22-10-2008, 09:28 AM
Charlie, my guess is that Fleming may well have had an insight into the techniques of hypnosis that prefigured MK-ULTRA that were used during WWII and pioneered by George Estabrooks (a Rhodes scholar no less).
During the war Estabrooks worked for military intelligence and was able to create a “hypnotic courier” to safely carry secret messages without fear that the other side could forcibly extract the information:
http://www.whale.to/b/estabrooks.html
Fleming was, as you know, a naval intelligence officer during the war who was stationed at the top secret code breaking Bletchley Park. As such he very likely had access to a whole range of secrets:
http://www.bucksfreepress.co.uk/news/243...x_immortal
I also think Myra is quite likely to be correct in considering that Charles Manson and others may have been programmed. The use of such people has obvious advantages of tailoring public opinion to accept changes they would not otherwise tolerate.
During the war Estabrooks worked for military intelligence and was able to create a “hypnotic courier” to safely carry secret messages without fear that the other side could forcibly extract the information:
http://www.whale.to/b/estabrooks.html
Fleming was, as you know, a naval intelligence officer during the war who was stationed at the top secret code breaking Bletchley Park. As such he very likely had access to a whole range of secrets:
http://www.bucksfreepress.co.uk/news/243...x_immortal
I also think Myra is quite likely to be correct in considering that Charles Manson and others may have been programmed. The use of such people has obvious advantages of tailoring public opinion to accept changes they would not otherwise tolerate.
The shadow is a moral problem that challenges the whole ego-personality, for no one can become conscious of the shadow without considerable moral effort. To become conscious of it involves recognizing the dark aspects of the personality as present and real. This act is the essential condition for any kind of self-knowledge.
Carl Jung - Aion (1951). CW 9, Part II: P.14