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Reclaiming Parkland
#11
Sound really great, Jim. I can hardly wait to read it.

On the other hand, I don't think I have the stomach to sit through Hanks' film.
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#12
Thanks Albert. If you don't want to take the wife to the movie, then buy my book for someone as a gift.

Phil, the stuff I am finding out about Bugliosi and Helter Skelter is, I mean, even for me, its startling. Because I never read that book before I started this one.

I just mailed for a book on the subject that was published in Europe, and I hope I have the opportunity to read the whole thing, its 900 pages, before my deadline at the end of this month.

What a pile of rubbish Bugliosi dropped on us in 1974. To give you just one example among many. Joel Rostau was a Mafia drug dealer who operated in New York and LA. He cut cocaine out of a storefront on Sunset Blvd. He specialized in a high class clientele. His girlfriend worked for Jay Sebring. Sebring was a client of Rostau's. And his car had a vial of cocaine in it the night he was killed. The day of the murders, Rostau made a coke and mesc delivery to the Tate home!

On the eve of the Tate/LaBianca trial, guess what happened to Joel? His corpse was found stuffed in the trunk of a rented car at JFK Airport in NYC. It was stripped to just underwear and he had been clubbed to death. All the earmarks of a Mob hit.

Guess what?

Rostau's name is not in the index of Helter Skelter.

And that's just the beginning.
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#13
Searching around following Jim's comment, I see the Manson book in question is Nikolas Schreck's THE MANSON FILE: MYTH AND REALITY OF AN OUTLAW SHAMAN. Schreck published a study of Manson in the late 80's, and the new edition (not on Amazon, which only carries the older, defunct edition) updates it after two additional decades of research.

Schreck's thesis is absolutely startling and makes me want to order his book. Not to hijack Jim's thread but this excerpt from an interview with Schreck from Metal Impact magazine (linked at the bottom - English text follows the French version) makes some things clear to me for the very first time. (I'll be getting the book myself asap).

.........


MI. According to me - please correct me if I'm wrong - this book is a demystification of the Manson myth, as a "serial killer" and even as a kind of "modern evil", as he's still seen in America. You turned him into a simple citizen, always on the verge of legality and on the loose. Do you think he was a kind of scapegoat for the government, and used as a symbol for the 60's freedom repression?


Nikolas. Yes, you're right; my book's devoted to demystifying the myth, thus the "myth and reality" subtitle. Not only the Manson-bashing myth of the Satanic serial killer, but also the equally untrue Manson fan's fantasy of the completely innocent political prisoner. If there's a "modern evil" in this case, it's not the petty crook Manson but the lawyers, mobsters and show biz sleazebags who used him as their fall guy. It's too simple to say that Charles was specifically selected by some all-powerful "Them" as a scapegoat. It's more that right-wing politicians ruling California and Washington shrewdly leaped on the convenient opportunity of "a hippie cult leader" to discredit the counterculture by redefining its revolutionary aspirations as criminal psychosis. With such opponents of peace, love and LSD as the FBI's J. Edgar Hoover, Ronald Reagan as Governor of California, and Richard "Tricky Dick" Nixon as Commander in Chief, Manson's media coverage and trial was a tightly controlled exercise in government propaganda. And the way the Manson case was covered really did have political consequences in that it defused the counterculture by convincing the public to fear hippies and dissidents as potential murderers. However, we can't ignore the fact that Atkins, Krenwinkel and Van Houten cooperated with the official script by convincingly playing the parts of "brainwashed hippie cultists" for the TV cameras at their trial. As I attempt to clarify, if Charles or any of his co-defendants opened their mouths at the trial to reveal even some of the real motives of the crimes, they could've brought down Bugliosi's fragile house of cards instantly. But the girls' defense attorneys convinced them they could get off if they showed the jury they were mindless zombies under their master's hypnotic control. And Manson's loyalty to the underworld code of silence meant that the Establishment knew that they could get away with their "Helter Skelter" anti-hippie theater without being questioned in court. So the government's scapegoat for the Sixties was at least partially responsible for allowing himself to be scapegoated. 



MI. The real story - and I must say that my opinion is very close to yours on this matter - was actually just a struggle between two parallel worlds. Hollywood "glamour" (Dennis Wilson, Sammy Davis Junior, Kenneth Anger, Mama Cass) versus Drug dealers. In your book, the real frontdoor protagonists emerge as the true actors of the tragedy, I mean, Charles « Tex » Watson, Jay Sebring and « Voytek » Frykowski, Polanski's "friend". Was this version of the story too Down-to-earth for the conservatives? Did the American people really need a tragedy in flesh and blood to bury the 60's?


Nikolas. I'm glad you came away from the book understanding that "the true actors of the tragedy" were actually the Watson-Sebring-Frykowski drug dealing network. I wanted to finally cast light on this trio usually relegated to the sidelines as "brainwashed follower" and "innocent victims". This was never the bizarre story of a cult attacking innocent strangers for irrational reasons. It's just a fairly typical tale of violence breaking out between two criminal factions who were working together. Actually, though, the cover-up of the drug-dealing nature of the crimes wasn't inspired by the conservatives. A clique of hip liberal rock stars and film industry players concealed the Mafia narcotics ring being run from the home of one of Hollywood's leading directors while he was out of town. Also, as my book makes clear, the FBI were preparing a sting operation on Jay Sebring, Leno LaBianca, and Joel Rostau (the mobster who delivered the drugs to Sebring and Frykowski the night of the murders) and others involved in a large-scale Mafia money-laundering scam whose trail they suspected led directly to Paramount Studios. To allow the true circumstances of the murders to be known to the public would have blown the FBI's agenda. The FBI, the Mafia, and the Hollywood establishment were united in their vested interest to distract the public from the truth with the "Helter Skelter" fairy tale. The utter failure of journalists to question the huge inconsistencies in the official version of the murders is to blame for letting the powers who ruled Hollywood get away with the perfect crime in court. 



MI. Your book can be seen as an objective piece of work. But what's your intimate feelings and opinion over some of the protagonists of the Manson story, Tex Watson, Lynne Fromme, Susan Atkins, Jay Sebring or even Dennis Wilson for instance?


Nikolas. I tried to put myself in the shoes of the main players rather than judging them. You can't write in such depth about the intimate lives and deaths of even the most flawed people without feeling empathy for them. My subjective feeling is that they were all caught up in the momentum of a needless tragedy that wouldn't have happened if psychedelic drugs hadn't been made illegal three years before the murders. I'll give you my spontaneous impressions of the people you named. Tex Watson: an emotionally impoverished sociopath. His violent temper was triggered by his abuse of amphetamines and Belladonna in the weeks leading up to his rampage on Cielo Drive. He didn't have a serial killer profile, he just freaked out in a speed-fueled rage. As I once wrote to him, if Watson was the disciple of Jesus he pretends to be, he'd practice what the Bible preaches about "the truth will set you free" and tell the truth about the crimes he instigated. Lynette Fromme: I know her to be of great integrity, intelligence and idealism. She was sincere in her revolutionary zeal to change society and the natural environment for the better. I hope she finds peace in her newly won freedom. I only spoke to Susan Atkins once. She was so guarded it was hard to see beneath her pose of Christian repentance. But she's a tragic case too, since despite her self-destructive bragging, she didn't participate in the murders of Gary Hinman and the Cielo Drive victims, but was just along for the ride on what she thought were going to be non-fatal settlings of her friends' drug dealing disputes. She was promised immunity if she "confessed" to the crimes according to the fictional cover story contrived by her Mafioso lawyers. Her life can only be seen as a complete waste. Jay Sebring: a professional criminal who knew the risks of the dangerous profession he chose and I don't mean hairdressing. Violent death is an occupational hazard for high-stakes drug dealers. Sebring was an insecure striver concerned with putting up an impressive front who numbed his anxiety with cocaine and alcohol. Dennis Wilson: a nervous wreck haunted by the knowledge that he introduced Manson to the whole fatal cast of characters, including Tex, Tate, Terry Melcher, Rudy Altobelli, John Phillips, Mama Cass. His last years were a wasteland of remorse. And long before that he was a tortured soul due to the stress of living up to his clean-cut Beach Boys image. All of these people's lives and the Sixties dream itself were ultimately torn apart simply because a few petty drug burn disputes got out of hand on a stoned summer night. And, as Manson's pointed out, if a minor but newsworthy celebrity like Sharon Tate hadn't canceled her plans for staying at a girlfriend's house that night, the drama would never have escalated into the legendary nightmare it became. 



MI. Don't you think sometimes that Bugliosi was just a puppet whose strings were pulled by both the Nixon Administration and the Mafia? To focus the attention of the American people on a mock trial, rather than on the Vietnam crisis and the influence of the mafia over the entertainment/drug industry?


Nikolas. Not a puppet of the Nixon administration, because Bugliosi was a Democratic Party supporter, and an admirer of Nixon's liberal arch-enemy John F. Kennedy. As for your second charge of who pulled his strings, it's relevant to note the Mafia's long-standing ties with the Democratic Party and the Kennedy family, a power syndicate Jay Sebring was also closely connected since he provided drugs for his most famous haircutting client JFK during his secret trysts with Marilyn Monroe. I find it interesting that like several other shady characters behind the Helter Skelter smokescreen, Bugliosi ardently argues that Lee Harvey Oswald was JFK's lone assassin and that the Mafia had nothing to do with the Dallas hit. Manson's told me explicitly that he believes that Bugliosi's primary task was to conceal Leno LaBianca's long-standing Mafia activity and "bring New York to Hollywood." That translates from Mansonese to mean covering up the real circumstances of the crimes to allow the East Coast mob to secure their hold over the L.A. film industry. This hostile takeover was celebrated in the movie The Godfather, which was filmed while several mob figures who could have testified in the Manson trial were executed to keep them from snitching. Bugliosi wasn't only a puppet. He had his own motives in exploiting the publicity the Manson trial received to push his own failed political ambitions to be elected as the Attorney General of California.

http://www.metal-impact.com/index.php?na...0732fe82af
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#14
You are not hijacking it since this is going into my biography of Bugliosi chapter in the book.

Yes that is the book.

Its really an interesting read and I am about 230 pages into it.

He is really an original thinker. But as you can see, when he goes out of his metier, he makes unfounded statements. Like that crap about Sebring, MM and Kennedy.

So I have to be careful about what I use since the book is only lightly footnoted.

But I will say this, a good portion of his material is corroborated in the Ed Sanders book, The Family. Like the Joel Rostau murder.

THe other thing is, by examining Manson's music career, he makes mincemeat out of Bugliosi's thesis. Because, get this: Manson hated the Beatles.

He modeled his music on a mixture of prison chain gang folk and country. The guys he liked were people like Woody Guthrie and Lefty Frizzell. Manson even hated Presley since he thought the Jailhouse Rock stuff was phony and showy.

This sticks a spear into Bugliosi's whole thesis, which I always thought was sci fi anyway.
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#15
I can't believe it. I checked at amazon.

The book is selling already. With no picture.

It must be that snappy title.

I didn't think of it. The publisher did. They spent two days tossing around titles and they came up with five.

I voted for Refuting Bugliosi. They vetoed it. I guess they were right.
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#16
Oh, strange they don't use the cover? It is a good one. Maybe they have others? The name is good. Connects with Bugliosis's 'Parkland' and his 'Reclaiming History' You'll probably get some buyers you might not have got with another title.
"The philosophers have only interpreted the world, in various ways. The point, however, is to change it." Karl Marx

"He would, wouldn't he?" Mandy Rice-Davies. When asked in court whether she knew that Lord Astor had denied having sex with her.

“I think it would be a good idea” Ghandi, when asked about Western Civilisation.
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#17
Magda Hassan Wrote:Oh, strange they don't use the cover? It is a good one. Maybe they have others? The name is good. Connects with Bugliosis's 'Parkland' and his 'Reclaiming History' You'll probably get some buyers you might not have got with another title.


I am glad you are giving a fresh look into the Manson case as well. The official story
has never added up.
Reply
#18
Anthony Thorne Wrote:Searching around following Jim's comment, I see the Manson book in question is Nikolas Schreck's THE MANSON FILE: MYTH AND REALITY OF AN OUTLAW SHAMAN. Schreck published a study of Manson in the late 80's, and the new edition (not on Amazon, which only carries the older, defunct edition) updates it after two additional decades of research.

Schreck's thesis is absolutely startling and makes me want to order his book. Not to hijack Jim's thread but this excerpt from an interview with Schreck from Metal Impact magazine (linked at the bottom - English text follows the French version) makes some things clear to me for the very first time. (I'll be getting the book myself asap).


With respect Anthony, Schreck's thesis is not "absolutely startling".

The merry band of the Church of Satan, Schreck, Anton LaVey, Ted Gunderson - what a truly fucking each other, fucked up, limited hangout that is.

Schreck, who is married to the daughter of Anton LaVey, dismisses the occult angle as sensationalism......

Anton LaVey's ex Barbara marries Ted Gunderson...

We discussed some of it here:
[URL="https://deeppoliticsforum.com/forums/showthread.php?11744-Vincent-Bugliosi-pre-Reclaiming-History/page2"]
Vincent Bugliosi pre Reclaiming History[/URL]

Were major Hollywood talents and major drug dealing involved?

Yes.

Were extreme acts of Sado-Masochism and hardcore pornography involved?

Yes.

Is Helter Skelter a lie?

Yes.

But if that's all there is, ask yourself why Sharon Tate's Military Intelligence father didn't blow the whole charade up?

Mansonite and convicted murderer Susan Atkins wrote in her autobiography of having been "involved" with Anton LaVey, founder of the Church of Satan.

Manson's unofficial filmmaker was Kenneth Anger.


Jan Klimkowski Wrote:
Quote:Terry Rawlings
Home | Books | Image Gallery | Publishers | Contact | Links


Brian Jones: Who Killed Christopher Robin? The truth behind the murder of a Rolling Stone


--------------------------------------------------------------------------------

BOOK SYNOPSIS
In 1969, The Rolling Stones' founder Brian Jones was found dead in the swimming pool of his home, Cotchford Farm, AA Milne's old house. Through exhaustive research, Terry Rawlings has amassed evidence contradicting the official Accidental Death verdict and in this book, he names Jones' murderer. The first ever paperback edition is timed to coincide with a Hollywood movie about Jones's life and death.


--------------------------------------------------------------------------------

Paperback: 288 pages

Published by: Helter Skelter Publishing

Publish Date: 21 May 2005

ISBN-10: 1900924811

ISBN-13: 978-1900924818


http://terryrawlings.com/Who%20Killed%20...0Robin.htm

I read this some time ago - it was first published in the early 90s.

A couple of other accounts have been circulating for some time. The allegations are loosely as per wiki's account:

Quote:At around midnight on the night of 2-3 July 1969, Jones was discovered motionless at the bottom of his swimming pool at Cotchford Farm. His Swedish girlfriend, Anna Wohlin, is convinced he was alive when they took him out, insisting he still had a pulse. However, by the time the doctors arrived, it was too late, and he was pronounced dead. The coroner's report stated "Death by misadventure", and noted his liver and heart were heavily enlarged by drug and alcohol abuse[22]

Wohlin claimed in 1999 that Jones had been murdered by a builder who had been renovating the house the couple shared.[citation needed] The builder, Frank Thorogood, allegedly confessed to the murder on his deathbed to the Rolling Stones' driver, Tom Keylock; Keylock later denied this.[22] In the book The Murder Of Brian Jones, Wohlin alleges that Thorogood behaved suspiciously and showed little sympathy when Jones was discovered in the pool (he was the last to see Brian alive), but she admits she was not present at Jones's death.[citation needed] Witnesses who claim to have seen the "murder" have been interviewed by journalists; however, these witnesses have almost always used pseudonyms, and none has been willing to go on record or report to the police.[citation needed] A critical witness, still alive, is a man called 'Marty' in the Hotchner book 'Blown Away'. Another builder present, called Mo(rris) passed away a couple of years ago. A third builder present called Jeff is also still around.

Some of these "builders" and "chauffeurs" around Jones and the Stones allegedly had links to the London criminal underworld.

The seminal movie, Performance, was largely shot in 1968, and the whole Stones entourage were obsessed with gangster hardcore drug/sex/death glamour. The movie was co-directed by Nicholas Roeg and Donald Cammell.

Cammell was a collaborator/acolyte of Kenneth Anger, who made films such as Lucifer Rising.

Lucifer Rising starred one Bobby Beausoleil.

Bobby Beausoleil was a Manson Family member and assassin. Beausoleil sliced up alleged drug dealer Gary Hinman's face with a sword, and then cut off his ear. Later, Beausoleil murdered Hinman, and daubed "political piggy" on the wall in Hinman's blood.

Anita Pallenberg had been Brian Jones' girlfriend. By the time of Performance, she was Keith Richards' girlfriend. The film featured explicit (for the time) sex scenes involving Pallenberg and Jagger. Allegedly Pallenberg also had a relationship with James Fox, who played the gangster.

Allegedly, the filming of the second half of the movie, in the Notting Hill Gate house, was chaotic, with major hallucinogenic ingestion and mass paranoia as Cammell screwed with everyone's minds.

In Performance, the Jagger character has lost his creative mojo and tries to get inside the head of the gangster killer Fox through drugs, sex, and hypnotic trance.

Literally psychedelic possession.

The relevance to Brian Jones is that outside the fictional world, the Stones appear to have been engaged in analogous quests.

This is also the time of Altamont.

http://www.deeppoliticsforum.com/forums/...php?t=1980

War, children, it's just a shot away, it's just a shot away.

Rape, murder, it's just a shot away, it's just a shot away.

It's just a kiss away, it's just a kiss away.
-----------------------

The end of the "Gimme Shelter" Altamont documentary:



Murder at Altamont.

The Man made His move.


Let's not forget that, during his time in prison, Charles Manson had become a Scientological Clear. In fact, it's believed he was an Operating Thetan.

This is the Church of Scientology of L Ron Hubbard, once allegedly of the ONI, and a major occultist.

It's amazing where Operating Thetans turn up. Many of the first generation of intelligence agency remote viewers were Operating Thetans. For instance, Ingo Swann.

Some of the remote viewers received, ahem, medical and ethical oversight from Jolly West, a major MK-ULTRA player, who persuaded California Governor Ronald Reagan to fund an institute which would use MK-ULTRA style methodology to identify and control especially violent individuals. Until the press exposed it.

Much of the experimentation continued - just not through easily identifiable channels.

Hollywood and drug dealing are a significant part of the Manson family story.

The deeper story is of the infiltration and use of cults to perform field experimentation of MK-ULTRA style technology with (im)plausible deniability.

Scientology, the Church of Satan and the Manson family were all used, in various ways.
"It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...."
"Proverbs for Paranoids 4: You hide, They seek."
"They are in Love. Fuck the War."

Gravity's Rainbow, Thomas Pynchon

"Ccollanan Pachacamac ricuy auccacunac yahuarniy hichascancuta."
The last words of the last Inka, Tupac Amaru, led to the gallows by men of god & dogs of war
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#19
I was reconsidering my choice of phrase even before I saw your comment here Jan, as it dawned on me flicking through the Manson pages of the (still unfinished by me) Levenda trilogy that I've missed much of the discussion and import of the event. I'll need to browse through the relevant pages here on DPF and get a sense of the whole thing.

I stand by my recurrent feelings of surprise as to just how many of the landmark events of the 60's and 70's (as publicised on TV with pop tunes of the era playing over montages of news clips encapsulating history) actually cover up conspiratorial events. (I exclude the moon landing from this category, but after you zip through the political assassinations, Watergate, the Manson killings, Jonestown and others, there's a feeling of numbness at how much of recent history is distorted through a lens to exclude deep political/CIA/conspiratorial involvement).

I'm going to read through all the gathered and linked documentation (soon) with an eye to digesting the MK-Ultra associations. Though maybe I should just return to my bookshelf and finish that SINISTER FORCES trilogy.
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#20
Anthony Thorne Wrote:I was reconsidering my choice of phrase even before I saw your comment here Jan, as it dawned on me flicking through the Manson pages of the (still unfinished by me) Levenda trilogy that I've missed much of the discussion and import of the event. I'll need to browse through the relevant pages here on DPF and get a sense of the whole thing.

I stand by my recurrent feelings of surprise as to just how many of the landmark events of the 60's and 70's (as publicised on TV with pop tunes of the era playing over montages of news clips encapsulating history) actually cover up conspiratorial events. (I exclude the moon landing from this category, but after you zip through the political assassinations, Watergate, the Manson killings, Jonestown and others, there's a feeling of numbness at how much of recent history is distorted through a lens to exclude deep political/CIA/conspiratorial involvement).

I'm going to read through all the gathered and linked documentation (soon) with an eye to digesting the MK-Ultra associations. Though maybe I should just return to my bookshelf and finish that SINISTER FORCES trilogy.

Anthony - very gracious of you, there is much to ponder in Levenda's Sinister Forces.

I am deeply suspicious of Nikolas Schreck.

Remember the Church of Satan and the Temple of Set are splinter groups involving many of the same players.

The Temple of Set was the home of Colonel Michael Aquino.

If you're not familiar with Aquino, have a little look around.

It's arguable that Schreck would not be out of place in the psyop known as the False Memory Syndrome Foundation.
"It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...."
"Proverbs for Paranoids 4: You hide, They seek."
"They are in Love. Fuck the War."

Gravity's Rainbow, Thomas Pynchon

"Ccollanan Pachacamac ricuy auccacunac yahuarniy hichascancuta."
The last words of the last Inka, Tupac Amaru, led to the gallows by men of god & dogs of war
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