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Greg - I will listen to your interview very shortly.
I thank you greatly for your contributions to this thread, to DPF, and - if I may - to the search for truth.
"It means this War was never political at all, the politics was all theatre, all just to keep the people distracted...."
"Proverbs for Paranoids 4: You hide, They seek."
"They are in Love. Fuck the War."
Gravity's Rainbow, Thomas Pynchon
"Ccollanan Pachacamac ricuy auccacunac yahuarniy hichascancuta."
The last words of the last Inka, Tupac Amaru, led to the gallows by men of god & dogs of war
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Couldn't it just be Gordon Arnold's film?
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13-01-2012, 08:39 PM
(This post was last modified: 22-01-2012, 11:34 PM by JC Mahoney.)
albert doyle Wrote:couldn't it just be gordon arnold's film?
​top secret
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FYI,
The "trophy room" concept is one I've played with for a few years. At Jerry Rose's first "Third Decade" conference, held in (Hail, Hail) Fredonia, NY, I referenced such a concept as part of my peer review of another presenter's paper.
Over the past three months it has been in the forefront of my mind -- this time as the central element in an in-progress treatment for an original film titled Vault 2211. My story is based on the to-date otherwise completely overlooked coincident timing of two infamous crimes -- one national in scope, the other ostensibly local -- in the 1970s.
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I might add, Jan, that the magical/mystical elements in the "trophy room" concept are very close to my heart -- and to my film's underlying themes.
To eat the bear's heart is to gain the bear's strength.
And if the prey's greatest attribute is the power of its mind ...
Or of its soul ...
Of brains and pineal glands and things that go well with a fine Barolo in the night ...
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JC Mahoney Wrote:Albert Doyle Wrote:Couldn't it just be Gordon Arnold's film?
Didn't Gordon Arnold take a dive? Seems like that would've messed up his camera work.
Arnold reported that his film was taken from the camera and exposed to daylight.
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Good points.
I might have a sick sense of humor but I imagine Angleton sipping brandy and smoking a cigar in a wood paneled CIA English hunting lodge smoking room somewhere near Camp David with the stuffed heads of the Kennedy's, Marilyn, Pitzer, King, Hendrix, Lennon and others mounted over the fireplace...
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Albert Doyle Wrote:Good points.
I might have a sick sense of humor but I imagine Angleton sipping brandy and smoking a cigar in a wood paneled CIA English hunting lodge smoking room somewhere near Camp David with the stuffed heads of the Kennedy's, Marilyn, Pitzer, King, Hendrix, Lennon and others mounted over the fireplace...
If Angleton had been directly involved in the deed as a function of his responsibilities at the Agency, he would not be in that chair. His head would be mounted
under the fireplace next to Dulles'--and the rest of their remainders would be stored under the faux logs on the grate.
GO_SECURE
monk
"It is difficult to abolish prejudice in those bereft of ideas. The more hatred is superficial, the more it runs deep."
James Hepburn -- Farewell America (1968)
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Adding a link to a thread containing amplifying information:
https://deeppoliticsforum.com/forums/sho...ruder-Film
Apparently Bill Hicks first proposed that a pristine version of the Zapruder film was shown to new presidents to insure compliance. Similar to placing heads of enemies of the state on the mile markers approaching the polis.
Fascinating details recounted by Rich.
The double-tap confirmed by David Mantik's placement and analysis of the Harper fragment: the rear inshoot at the metallic trace marked L for lead, with the entire fragment blown out by the following frontal shot.
The clear roles of Umbrella Man (it's not raining rain you know, it's raining vile bul-lets) and Das Fistpumper (yo, taxi, stop man, why don't you stop, are you afraid of the neighborhood and a brother of another mother).
The turn as a mistake by Greer to take the Depository roaduh, no. More likely Greer wet himself when the shot or shots from the Dal-Tex Building hit the pavement.
And Rich saw Greer stop for Das Fistpumper. Wait for the headshot(s). Proceed.
Charles' explanation of Why show a different film from Zapruder? Primarily to confuse, to work the fog machine at the front end of its fifty-year performance.
The 1975 screening on Heraldo Rivera's Goodnight America produced a dramatic reaction resulting in the HSCA. The earlier showing of more graphic and realistic film to selected skeptics would be in character with all of the Vietnam psyops recounted by Prouty.
Give the frogs a jolt and watch them jump out of the tank. Make the other frogs think they've gone mad.
As for location of secondary film camera, various vehicles have been discussed as parked or loitering near the North Pergola which would give similar but not identical field as Zapruder.
A major phenomenon indicating Abraham's Eight-Millimeter has been fiddled: where is the stop, the braking, the slowingin the censored and adulterated witness record we have 59 Witnesses.
Using the Warren Standard of No Relevant QuestionsNo Revelatory Answers, this alone is a phenomenon.
Cut. That's a wrap. Thanks, everybody.
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14-01-2012, 01:37 AM
(This post was last modified: 22-01-2012, 11:36 PM by JC Mahoney.)
Greg Burnham Wrote:Some things I am not at liberty to discuss at all.
I'm the zodiac killer