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Celluloid Doppelganger: Why the Zapruder Film's Authenticity Can Be Argued
#19
Many who have studied the Z-film longer than I seem to have concluded it is a fruitless path, that is an endless circle by design.

I cannot agree one way or the other yet, because until now I have lacked an entry-ramp into the vitriol that is the Z-film debate. It is telling, perhaps that It has been so difficult for me to grasp the stuff, given that I am been reading about the assassination for about six years now.(although very far from full time). Yet I find Doug Hornes book just such an entry ramp. I have to say however that commentary with the weight of Brugioni, combined with the comments of the extremely cautious, almost anti-conspiratorial Jeremy Gunn who served as Horne's boss on the ARRB, make the z-film section extremely provocative. Those who dismiss it based on a'priori assumtions about the fruitlessness of following a path that is more fork than road, are missing out on some amazing comments, which just might prove bunker busters.

Where I think Charles is most correct is in his general point that the assassins planned future forks in future roads at least as much as bullet trajectories, and that such a conclusion is almost impossible to avoid, the more one looks at other areas of the case. How else, for example do we explain Nixon and Bush in Dallas, with the former called in -- if we agree with Russ Baker-- late in the game at the behest of Kendal who knew far earlier? How else do we explain the seeding of conflicting LBJ narratives before the event itself? I agree with Charles general point that the fragmentation of competing explanations to the coverup was planned well before a shot was fired ( if this is, in fact his point). That in itself is also worth thinking about for anyone going on the Z-film "treadmill?" for the first time. But still I think one has to decide for themselves.
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Celluloid Doppelganger: Why the Zapruder Film's Authenticity Can Be Argued - by Nathaniel Heidenheimer - 21-01-2010, 12:13 AM

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