27-08-2013, 05:26 AM
If any of the moderators want to PM me I will share with you my qualifications. I've briefly outlined them on another thread. Otherwise, frankly, I don't feel I should have to submit a resume or go into greater detail.
Everything I have said in this thread can and will be verified by any professional in the field who has worked in film-based optical effects.
I strongly note that the detractors on this thread have not offered a single technical critique of what I have shared. I also note that none of their surmises of what constitutes the possible in optical effects in film production consults any text, expert opinion, or even extant shot appearing in any film ever.
I have tried not to disparage any individuals personally even as I critique their understanding of the technical restraints in optical effect technology.
I'm the messenger here. I realized that flack would be sent my way, but someone had to say it.
Everything I have said in this thread can and will be verified by any professional in the field who has worked in film-based optical effects.
I strongly note that the detractors on this thread have not offered a single technical critique of what I have shared. I also note that none of their surmises of what constitutes the possible in optical effects in film production consults any text, expert opinion, or even extant shot appearing in any film ever.
I have tried not to disparage any individuals personally even as I critique their understanding of the technical restraints in optical effect technology.
I'm the messenger here. I realized that flack would be sent my way, but someone had to say it.