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Dotting the Eye
#18
Jim DiEugenio Wrote:
Gordon Gray Wrote:Have no idea what the black spot/dot/circle is, but here's a related hypothesis: If the spot is indeed an entrance wound one could reasonably infer that a shot had been fired from the area at the south end of the overpass, given the angle of the president's head in Z 312. Since (other than Fetzer's fetzerings about the hole in the windshield) I have seen no credible evidence of a shot fired from that location, I would doubt it. I recall seeing a view through a scope from that area, perhaps INSIDE THE TARGET CAR, that would have made that a difficult shot. Very likely striking the driver or Jackie. If this is true then I would guess that the spot/dot/circle is not an entrance wound. The hole could possibly be an exit wound for the shot that hit him from the rear, but that's just me speculating, not hypothesizing.

Gordon, please do not rely on Gary Mack/Dunkel's Inside the Target Car for anything in this case.

(If you are not aware of just how bad it was, please click this link http://www.ctka.net/2009/target_car_jd.html)

He did not have his marksman take a shot from the south end of the overpass. He had him move down the picket fence about 30-40 feet. Thereby avoiding what many people, including me, think is the best shot; which is at the end of the fence, where it juts out and where there is a storm drain right below. From, there the assassin would have a perfect shot with the target coming right at him and more than enough time to line it all up in the crosshairs.

Gary/Larry avoided this spot and moved down the fence. Why? I think in order to spout that disinfo story about Jackie being in the line of fire. Which she was not. From either angle.
I was referring to the views through the scope at the S Knoll and the S. end of the overpass. They seem to show a difficult shot through the windshield. 6.20 of part two. I am aware that the show was a piece of snake oil salesmanship, but unless they are misrepresenting where those two views through the scope were taken,(and I wouldn't put it past them) I think they indicate two very difficult shots. I have been to Dealey Plaza several times and stood in positions where I thought shots could have been taken. The first thing that became clear to me was that there were virtually no positions that would allow for more than one shot, because of the topography and the various obstructions like trees, hillsides, walls, signs, etc. It was difficult to tell if the position at the N end of the overpass, by the storm drain, could have worked for the head shot because I didn't have the exact location of the car to judge, but it looked to be tricky because of the curve of the hill there and the shrubbery. In particular the tree that one sees at 7.11 allows for a very narrow window of opportunity, but they should have tried a shot from there. Of course their Mrs. Kennedy is in the wrong position. The best position was behind the fence, for me, about half way between the storm drain area and the E. corner of the fence, much farther W. than the one they took. I don't think the angle is as important as some do, because it was most likely a frangible bullet. But do you disagree with there being a shot from behind as well? It seems like there is some general agreement that he was hit twice, from behind and from the front. Don't the people who have seen the "other film" say that is clearly shown? My point is that a bullet hole at the location of the black dot seems unlikely because it would indicate a shot from the S knoll or S overpass, and that seems a very difficult shot.
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Messages In This Thread
Dotting the Eye - by Charles Drago - 21-03-2013, 04:10 PM
Dotting the Eye - by David Josephs - 21-03-2013, 10:51 PM
Dotting the Eye - by Charles Drago - 21-03-2013, 11:14 PM
Dotting the Eye - by David Josephs - 22-03-2013, 12:19 AM
Dotting the Eye - by Charles Drago - 22-03-2013, 12:37 AM
Dotting the Eye - by David Josephs - 22-03-2013, 01:05 AM
Dotting the Eye - by Charles Drago - 22-03-2013, 03:13 AM
Dotting the Eye - by Gordon Gray - 22-03-2013, 04:31 AM
Dotting the Eye - by Phil Dragoo - 22-03-2013, 10:59 AM
Dotting the Eye - by Charles Drago - 22-03-2013, 01:32 PM
Dotting the Eye - by David Josephs - 22-03-2013, 07:08 PM
Dotting the Eye - by David Josephs - 22-03-2013, 07:28 PM
Dotting the Eye - by Gordon Gray - 22-03-2013, 09:45 PM
Dotting the Eye - by David Josephs - 22-03-2013, 10:07 PM
Dotting the Eye - by Jim DiEugenio - 23-03-2013, 01:06 AM
Dotting the Eye - by Gordon Gray - 23-03-2013, 01:28 AM
Dotting the Eye - by Charles Drago - 23-03-2013, 01:41 AM
Dotting the Eye - by Gordon Gray - 23-03-2013, 02:04 AM
Dotting the Eye - by David Josephs - 25-03-2013, 09:42 PM
Dotting the Eye - by Gordon Gray - 25-03-2013, 10:04 PM
Dotting the Eye - by Dawn Meredith - 25-03-2013, 11:11 PM
Dotting the Eye - by David Josephs - 25-03-2013, 11:11 PM
Dotting the Eye - by Gordon Gray - 25-03-2013, 11:47 PM
Dotting the Eye - by David Josephs - 26-03-2013, 12:37 AM
Dotting the Eye - by Gordon Gray - 26-03-2013, 02:08 AM
Dotting the Eye - by David Josephs - 26-03-2013, 05:34 PM
Dotting the Eye - by Gordon Gray - 27-03-2013, 03:32 AM
Dotting the Eye - by David Josephs - 27-03-2013, 07:44 PM
Dotting the Eye - by David Josephs - 27-03-2013, 09:04 PM
Dotting the Eye - by Gordon Gray - 27-03-2013, 10:35 PM
Dotting the Eye - by David Josephs - 28-03-2013, 01:05 AM
Dotting the Eye - by Gordon Gray - 28-03-2013, 05:15 AM
Dotting the Eye - by David Josephs - 28-03-2013, 06:01 AM
Dotting the Eye - by Gordon Gray - 28-03-2013, 06:59 AM
Dotting the Eye - by David Josephs - 28-03-2013, 07:10 PM
Dotting the Eye - by Gordon Gray - 28-03-2013, 07:37 PM
Dotting the Eye - by David Josephs - 28-03-2013, 07:53 PM
Dotting the Eye - by Gordon Gray - 28-03-2013, 08:32 PM
Dotting the Eye - by David Josephs - 28-03-2013, 09:51 PM

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