02-06-2012, 06:58 PM
Once again, Cinque moronically fails to realize Lovelady is east of the ceiling lamp in the doorway according to the correctly applied angle of perspective from Altgen's vantage point.
Lovelady is holding on to the center railing with his left hand bringing his arm and shoulder down into a dropped position as Weigman shows.
Cinque once again publicly shows he has no basic grasp whatsoever of photo analysis.
If Cinque had any ability, which he does not, he would see that the best indicator is the aluminum door frame behind Lovelady. This frame is divided into 3 parts and Lovelady is clearly framed in the 3rd most eastward section.
Lovelady is holding on to the center railing with his left hand bringing his arm and shoulder down into a dropped position as Weigman shows.
Cinque once again publicly shows he has no basic grasp whatsoever of photo analysis.
If Cinque had any ability, which he does not, he would see that the best indicator is the aluminum door frame behind Lovelady. This frame is divided into 3 parts and Lovelady is clearly framed in the 3rd most eastward section.