26-02-2013, 10:24 PM
Jan
Your depiction of Andean tinku goes to the heart of the opposition to John F. Kennedy.
Ted Dealey used "Caroline's pink tricycle" to mock JFK for failing to present as sufficiently macho.
The generals portrayed in Seven Days in May are fictional representations of Curtis LeMay's archetype.
The Superbowl is a stylized ritual which catches much of the competitive juices with no other outlet.
The war in Vietnam was a rush to prove the supremacy of U.S. military technology in a primitive theater.
Is it reflected in Avatar. And LBJ's "trying to show that little Ho Chi Minh" only showed him he was over his head.
John Kennedy had been there in 1951 and that would be depicted in any production of Jim Douglass' JFK and the Unspeakable.
Many aspects of Brave New World are blended with 1984 to create this matrix wherein images are distorted for the needs of the state.
A transition to androgyny is afoot, is it not. In conjunction with globalization. To simplify marketing the new corporate fascism.
Ein sex, ein volk, ein fuerher: corporate organization in classic pyramid shape.
[ATTACH=CONFIG]4361[/ATTACH]
They would like to think final defeat of Thermopylae is this November in Dallas.
But their concepts are ossified and it is a digital age.
The generals are dinosaurs.
We all are Network.
Venceremos.*
*By any means necessary
Your depiction of Andean tinku goes to the heart of the opposition to John F. Kennedy.
Ted Dealey used "Caroline's pink tricycle" to mock JFK for failing to present as sufficiently macho.
The generals portrayed in Seven Days in May are fictional representations of Curtis LeMay's archetype.
The Superbowl is a stylized ritual which catches much of the competitive juices with no other outlet.
The war in Vietnam was a rush to prove the supremacy of U.S. military technology in a primitive theater.
Is it reflected in Avatar. And LBJ's "trying to show that little Ho Chi Minh" only showed him he was over his head.
John Kennedy had been there in 1951 and that would be depicted in any production of Jim Douglass' JFK and the Unspeakable.
Many aspects of Brave New World are blended with 1984 to create this matrix wherein images are distorted for the needs of the state.
A transition to androgyny is afoot, is it not. In conjunction with globalization. To simplify marketing the new corporate fascism.
Ein sex, ein volk, ein fuerher: corporate organization in classic pyramid shape.
[ATTACH=CONFIG]4361[/ATTACH]
They would like to think final defeat of Thermopylae is this November in Dallas.
But their concepts are ossified and it is a digital age.
The generals are dinosaurs.
We all are Network.
Venceremos.*
*By any means necessary