagen because he thought he might be shot. Nefer also quotes Jimi as asking people whether they thought he would live to be 28? Caesar, in his profound arrogance to prove Monika right, takes pure evidence that Jimi had foreknowledge of threats against his life and twists them against Jimi himself as evidence of Jimi's mental instability, and, therefore, proof of the cause of his ultimate demise at the Samarkand. Nowhere does Caesar even briefly stop to consider that these outward signs of Jimi expressing knowledge of a direct threat to his life are pure evidence of the real reason for his death weeks later.
.
Caesar has been a valid documentor of Hendrix history throughout his Hendrix career. Because of this he is in possession of diary-like facts and information surrounding Jimi Hendrix. He begins 'Until We Meet Again' with a chronology starting at September 1st 1970. The reason he does that is because he's trying to qualify his murder theory arguments with his knowledge of day to day Hendrix history. By doing this he thinks his murder theory arguments will gain credibility. However there's something much more sinister going on in Caesar's opening pages. What he's really trying to do is document the breakdown of Jimi and his professional performance during those last few weeks. What Caesar is trying to do is paint a picture, like a prosecutor, of Jimi's breakdown and reckless drug use during his final days. And he's doing it in defense of Monika Dannemann and her notorious lies. Caesar accesses his archives of media interviews and personal accounts to fill in this depreciating chronology of sinister intent.
On page 6 Caesar finally gets around to some significant evidence. He tells of Billy Cox, Hendrix's bass player, being unknowingly dosed with LSD after the Gothenburg concert. Now it was known that Jimi was dosed with bad acid at the Madison Square Garden anti-Viet Nam War concert, and that Jimi's notorious manager Michael Jeffery was known to use dirty tactics to break-up Hendrix's attempts to form new bands, however, knowing this, and seeing how it directly relates to what happened to Cox, Caesar ignores all these incriminating factors and simply remarks that this wasn't the first time Cox had experienced hallucinogens as was commonly believed. And this is supposed to be a person having the last word on the murder theories. Knowing what we know about Jeffery, no person suggesting an end-all investigation would ever ignore this circumstance - yet there you have Caesar doing it and pretending he still has one speck's worth of credibility. For all we know that bad acid was intended for Jimi. Or maybe it was just Jeffery doing his usual dirty tactics again to get Noel Redding back in the band where he could return to his money-making arrangement in the Jimi Hendrix Experience. Caesar pretends not to notice that this dirty business of bad acid mickey's perfectly conforms to the pattern of foul play that led directly to Jimi's murder. He pretends it doesn't exist.
On page 7 Caesar offers an interview Jimi gave in Denmark as an example of his increasingly spacey condition that signifies a loss of personal control. Jimi's talking about not living to 28, and not being able to offer anything musically, and therefore not needing to be on the planet, as well as needing a wife, are all posed in a way to make it look like Jimi was losing control and understandably ended-up dead at the Samarkand Hotel weeks later. Nowhere does Caesar bother to give honest context that Jimi was showing extreme stress and talking in ultimate terms because he was worried about his dangerous manager and what he might do to him. Caesar never bothers to even mention it, even though there's serious evidence behind it. And this is from an author who dares pose himself as offering the final comprehensive "investigation". Never does Caesar give any intelligent thought to the possibility that Jimi's blown concert the next night at Arhus may have been due to his also receiving the same bad dose as Billy Cox. Or maybe cracking under the stress of the knowledge of its intention.
On page 13 Caesar has the incredible ignorance to highlight a special comment box quoting Kirsten Nefer as saying Jimi stalled for over a half-hour before coming on stage in Copenhagen because he thought he might be shot. Nefer also quotes Jimi as asking people whether they thought he would live to be 28? Caesar, in his profound arrogance to prove Monika right, takes pure evidence that Jimi had foreknowledge of threats against his life and twists them against Jimi himself as evidence of Jimi's mental instability, and, therefore, proof of the cause of his ultimate demise at the Samarkand. Nowhere does Caesar even briefly stop to consider that these outward signs of Jimi expressing knowledge of a direct threat to his life are pure evidence of the real reason for his death weeks later.
.