Morales assassins: Bolivia gang "fought in Balkans"

[Jan Klimkowski]

Serbs regard Rosza Flores' movie, "Chico", as pure propaganda and lies:

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Prikazivanje filma “Čiko” na 36. Showing the film "čiko on the 36th međunarodnom filmskom festivalu u Karlovim Varima, predstavlja graničnu liniju između umetnosti i propagande. International Film Festival in Karlovo Varima, is the border line between art and propaganda. Da li je srpska filmska delegacija trebalo da napusti salu kada je film “Čiko” o “psu rata” Horhe Eduardo Rosa Floresu koji igra samog sebe - dobio nagradu za režiju i nagradu Ekumenskog žirija Is the Serbian film delegation to leave the room when the film "čiko" about the "dog of war" Horhe Eduardo Rosa Flores who plays himself - received the award for direction and reward Ekumenskog jury

(Specijalno za NIN iz Karlovih Vari) (Special for Nin from Karlovy Vary)

U karlovarskom festivalskom biltenu ispod slike glavnog junaka Eduarda Floresa zvanog Čiko piše: “Začuđeni Čiko. In karlovarskom festival bulletin below pictures of the hero Eduard Flores called čiko says: "astonished čiko. Oko njega je gulaš komunizam.” Time se, valjda, htela potcrtati glavna ideja priče filma “Čiko” o propasti komunističke ideologije i ideje revolucije bez granica - od Čeove Bolivije do današnje Albanije - na ruti kojom će manje ili više ubedljivo, zavisi gde se zatekne, proputovati romanitični junak filma - Čiko. Around him is a goulash communism. "This, I guess, wanted to stress the main idea of the story of" čiko "about the fall of the communist ideology and the idea of revolution without borders - from Bolivia to Čeove Albania today - on the route, which will more or less convincingly, it depends where overtaken, pass romanitični hero movie - čiko.
Čiko je, međutim, Horhe Eduardo Rosa Flores, Bolivijac, “pas rata”, osnivač i član Internacionalne brigade u istočnoj Slavoniji za vreme Domovinskog rata (1991-92). Čiko, however, Horhe Eduardo Rosa Flores, Bolivijac, "dog of war," the founder of the International Brigade and in Eastern Slavonia during the war (1991-92). On je organizator i učesnik u ubistvu dvojice novinara iz Švajcarske i Velike Britanije koji su se usudili da preispitaju ratna delovanja ove brigade, da istražuju Floresovu vezu sa evropskim neonacistima, švercom oružja i krijumčarenjem droge. He is organizer and participant in the assassination of two journalists from Switzerland and Great Britain who dare to review war of the brigade, to explore Floresovu connection with the European Neonacisti, švercom weapons and drugs smuggling.
Dakle, izabravši ovakvog plaćenika za glavnog junaka svog filma, rediteljka Ibolija Fekete staje samo na jednu stranu. So, this izabravši mercenaries for the hero of his film, director Ibolija Fekete fits only on one side.
NJen filmski junak Čiko je, avanturista, polu-Bolivijac, polu-Mađar koji sticajem okolnosti, prateći propadanje komunističke ideje i ideologije od Čeove varijante u Boliviji do Albanije današnjih dana, najpre izbegne sa porodicom iz Bolivije u Čile gde prisustvuje padu Aljendea (prvog demokratski izabranog marksiste u Južnoj Americi) da bi, potom, stigao u Mađarsku, postojbinu svoga oca. The film is čiko hero, adventurer, Bolivijac semi-, half-Hungarian, which circumstantially, by following the decay of communist ideas and ideology of Čeove variations in Albania, Bolivia to the present day, first to avoid the family from Bolivia to Chile, where present Aljendea fall (the first democratic elected Marxist in South America) to, then, arrived in Hungary, his father's place. Pošto se tu malo zadržava, filmska priča ga odvodi u Hrvatsku kao izveštača - fotoreportera gde pada u ruke četnicima koji, iako ima tri pasoša ili baš zato što ih ima tri, hoće da ga streljaju. Since the small reserves, the film takes the story as a reporter in Croatia - where photographers fall into the hands of četnicima that, although there are three passport or just because it has three, will it streljaju. Spašava ga oficir JNA. JNA officer to save it.
Zgrožen postupcima četnika, Čiko reši da se pridruži Zboru narodne garde (ZENGE) i tu im se zaklinje na vernost, a da bi kupio njihovo poverenje markira im srpske položaje i tačke dejstava oko Vukovara. Disgusted četnika procedures, čiko decided to join the Croatian National Guard (Zeng) and that they swear to the truth, and to buy their trust marks them serbian positions and point operations around Vukovar. Odmah potom, osniva Internacionalnu brigadu sa kojom deluje u istočnoj Slavoniji. Immediately afterwards, established with the International Brigade, which operates in Eastern Slavonia.
Tako počinje film o stvarnoj, autentičnoj ličnosti po imenu Horhe Eduardo Rosa Flores, reporteru španskog lista “La Vanguardia” koji 1991. So begins a film about real, authentic person by the name Eduardo Horhe Rosa Flores, a reporter Spanish newspaper La Vanguardia that in 1991. stiže u istočnu Slavoniju ao kome, posle ovogodišnjeg pulskog festivala (film “Čiko” prikazan je van konkurencije), piše kao o potvrđenom ratnom zločincu, novinar “Feral tribjuna” Vladimir Matijanič u članku “Krvava bajka”. came to Eastern Slavonia ao which, after this year's festival in Pula (film "čiko" shown out of competition), written as a confirmed war criminals, a journalist, "Feral tribjuna" Vladimir Matijanič in the article "A Bloody Fairytale". Ovaj tekst je pre svega reakcija na odu filmu “Čiko” u zagrebačkom “Jutarnjem listu” koji ga veliča kao “najlepši film o Domovinskom ratu i hrvatskom patrotizmu”. This text is primarily a reaction to the movie leave "čiko in Zagreb" Jutarnji list "which magnified it as" the most beautiful film about the Croatian War and Croatian patrotizmu. Sledstveno tome, ovaj list ga iz sve snage preporučuje hrvatskoj distribuciji da se što pre nađe pred publikom, jer bi se u protivnom radilo o “civilizacijskoj i patriotskoj sramoti”. Consequently, this list of all the forces of the Croatian recommended distribution to that found before the audience, because it is contrary to the "civilizacijskoj and patriotskoj shame." Uz to, novinar “Jutarnjeg lista” kaže ii sledeće: “Da smo normalna i dostojanstvena zemlja, Flores bi danas kao Če Gevara imao svoj lik tiskan na majicama.” In addition, the journalist "morning newspaper and say the following:" To a normal and dignified country, Flores today as Che Guevara had the character printed on T-shirts. "
Hvala bogu, ekipa filma “Čiko” nije sprovela ovu preporuku, pa se Čiko, bar ne na majicama, nije šetao Karlovim Varima. Thank God, by the film crew "čiko" is not implemented this recommendation, and čiko, at least not in the T-shirts, not walked Karlovo Varima.
U filmu se naravno ne vidi da je njegov Internacionalni vod ubio dvojicu novinara, Švajcarca Kristijana Vurtemburga i britanskog fotoreportera Paula DŽenksa te se tako svrstao u red ratnih zločinaca. The film is of course not to the international circuit killed two journalists, Švajcarca Christian Vurtemburga and British photographer Paul DŽenksa and so chose to the war criminals. Samo se vidi kako on brani hrvatski narod do poslednjeg daha, a jedan po jedan, drugovi iz Internacionalnog voda ginu tu pored njega poput boraca sličnih brigada Građanskog španskog rata, što otvoreno asocira na fašističko dejstvo srpskih snaga. Just see how he defends the Croatian people to the last breath, and one by one, the other from the International ginu the water and the like similar brigades fighters Spanish Civil War, which opened in the associated effect of fascist Serb forces. Nigde ni pomena da je jedan od njih u stvarnom životu bio i ozloglašeni Stiven Henkok zvani Frenči, nekadašnji pripadnik Legije stranaca. Nowhere even mentioning that one of them in real life was noted Stephen Henkok called Frenči, former member of French Foreign Legion.
Sva stradanja u ovom filmu vezana su samo za hrvatski živalj u istočnoj Slavoniji i niko više tu nije ubijan ni proganjan. All the sufferings in this movie are related to Croatian živalj in Eastern Slavonia, and none that did not die or proganjan. Scena egzila Hrvata iz Osjeka, koja potpuno liči na reku Srba proteranih iz Krajine, u filmu “Čiko” je potresna, ali vas svaka volja za saživljavanjem prođe, kad se kao muzička zavesa začuje “Hor Jevreja” iz “Nabuka”. Scene egzila Croats from Osjek, which is like a river full of Serbs expelled from the Krajina, in the film "čiko" is the, but you will each saživljavanjem to pass, when the curtain hear music as "Jewish Chorus" from "Nabuka.
Film “Čiko” je kooprodukcija Mađarske, Nemačke, Hrvatske i Čilea, a nastao je u saradnji sa televizijskim kućama ZDF i ARTE. Film "čiko is kooprodukcija Hungary, Germany, Croatia and Chile, and was in cooperation with ZDF television homes, and Arte. Finansijski su ga pomogli hrvatsko Ministarstvo kulture (300 hiljada kuna) i Hrvatska Televizija (400 hiljada kuna) dok je predviđena pomoć Ministarstva obrane Hrvatske izostala, jer su posle promene vlasti povučena odobrenja Ministarstva, a novinar Vladimir Matijanič u pomenutom tekstu iznosi i podatak da je Horhe Eduardo Rosa Flores, zvani Čiko uz sve i pripadnik profašističke katoličke organizacije “Opus Dei”.Ne znamo da li je ovim podatkom raspolagao Ekumenski žiri u Karlovim Varima koji je ovom filmu dodelio nagradu za “doprinos hrišćanskim vrednostima i toleranciji među ljudima”. Financial help by the Croatian Ministry of Culture (300 thousand HRK) and Croatian Television (400 thousand kuna), while the planned assistance of the Ministry of Croatia missing lines, because they were withdrawn after the change of government approval of the Ministry, a journalist Vladimir Matijanič in this paper is the fact that Horhe Eduardo Rosa Flores, called čiko with all the members of profašističke Catholic organization "Opus Dei". I do not know if this information is raspolagao ecumenical jury in Karlovo Varima that this film is awarded the prize for "contribution to the Christian values and tolerance among people."
Posle odlaska iz Slavonije, Flores se u stvarnom životu nastanio u Budimpešti u stanu svojih roditelja prepunom ratnih trofeja, zastava i oružja s jednom mrtvačkom glavom kao ukrasom (“Feral tribjun”). After departure from Slavonia, Flores is in real life settled in Budapest in the crowded apartment of their parents' war trophies, flags and weapons with a death's head as decoration ( "Feral tribjun).
Na koktelu posle projekije “Čika” u Karlovim Varima prišla sam Iboliji Fekete i pitala je kako je mogla da napravi jedan tako pristrasan film u 2001. At the cocktail after projekije "Uncle" in Karlovo Varima prize Iboliji Fekete and I asked how could one make so biased film in 2001. godini? year? Dajući joj kartu za projekciju našeg filma “Rat uživo” rekla sam: Giving her a ticket for the projection of the film "War Live" I said:
“Trebalo bi da vidite kako može da se učini jedan korak unapred, kada je već reč o tematici koja vas je zanimala. "You should see how to make one step forward, but when it comes to content that you interested. O sukobima na tlu ex Jugoslavije. The conflicts on the territory of ex Yugoslavia. Bilo bi jako dobro da pogledate i film “Ničija zemlja”, mladog Danisa Tanovića koji je nagrađen u Kanu za najbolji scenario, koji na tlu još ozbiljnijih i složenijih sukoba i stradanja u Bosni govori o sudbini boraca dve zaraćene strane, bosanske i srpske, i to na uravnotežen i pomiriteljski način.” It would be good to see the film, and "nobody's land," the young Danis Tanovic, which is awarded in Cannes for best screenplay, which on the territory of more serious and complex conflicts and sufferings in Bosnia about the fate of two soldiers belligerent, serbian and Bosnian, and to the balanced and pomiriteljski way. "
Feketova nije bila na projekciji “Rata uživo”. Fekete was not on the project "The Live." Pred samu dodelu nagrada, kad smo se srele, izvinila se uz objašnjenje da reditelji na festivalima ponajmanje imaju vremena da gledaju filmove. Itself before granting awards, when we met, apologized with an explanation that the directors of the festivals, especially with the time to watch movies. Nisam joj čestitala na nagradi za režiju. I congratulated her on the award for direction.
Naša filmska ekipa - Darko Bajić, reditelj i producent filma, Dragan Bjelogrlić,glavni glumac i producent sa suprugom, protagonisti Vesna Trivalić i Gordan Kičić kao i producent Predrag Maksimović i Grk Pisiotis Argiris - svi oni izašli su iz Velike dvorane hotela “Termal” na vest da je nagradu za režiju, visoko priznanje Festivala u Karlovim Varima, dobila Ibolija Fekete za film “Čiko”. Our film team - Darko Bajic, director and film producer, Dragan Bjelogrlić, lead actor and producer with his wife, Vesna Trivalic protagonists and Gordan Kicic and producer Predrag Maksimovic and Greek Pisiotis Argiris - all of them out from the great hall of the hotel "Termal" on news that the prize for direction, a high recognition of the Festival in Karlovo Varima, Fekete Ibolija received for the film "čiko.
Izašli smo, jer nismo mogli da se pomirimo sa činjenicom da je za režiju nagrađen film čiji je glavni junak ratni zločinac koji uz to igra samog sebe, kažu i Darko Bajić i Dragan Bjelogrlić. We go out, because we were unable to reconcile with the fact that the direction which awarded the film the main character is a war criminal who to play with himself, and say Darko Bajic Dragan Bjelogrlić. “Ovaj film, osim toga, vređa i naš narod”, dodaje Bjelogrlić. "This film, apart from that, and insulting our people," adds Bjelogrlić. Bajić, međutim, upozorava: Bajic, however, warns:

“U festivalskim razgovorima pominjalo se vrlo često da se film “Čiko” očekivao u Karlovim Varima kao što se govorkalo da je još rano da srpski film dobije neku nagradu. "The festival talks mention very often that the film" čiko "expected in Karlovo Varima as govorkalo that it is early to get a Serbian film prize. Koliko smo saznali “Rat uživo” je ozbiljno slovio za nagradu FIPRESCI (Međunarodne federacije filmskih kritičara) a po ukupnom zbiru sa glasačke liste festivalskog biltena na kojoj su se o kvalitetu prikazanih filmova izjašnjavala renomirana svetska kritičarska imena, bio je na trećem mestu, posle, prvonagrađenog (Gran pri - Kristalni globus i 20 000 dolara) ‘Amelije sa Monmartra’, Žan-Pjer Ženea i ‘Ćao Tereska’ Roberta Glinskog, poljskog filma koji je dobio specijalnu nagradu žirija.” How we learn "War Live" is a serious slovio the FIPRESCI Prize (International Federation of Film Critics) and the total ballot with a list of festival newsletter in which the quality of films shown declared kritičarska world renowned name, was in third place, after, prvonagrađenog (Gran in - Crystal Globe and 20 000 dollars) 'Amelije from Montmartre', Jean-Pierre and Women 'Hi Tereska' Robert Glinskog, Polish film won the special jury award. "
“Rat uživo” je u Karlovim Varima inače, dobio poziv za pet filmskih festivala. "War Live" in Karlovo Varima or received a call in five film festivals.
No, jednom drugom “ratu uživo” tek treba da pristupimo. However, another "war live" only need to access. To je borba za izlazak naših filmova u svet, posebno, lobiranje za iste kad nam se ukaže prilika da ih plasiramo van zemlje ili kad su već tamo. This is our fight for the films in the world, in particular, lobbying for the same when we point out the opportunity to place them outside the country or when they are already there.
“Povratak u Evropu, naročito na srednjoevropske festivale sa kojih smo minulih godina izostajali biće vrlo težak”, konstatuje Darko Bajić. "Back in Europe, especially in the Central European festivals with which we izostajali past years will be very difficult," says Darko Bajic. Moramo se organizovati i nastupiti patrotski. We need to organize and compete patrotski. “Nije sramota biti patriota”, zaključuje on. "There is no shame to be patriots," he concludes.
Ne znam da li je o tome razmišljao i gospodin Branislav Lečić, srpski ministar kulture koji je došao sa suprugom na zvaničnu projekciju našeg filma u Karlove Vari, jer se nalazio u uzvratnoj poseti svom češkom kolegi Pavelu Dostalu sa kojim je kao i sa premijerom Češke Republike Vaclavom Klausom razgovarao “po pitanjima tranzicije u kulturi kao io problemima vezanim za sukcesiju”. I do not know if you think about it and Mr. Branislav Lecic, Serbian Minister of Culture who came with his wife to the official projection of the film in Karlovy Vary, as found in uzvratnoj visit his Czech colleague Pavel Dostál with that as well as the Czech Republic Václav Klaus spoke "on issues of transition in the culture as well as problems related to the successor." Sa njima je došao i na završnu ceremoniju. With them came on the closing ceremony.
Biće još festivala, pa i karlovarskih, na kojima treba plasirati i svoju istinu. It will be more festivals, and karlovarskih, which should put its truth. A mora se naći i prilika i način da se lobira za svoje filmove. A must find an opportunity and a way to lobby for their films. Samo prisustvo u Karlovim Varima u zvaničnoj selekciji, prvi put otkad se raspala Jugoslavija, za sada bi trebalo da nas zadovolji. Only in the presence of Karlovo Varima in the official selection, for the first time since Yugoslavia began to disintegrate, it should satisfy us. Na kraju, kad jednom uđete, nemojte odmah ustajati da izađete, ostanite u ringu da se protiv nefilmskih razloga borite dostojanstvom, a ne demonstrativnim izlaskom koji ostavlja najrazličitije mogućnosti za tumačenja: nezadovoljni su što nisu dobili nagradu, film je sumnjivih kvaliteta i vređa njihov narod. Finally, once you enter, do not immediately rise to leave, stay in the ring to fight against nefilmskih reasons dignity, and not demonstrativnim which leaves out various possibilities for interpretation: they are not satisfied are awarded, the film is the quality of suspicious people and insulting their . Čini se da gotovo niko u dvorani, a ponajmanje strani novinari, nisu znali da je glavni junak filma provereni “ratni zločinac”. It seems that almost nobody in the hall, especially foreign journalists, did not know that the main hero movie checked the "war criminal". Da li baš niko? Do you really no?
Zato je trebalo protestovati u pisanoj formi i svoj gest obrazložiti kako direkciji festivala, tako još više prisutnim stranim novinarima. Therefore, the object should be in writing and explain your gesture to the festival directorate, and even more so foreign journalists present. No, činjenica je da mi najviše volimo demonstrativno da reagujemo, ali ta vrsta reakcije ne mora isprovocirati svaku sredinu, niti naići na razumevanje. However, the fact is that we most love demonstrativno to react, but this kind of reaction does not need to provoke each environment, or come to understand. Koliko mi je poznato, samo jedan češki novinar, tvorac filmske hronike festivala Karlovih Vari, Martin Grmela, zabeležio je izjavu Dragana Bjelogrlića dok dopisnica Bete iz Češke, odnosno Praga javlja: As far as I know, only one Czech journalist, film maker Chronicles Festival Karlovy Vary, Martin Grmela, recorded the statement of Dragan Bjelogrlić while Beta postcard from the Czech Republic, Prague and reports:
“Zaštićeni mrakom izašli su iz dvorane članovi ekipe filma ‘Rat uživo’ i novinari (nije tačno da su novinari izašli, prim.DV). "Protected exit from the dark halls of the members of the team film 'War Live' and journalists (not true that journalists are out, prim.DV). Mrak u sali pobrinuo se da ovaj protest, kako se čulo, ‘protiv tendencioznosti’ mađarsko-hrvatsko-nemačko-čileanske kooprodukcije, ne procuri u češke medije. Dark in the room care to the protest, as the sense, 'against tendencioznosti' Hungarian-Croatian-German-Chilean kooprodukcije not procure in the Czech media. Srpski predstavnik u takmičarskoj selekciji ‘Rat uživo’ Darka Bajića publici se dopao, međutim, o njemu se u Karlovim Varima u krugovima filmske kritike nije ni za tren govorilo kao o favoritu za neku od nagrada. Serbian representative in the competition, selecting the 'War Live' Darko Bajic audience to enjoy, however, of him in the Karlovo Varima in the circles of film criticism is not for a moment said as a favorite for some of the awards. Jedan od čeških članova žirija otvoreno je rekao da je ova dopadljiva sentimentalna tragikomedija u Karlove Vari već došla s presudnim hendikepom - žiri je odgledao odmah na početku, dok je publika imala prilike da ga vidi tek pretposljednjeg dana festivala.” One of the Czech members of the jury openly said that this winsome sob tragicomedy in Karlovy Vary, but came with disabilities crucial - the jury odgledao immediately at the beginning, while the audience had the opportunity to see him only pretposljednjeg on the festival. "

DUBRAVKA VOJVODIĆ Dubravka Vojvodic

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